The aerial photographs in this book present a bird's eye view of the streets, famous monuments and tiny quartiers of Paris.

Above Paris. Pierre Salinger writes, "Paris, in its entirety, has never been portrayed like this. The view of the Ile de la Cite with the imposing Notre Dame; the Eiffel Tower, seen from above the Arc de Triomphe and the Champs-Elysees all give an entirely new deminsion to France's capital." His word picture of the world's romantic center matches Robert Cameron's stunning photography.

Above Paris is Henrardbs remarkable study of the urban landscape of Paris and its best-known monuments. Over 350 beautifully printed duotones, systematically grouped by themes such as the course of the Seine, the main roads, the stations, and the neighborhoods of Paris give a clear overview of the citybs layout. Maps at the beginning of each chapter further help orient the reader and together with detailed captions and essays by Jean-Louis Cohen make Above Paris a must for anybody.

In this luminous portrait of Paris, the celebrated historian gives us the history, culture, disasters, and triumphs of one of the world’s truly great cities. While Paris may be many things, it is never boring. From the rise of Philippe Auguste through the reigns of Henry IV and Louis XIV (who abandoned Paris for Versailles); Napoleon’s rise and fall; Baron Haussmann’s rebuilding of Paris (at the cost of much of the medieval city); the Belle Epoque and the Great War that brought it to an end; the Nazi Occupation, the Liberation, and the postwar period dominated by de Gaulle--Horne brings the city’s highs and lows, savagery and sophistication, and heroes and villains splendidly to life. With a keen eye for the telling anecdote and pivotal moment, he portrays an array of vivid incidents to show us how Paris endures through each age, is altered but always emerges more brilliant and beautiful than ever. The Seven Ages of Paris is a great historian’s tribute to a city he loves and has spent a lifetime learning to know. "Knowledgeable and colorful, written with gusto and love.... [An] ambitious and skillful narrative that covers the history of Paris with considerable brio and fervor." —LOS ANGELES TIMES BOOK REVIEW

Combining daring aerial photography with the restricted airspace over Paris provides both breathtaking and unparalleled views. From sunrise to sunset, Paris is one of the most photographed cities in the world. Shooting with the newest high-resolution medium-format professional cameras while leaning out of helicopters making steep turns with the door off, Milstein captures the highly detailed, iconic, straight-down images that set his work apart. Milstein's distinctive style--straight down--leads to fresh insights of the urban design of this great city. In a way that is impossible from street level, you can see the old neighborhoods of Montmartre and Montparnasse; iconic historical monuments like the Eiffel Tower, Arc de Triomphe or the Invalides; and modern Paris like La Défense or the new neighborhoods around the Bibliothèque Nationale. As a bonus, there is a portfolio of images of the gardens and buildings of Louis XIV's great palace, Versailles. Milstein brings his unique and unmatched aerial vistas of Paris to life--every angle, every moment, every season. This is sure to be treasured by tourists and Parisians alike.

All bets are off in the City of Lights . . . where life and love can change in less than a day Shortly after calling off her engagement, Mira Attwal escapes on an all-expense-paid business trip to Paris. But even the delicious food and flowing wine can’t make her forget her parent’s disappointment at leaving her fiance or the fact that she’s just blown up her personal life. As the trip nears its end, Mira knows she’s just a few hours from having to face the consequences. Yet, the fates seem determined to keep her away just a bit longer. Subways are missed. Trains simply don’t run. By the time Mira makes it to the airport, there are no new flights until the next day. And the icing on the pain au chocolat? Her arrogant and insufferable co-worker Jake Lewis is in the same boat. When he suggests that they spend the extra hours together, she’s sure his annoying optimism will be more than she can handle. But as they spend the next twenty-four hours exploring Paris in all its beauty, Mira realizes that she and Jake have more in common than they thought, and he may turn out to be the best thing she discovers in the City of Love.

Paris. The name alone conjures images of chestnut-lined boulevards, sidewalk cafés, breathtaking façades around every corner--in short, an exquisite romanticism that has captured the American imagination for as long as there have been Americans. In 1995, Adam Gopnik, his wife, and their infant son left the familiar comforts and hassles of New York City for the urbane glamour of the City of Light. Gopnik is a longtime New Yorker writer, and the magazine has sent its writers to Paris for decades--but his was above all a personal pilgrimage to the place that had for so long been the undisputed capital of everything cultural and beautiful. It was also the opportunity to raise a child who would know what it was to romp in the Luxembourg Gardens, to enjoy a croque monsieur in a Left Bank café--a child (and perhaps a father, too) who would have a grasp of that Parisian sense of style we Americans find so elusive. So, in the grand tradition of the American abroad, Gopnik walked the paths of the Tuileries, enjoyed philosophical discussions at his local bistro, wrote as violet twilight fell on the arrondissements. Of course, as readers of Gopnik's beloved and award-winning "Paris Journals" in The New Yorker know, there was also the matter of raising a child and carrying on with day-to-day, not-so-fabled life. Evenings with French intellectuals preceded middle-of-the-night baby feedings; afternoons were filled with trips to the Musée d'Orsay and pinball games; weekday leftovers were eaten while three-star chefs debated a "culinary crisis." As Gopnik describes in this funny and tender book, the dual processes of navigating a foreign city and becoming a parent are not completely dissimilar journeys--both hold new routines, new languages, a new set of rules by which everyday life is lived. With singular wit and insight, Gopnik weaves the magical with the mundane in a wholly delightful, often hilarious look at what it was to be an American family man in Paris at the end of the twentieth century. "We went to Paris for a sentimental reeducation-I did anyway-even though the sentiments we were instructed in were not the ones we were expecting to learn, which I believe is why they call it an education."