A 2022 SPE Outstanding Book Award Winner On Liking the Other: Queer Subjects and Religious Discourses studies the intersection of religious and queer discourses in teacher education. It looks at the sometimes difficult topics rooted in these two particular discourses, which are often seen as unwelcome in both public and private educational spaces. In engaging in such a conversation, the authors seek the ways that these discourses, while steeped in discontent, dilemma, and difficulty, might also offer ways to reorient ourselves amidst twenty-first century educational realities. More to the point, the text puts queer histories and logics into conversations with theologies through the concept of liking. Eschewing the typical antagonism that often defines the relationships between religious and queer discourses, this book looks for resonances and overlaps that might provide new habits for conducting the work of meeting in teacher education classrooms and educational worlds. It is an excellent text for a variety of classrooms and courses. On Liking the Other is structured in three sections, with each section divided into two chapters. Within each section, the authors explore an overarching theme through their distinct, albeit related, perspectives. This is to allow each perspective to be given its due, while also drawing on the knowledge of one another at particular junctures. Like a conversation in person, this recognizes the ways conversations (as opposed to monologues) happen and, in doing so, helps to add clarification and additional details. Kevin J. Burke is a curriculum theorist whose scholarship operates at the intersection of religion, masculinities, and English education. Adam J. Greteman is a philosopher of education whose scholarship operates at the intersection of queer theories, sexualities, and Art education. Both authors are deeply invested in the work of Teacher Education, particularly in thinking through the conundrums of engaging pre-service teachers who bring to Teacher Education classrooms and eventually their own classrooms their religious, gendered, and sexual subjectivities. The conversations here, attempting to orient ourselves differently, are meant to open up space for complicated conversations that are foundational to the work of curriculum. Perfect for courses such as: Queer Theory in Education | Multicultural Education | Critical Educational Foundations | Human Diversity, Power and Opportunity in Social Institutions | Diversity in Education | Diversity and Inclusive Teaching | Multicultural and Equity Studies in Education

In the timeless tradition of "West Side Story" and "Crossing Delancey, " this thoroughly modern take on romance is sure to inspire laughter, tears, and the belief that love can happen when and where it's least expected.

“What if I played football?” I ask. As soon as it’s out of my mouth, I feel stupid. Even suggesting it feels like I’ve overstepped some kind of invisible line we’ve all agreed not to discuss. We don’t talk about how Mara is different from other girls. We don’t talk about how Mara is gay but no one says so. But when I do stuff like this, I worry it gets harder for us all to ignore what’s right in front of us. I direct my gaze to Quinn. “What do you think?” “I think it’s frickin’ genius,” he says. After getting kicked off the basketball team for a fight that was absolutely totally not her fault (okay maybe a little her fault), Mara is dying to find a new sport to play to prove to her coach that she can be a team player. A lifelong football fan, Mara decides to hit the gridiron with her brother, Noah, and best friend, Quinn?and she turns out to be a natural. But joining the team sets off a chain of events in her small Oregon town?and within her family?that she never could have predicted. Inspired by what they see as Mara’s political statement, four other girls join the team. Now Mara’s lumped in as one of the girls?one of the girls who can’t throw, can’t kick, and doesn’t know a fullback from a linebacker. Complicating matters is the fact that Valentina, Mara’s crush, is one of the new players, as is Carly, Mara’s nemesis?the girl Mara fought with when she was kicked off the basketball team. What results is a coming-of-age story that is at once tear-jerking and funny, thought-provoking and real, as Mara’s preconceived notions about gender, sports, sexuality, and friendship are turned upside down. Britta Lundin's sophomore novel will give readers all the feels, and make them stand up and cheer.

