What does it mean to look? How does looking relate to damage? These are the fundamental questions addressed in Overlooking Damage. From the Roman triumph to the iconoclasm of ISIS and the Taliban to the aerial views of looted landscapes and destroyed temples visible on Google, the relationship between beauty and violence is far more intimate than we sometimes acknowledge. Jonah Siegel makes the daring argument that a thoughtful reaction to images of damage need not stop at melancholy, but can lead us to a new reckoning. Would the objects we admire be more beautiful if they were not injured or displaced, if they did not remind us of unbearable violence? Siegel takes up writers from the time of the French Revolution to today who have reacted to the depredations of revolutionary iconoclasm, imperial looting, and industrial capitalism, and proposes that in these authors we may find resources with which to navigate our contemporary situation. Deftly bringing the methods of literary studies to bear on important debates in the study of heritage, archaeology, and visual culture, Overlooking Damage reflects on the ways in which concepts of beauty intersect with periods of epochal violence in an attempt to resist the separation of broken things from the worlds in which they have come to be embedded.

V. 1-11. House of Lords (1677-1865) -- v. 12-20. Privy Council (including Indian Appeals) (1809-1865) -- v. 21-47. Chancery (including Collateral reports) (1557-1865) -- v. 48-55. Rolls Court (1829-1865) -- v. 56-71. Vice-Chancellors' Courts (1815-1865) -- v. 72-122. King's Bench (1378-1865) -- v. 123-144. Common Pleas (1486-1865) -- v. 145-160. Exchequer (1220-1865) -- v. 161-167. Ecclesiastical (1752-1857), Admiralty (1776-1840), and Probate and Divorce (1858-1865) -- v. 168-169. Crown Cases (1743-1865) -- v. 170-176. Nisi Prius (1688-1867).

The overall aim of these books is to give scientists in academia and industry a comprehensive overview of the field of DNA damage and DNA repair and related human diseases.

From the Pulitzer Prize-winning author of A Thousand Acres comes the much-anticipated final volume in the acclaimed The Last Hundred Years Trilogy, following Some Luck and Early Warning. A richly absorbing new novel that is “a monumental portrait of an American family and an American century…. Smiley’s plot is a marvel of intricacy that’s full of surprises.” —Los Angeles Times It’s 1987, and the next generation of Langdons is facing economic, social, and political challenges unlike anything their ancestors have encountered. Michael and Richie, twin sons of World War II hero Frank, work in the high-stakes worlds of government and finance—but their fiercest enemies may be closer to home. Charlie, the charmer, struggles to find his way; Guthrie is deployed to Iraq, leaving the Iowa family farm in the hands of his younger sister, Felicity—who, as always, has her own ideas. Determined to help preserve the planet, she worries that her family farm’s land is imperiled, and not only by the extremes of climate change. Moving seamlessly from the power-brokered 1980s and the scandal-ridden ‘90s to our own present moment and beyond, Golden Age combines intimate drama, emotional suspense, and an intricate view of history, bringing to a magnificent conclusion the epic trilogy of one unforgettable family.