Andr� Bernard has researched the stories behind more than one hundred of the most famous titles in the English language to produce a fascinating volume rich in literary anecdote and publishing lore. The Great Gatsby was almost titled Trimalchio in West Egg, while some unknown editor told William L. Shirer, "Please God, don't ask us to publish a book called The Rise and Fall of the Third Reich." It's a wonderful romp among the literary monuments.Raymond Chandler to Alfred A. Knopf: "I'm trying to think of a good title for you to want me to change."

Packed with literally hundreds of hints, tips, and inside information only a working writer would know, The Art of Writing Great Lyrics demonstrates proven, no-fail methods for everything from communicating through song, defining styles, and collaborating with a partner to studying the market, making a great demo, and getting started on a career. Full of creative exercises, writing do's and don'ts, and a handy A to Z checklist for reviewing new songs, The Art of Writing Great Lyrics provides a lifetime of proven success tips in one indispensable volume.

An essential guide providing beginning scientists and experienced researchers with practical advice on writing about their work and getting published.

Based on years of ground-breaking research, this book supplies a look at the unique relationship between each text and the individual reader that results in a satisfying, pleasurable, and even life-changing reading experience. Following up on her critically acclaimed Reading Matters: What the Research Reveals about Reading, Libraries, and Community, Catherine Sheldrick Ross takes a new look at pleasure reading through 30 thought-provoking essays based on themes arranged from A to Z. In short lively chapters, she discusses topics ranging from "Alexia," "Bad Reading," and "Changing Lives" to "Romance Fiction," "Self-help," "Titles," "Vampires," and "Year of Reading." Drawing on her own research as well as other published sources, Ross comments on the significance of each theme, provides examples of the phenomenon, and develops the topic chronologically, through further examples, or through reversals. The essays are unified by an underlying theory of reading that views readers as sense-makers, actively engaged in reading themselves into the text and reading the texts back into their own lives. It gives educators and librarians insights into their roles with readers and offers a message about the importance of pleasure reading. A short list of resources for further reading is supplied with each topic.

Dedications, Titles, Epigraphs, Footnotes, Prefaces, Afterwords, Indexes... These and other "invisible" literary necessities form the skeletons of many a book, yet these unacknowledged and unexamined forms abound in wisdom, curiosities, or eccentricities. With both erudition and wit, and drawing on examples from every part of literature's history, ranging from the greats such as Shakespeare, Beckett, and T. S. Eliot to lesser known writers such as Fernando Pessoa. Jackson's mixture of serious literary analysis and jovial wit means Invisible Forms will appeal to anyone who is interested in books and in the art of writing. It is the perfect companion for literature lovers everywhere.