This PEN/Hemingway Award winner about coming of age in Los Angeles is a “little gem of a novel . . . a masterwork of Hollywood fiction” (Salon). He’s a child of 1940s Hollywood—specifically, Casa Fiesta, a ranch in the Malibu hills that he shares with his mother, a onetime Broadway headliner, and his father, a star of Westerns. But when his parents fall out of favor in Tinseltown, the narrator of this exquisitely crafted dark comedy loses his youthful idyll and accompanies his lovesick mother on a vodka-soaked international quest for romance and redemption. Meanwhile, his father lives in “diminished circumstances” in California, clinging to his silver-screen mementos, trusting that, someday soon, his ex-wife and his career will return. Tired of tending bar at his mother’s parties and listening to his father’s sad tales of former glory, the boy moves in with his best friend’s family in Beverly Hills. But nothing in La-La Land is quite what it seems, and when his new home turns out to be just as dysfunctional as the last, our teenage hero must somehow learn to accept his parents while finding the courage to break free and become his own man. This award-winning novel, “a kind of Catcher in the Rye for the Cheap Trick generation” (GQ), was cited by the Guardian as one of the “ten best neglected literary masterpieces.” Written by a New York Times–bestselling author who was a child of Hollywood movie stars himself, it has been praised for its “spectacularly deadpan humor” by the Atlantic Monthly and called “an insightful coming-of-age tale” by the Austin Chronicle.

“A chilling novel showcasing Claire Douglas's trademark brilliantly claustrophobic settings and tightly plotted twists. Impossible to know which of the well-drawn characters to trust and very hard to put down.”—Gilly MacMillan, bestselling author of What She Knew From the Sunday Times bestselling author of Do Not Disturb, an electrifying tale of psychological suspense in which an unsuspecting young woman finds herself trapped in an increasingly sinister web of mystery and lies. CARER/COMPANION WANTED FOR ELDERLY LADY YOUNG FEMALE PREFERRED COMPETITIVE SALARY ROOM AND BOARD INCLUDED She thought she was safe. So did the others . . . At loose ends after the devastating death of her mother, Una Richardson responds to an advertisement for a ladies’ companion, a position that leads her into the wealthy, secluded world of Mrs. Elspeth McKenzie. But Elspeth's home isn’t the comforting haven it seems. Kathryn, her cold and bitter daughter, resents Una's presence. More disturbing is evidence suggesting two girls lived here before her. What happened to the young women? Why won’t the McKenzies talk about them? What are they hiding? As the walls begin to close in around her, Una fears she'll end up just like the other girls . . .

Now or Never. . . It's the last chance for Cynthia Brightly, the ton's most bewitching belle. Driven out of London by a secret scandal, she must find a grand husband at the Redmonds' house party before word of her downfall spreads all over England. Unfortunately, someone at Pennyroyal Green is already privy to the whispers of broken engagements and dueling lovers: Miles Redmond, renowned explorer and—thanks to his brother's disappearance—heir to the family's enormous fortune. Miles set his sights on Cynthia once, at a time when the ambitious beauty thought herself too good for a second son. But now he's heir apparent, relishing his control. He strikes a bargain with her: he'll keep Cynthia's steamy secrets and help her find a husband among the guests—in exchange for a single kiss. What could be the harm in a simple kiss? Cynthia is about to discover that it's enough to unleash fierce passion—and that Miles Redmond is most certainly like no other lover in the world.

“Powerful, brilliantly plotted, voicey, gripping, beautiful, heart-wrenching, hilarious . . . Read this book.” -Liz Lawson, New York Times bestselling author of The Agathas When Jo-Lynn Kirby 's former best friend-pretty, nice Maddie Price-comes to her claiming to be in trouble, Jo assumes it's some kind of joke. After all, Jo has been an outcast ever since her nude photos were leaked-and since everyone decided she deserved it. There's no way Maddie would actually come to her for help. But then Maddie is gone. Everyone is quick to write off Maddie as a runaway, but Jo can't shake the feeling there's more to the story. To find out the truth, Jo needs to get back in with the people who left her behind-and the only way back in is through Hudson Harper-Moore. An old fling of Jo's with his own reasons for wanting to find Maddie, Hudson hatches a fake dating scheme to get Jo back into their clique. But being back on the inside means Jo must confront everything she'd rather forget: the boys who betrayed her, the whispers that she had it coming, and the secrets that tore her and Maddie apart. As Jo digs deeper into Maddie's disappearance, she's left to wonder who she's really searching for: Maddie, or the girl she used to be. Not Like Other Girls is a stunning debut that takes a hard look at how we treat young women and their trauma, through the lens of a missing girl and a girl trying to find herself again.