Oswald the Lucky Rabbit was created in 1927 by Walt Disney and his team through twenty-six cartoon shorts. Not without fits and starts, the series and its impish title character were an instant hit with audiences. At the end of that initial run, Walt lost the contract to Oswald, which prompted the creation of Mickey Mouse. Over the years, Oswald became a footnote in the Disney story . . . until 2006, when The Walt Disney Company recovered rights to Walt's twenty-six shorts. Behind-the-scenes, a complex and labor-intensive search developed for the physical film footage of some Oswald cartoons deemed "lost to time." For anyone interested in Disney origins, fascinated by early cinema, or entertained by a feisty little rabbit, this engaging and accessible volume delivers an in-depth look at Walt's first major animated success and the journey to reclaim the lost Disney films. This edition features updated text, newly discovered film images, a foreword by The Walt Disney Company CEO, Bob Iger, and six collectible prints.

Oswald the Lucky Rabbit was created in 1927 by Walt Disney and his team through twenty-six cartoon shorts. Not without fits and starts, the series and its impish title character were an instant hit with audiences. At the end of that initial run, Walt lost the contract to Oswald, which prompted the creation of Mickey Mouse. Over the years, Oswald became a footnote in the Disney story . . . until 2006, when The Walt Disney Company recovered rights to Walt's twenty-six shorts. Behind-the-scenes, a complex and labor-intensive search developed for the physical film footage of some Oswald cartoons deemed "lost to time." For anyone interested in Disney origins, fascinated by early cinema, or entertained by a feisty little rabbit, this engaging and accessible volume delivers an in-depth look at Walt's first major animated success and the journey to reclaim the lost Disney films.

This limited edition features a high-definition screen inside the front cover and a touch of a button plays the entire Destino film. This first-of-its-kind volume comes in a beautiful slipcase and includes a USB and wall charger and a headphone jack for a lifetime of continued enjoyment. A stunning limited-edition featuring the Destino film right in the book of this tribute to the lifelong friendship and collaboration of Salvador Dali and Walt Disney. In 1945, the two began working on a project together, intended to be a short animated film called Destino. Dali partnered with Disney Legend John Hench to storyboard the film, but production was brought to a halt because of financial difficulties. Over fifty years later, Walt's nephew Roy E. Disney decided to give it new life. The film went on to be nominated for an Academy Award in 2004 . This volume showcases all 150 pieces of art created by Dali and Hench. Also, the sole piece of animation art that was filmed in 1946 is showcased in a series of images explaining how it was digitally cut apart, restored and then reassembled for the 2003 completed film version.

Disney Animation

From the earliest origins of animated imagery, the colorful link between paper and screen was created by legions of female artists working on the slick surface of celluloid sheets. With calligraphic precision and Rembrandtesque mastery, these women painstakingly brought pencil drawings to vibrant, dimensional life. Yet perhaps as a reflection of the transparent canvas they created on, the contributions and history of these animation artists have remained virtually invisible and largely undocumented, until now. Walt Disney's pioneering efforts in animation transformed novelty cartoons into visual masterpieces, establishing many "firsts" for women within the entertainment industry along the way. Focusing on talent, Disney sought female story specialists and concept artists to expand the scope and sensibility of his storytelling. Upon establishing the first animation-training program for women, ink pens were traded for pencils as ladies made their way into the male-laden halls of animation. World War II further opened roles traditionally held by men, and women quickly progressed into virtually every discipline within animation production. Disney's later development of the Xerox process and eventual digital evolution once again placed women at the forefront of technological advancements applied to animated storytelling. In her latest landmark book, Ink & Paint: The Women of Walt Disney's Animation, author Mindy Johnson pulls back the celluloid curtain on the nearly vanished world of ink pens, paintbrushes, pigments, and tea. From the earliest black-and-white Alice Comedies to the advent of CAPS and digital animation, meet the pioneering women who brought handrendered animated stories to vibrant, multicolored life at Walt Disney Studios and beyond. Extensively researched with the full support of the entire Walt Disney Studios archival resources, plus a multitude of private collections, firsthand accounts, newly discovered materials, and production documentation, as well as never-before-seen photography and artwork, this essential volume redefines the collective history of animation.

Gorgeous never-before-published photographs and fascinating personal memories celebrate the half-a-century career of Disney Legend Ub Iwerks, a self-taught animator who became the first to animate Mickey and Minnie Mouse and an exceptional draftsman, prolific innovator, and all-around technical genius who directly collaborated with Walt Disney to create some of the most loved moments throughout film and theme parks. Even before the creation of Mickey, Walt established a reputation as a technical leader in Hollywood and frequently relied on the counsel, expertise, ingenuity, and creativity of a kindred spirit, lifelong friend, and fellow virtuoso: Ub Iwerks. Up till now, Ub and his many technical inventions and techniques have been largely unknown by the general public. His illustrious career consisted of dozens of innovative contributions, large and small, to both animated and live-action motion pictures, as well as the fields of optics, film processes, and special effects. He was also the major force behind the design of special cameras, projectors, electronics, and audio for theme park projects, and much more. The high standard set by Walt and Ub continues to inspire artists and technicians within The Walt Disney Company as they explore new avenues of quality entertainment. Here is a one-of-a-kind appreciation to an extraordinary man and an outstanding career, a record of his many inventions and accomplishments, and a tribute from a grateful son to his remarkable father.

For more than a dozen years, a soft spoken, unassuming woman dominated design at The Walt Disney Studios with a joyful creativity and exuberant color palette that stamped the look of many classic Disney animated features, including Cinderella and Peter Pan. Favorite theme park attractions, most notably the "It's A Small World" boat ride, originally created for the 1964 New York World's Fair, were also among her designs. Now the story behind one of Walt's favorite artists is celebrated in this delightful volume of whimsical art and insightful commentary. In her prime, Mary Blair was an amazingly prolific American artist who enlivened and influenced the not-so-small worlds of film, print, theme parks, architectural decor, and advertising. Her art represented and communicated pure pleasure to the viewer. Mary Blair's personal flair was at one with the imagery that flowed effortlessly and continually from her brush for more than half a century. Walt Disney loved her art and championed it at the Studio. The two shared many sensibilities, including a childlike fondness for playfulness in imagery.