A true story of riveting psychological intensity by the assistant D.A. who prosecuted the captor of "the girl in the box". Called the "sex slave," and "the girl in the box" case, this is the story behind Colleen Stan's terrifying, seven-year-long imprisonment by Cameron Hooker as told by the district attorney who tried the case. Too bizarre to be anything but true, it is a tale of riveting intensity and gripping courtroom drama.

One night in March 1999, fifteen-year-old dance student Rachel Elizabeth Barber vanished. No one could have guessed that she had become another girl's 'perfect' victim. Happy. Beautiful. Talented. She had everything her killer could want. Perceived by crime experts everywhere as one of the most bizarre homicides they had encountered, Perfect Victim recounts two stories: Rachel's mother Elizabeth Southall tells of her family's heart-rendering experience – how they lived through unimaginable tragedy, going to extraordinary lengths to prove their daughter wasn't a runaway. Criminal court reporter Megan Norris provides another side of the picture; the analysis, the astonishment of professionals when faced with the killer's weird and unsettling letters, and the police proceedings that led, eventually, to the Rachel Barber case being solved. Confronting and compelling, this is an incredible story about a callous and calculated crime. Also available from Foxtel Movies as 'In Her Skin' starring Guy Pearce, Miranda Otto and Sam Neill.

FBI profiler Ulysses Grove is distressed to learn that a draft of his textbook on psychopathic murderers is being used as a manual by a serial murderer.

Nils Christie’s (1986) seminal work on the ‘Ideal Victim’ is reproduced in full in this edited collection of vibrant and provocative essays that respond to and update the concept from a range of thematic positions. Each chapter celebrates and commemorates his work by analysing, evaluating and critiquing the current nature and impact of victim identity, experience, policy and practice. The collection expands the focus and remit of ‘victim studies’, addressing key themes around race, gender, faith, ability and age while encompassing new and diverse issues. Examples include sex workers as victims of hate crimes, victims’ experiences of online fraud, and recognising historic child sexual abuse victims in Ireland. With contributions from an array of academics including Vicky Heap (Sheffield Hallam University), Hannah Mason-Bish (University of Sussex) and Pamela Davies (Northumbria University), as well as a Foreword by David Scott (The Open University), this book evaluates the contemporary relevance and applicability of Christie’s ‘Ideal Victim’ concept and creates an important platform for thinking differently about victimhood in the 21st century.

Moral Wages offers the reader a vivid depiction of what it is like to work inside an agency that assists victims of domestic violence and sexual assault. Based on over a year of fieldwork by a man in a setting many presume to be hostile to men, this ethnographic account is unlike most research on the topic of violence against women. Instead of focusing on the victims or perpetrators of abuse, Moral Wages focuses exclusively on the service providers in the middle. It shows how victim advocates and counselors—who don't enjoy extrinsic benefits like pay, power, and prestige—are sustained by a different kind of compensation. As long as they can overcome a number of workplace dilemmas, they earn a special type of emotional reward reserved for those who help others in need: moral wages. As their struggles mount, though, it becomes clear that their jobs often put them in impossible situations—requiring them to aid and feel for vulnerable clients, yet giving them few and feeble tools to combat a persistent social problem.

A pathbreaking work for the next stage of the #MeToo movement, showing how we can address sexual harms with fairness to both victims and the accused, and exposing the sexism that shapes today's contentious debates about due process Over the past few years, a remarkable number of sexual harassment victims have come forward with their stories, demanding consequences for their assailants and broad societal change. Each prominent allegation, however, has also set off a wave of questions – some posed in good faith, some distinctly not – about the rights of the accused. The national conversation has grown polarized, inflamed by a public narrative that wrongly presents feminism and fair process as warring interests. Sexual Justice is an intervention, pointing the way to common ground. Drawing on core principles of civil rights law, and the personal experiences of victims and the accused, Alexandra Brodsky details how schools, workplaces, and other institutions can – indeed, must – address sexual harms in ways fair to all. She shows why these allegations cannot be left to police and prosecutors alone, and outlines the key principles of fair proceedings outside the courts. Brodsky explains how contemporary debates continue the long, sexist history of “rape exceptionalism,” in which sexual allegations are treated as uniquely suspect. And she calls on readers to resist the anti-feminist backlash that hijacks the rhetoric of due process to protect male impunity. Vivid and eye-opening, at once intellectually rigorous and profoundly empathetic, Sexual Justice clears up common misunderstandings about sexual harassment, traces the forgotten histories that underlie our current predicament, and illuminates the way to a more just world.