A mysterious stranger changes the lives of a teenage girl and her mother

"Highly recommend Adhara for all fans of paranormal and romantic suspense." —Smart Bitches, Trashy Books Werewolf meets human. Werewolf snubs human. Werewolf loves human? Julien Doran arrived in sleepy Maudit Falls, North Carolina, with a heart full of hurt and a head full of questions. The key to his brother's mysterious last days might be found in this tiny town, and now Julien's amateur investigation is starting to unearth things the locals would rather keep buried. Perhaps most especially the strange, magnetic manager of a deserted retreat that's nearly as odd as its staff. Eli Smith is a lot of things: thief, werewolf, glamour-puss, liar. And now the manager of a haven for rebel pack runaways. He’s spent years cultivating a persona to disguise his origins, but for the first time ever he’s been entrusted with a real responsibility—and he plans to take that seriously. Even if the handsome tourist who claims to be in town for some R & R is clearly on a hunt for all things paranormal. And hasn't taken his brooding gaze off Eli since he's arrived. When an old skeleton and a fresh corpse turn a grief errand into a murder investigation, the unlikely Eli is the only person Julien can turn to. Trust is hard to come by in a town known for its monsters, but so is time… Carina Adores is home to modern, romantic love stories where LGBTQ+ characters find their happily-ever-afters. Monster Hunt Book 1: Pack of Lies Book 2: Den of Thieves Big Bad Wolf Book 1: The Wolf at the Door Book 2: The Wolf At Bay Book 3: Thrown to the Wolves Book 4: Wolf in Sheep's Clothing Book 5: Cry Wolf

Defining lies as statements that are intended to deceive, this book considers the contexts in which people tell lies, how they are detected and sometimes exposed, and the consequences for the liars themselves, their dupes, and the wider society. The author provides examples from a number of cultures with distinctive religious and ethical traditions, and delineates domains where lying is the norm, domains that are ambiguous and the one domain (science) that requires truthtelling. He refers to experimental studies on children that show how, at an early age, they acquire the capactiy to lie and learn when it is appropriate to do so. He reviews how lying has been evaluated by moralists, examines why we do not regard novels as lies and relates the human capacity to lie to deceit among other animal species. He concludes that although there are, in all societies, good pragmatic reasons for not lying all the time, there are also strong reasons for lying some of the time.

In 1961, Peter and Helen Kroger, two Americans living in a London suburb, were convicted of spying for the Russians and sentenced to twenty years’ imprisonment. From these facts Hugh Whitemore has written a powerfully moving fictional account of the events leading up totheir arrest with the action centered on the totally unsuspecting Jackson household – Bob, Barbara and their daughter Julie. The Jacksons live opposite the Krogers, believing them to be a convivial Canadian couple and their closest friends. Then a mysterious stranger arrives, announcing he is from MI5 and quietly coerces the Jacksons into allowing their house to be used as a surveillance post. In the nightmare months that follow, the Jacksons’ decent, happy life is shattered as the truth about their much-loved friends is gradually revealed to them and, helpless in an alien, sordid world of deception and treachery, Barbara reaches breaking point with the agonizing realization that the Krogers have betrayed herand she, in turn, has betrayed the Krogers.

Ginny slips through the cracks of her parents divorce and grows up like a weed, undernourished in motherly love and overnourished in all the wrong ways. Ginny is potent, addictive, and as delicious and nutritious as nicotine. Sometimes tragic, sometimes funny but always sexy, she improvises her way through her days with unintended honesty and compulsive joy, and very little morality of the conventional kind. This Pack of Lies is Ginny's ruthless look at her unlikely life in Bombay in the eighties. Ignoring the way things should be, she makes us question them. It is not Ginny who lies, but the world around her that refuses her candor, denies her truths, and turns her away as the girl who cries wolf.

Hadley is losing time, and her shadow refuses to shed light on the gaps in her memory. How can she protect her city if she can't remember where she goes or what she does when she ought to be asleep? Her grim history appears to be stuck on repeat, and the only way forward might be a scythe through her back.