How do we understand the agency and significance of material forces and their interface with human bodies? What does it mean to be human in these times, with bodies that are inextricably interconnected with our physical world? Bodily Natures considers these questions by grappling with powerful and pervasive material forces and their increasingly harmful effects on the human body. Drawing on feminist theory, environmental studies, and the sciences, Stacy Alaimo focuses on trans-corporeality, or movement across bodies and nature, which has profoundly altered our sense of self. By looking at a broad range of creative and philosophical writings, Alaimo illuminates how science, politics, and culture collide, while considering the closeness of the human body to the environment.

The drama of the unfolding of the spirit, Corrington argues, is one of the most powerful struggles within the human process. The spirit is in and of nature and can never lift the self outside of nature. For Corrington's ecstatic naturalism, there is no realm of the supernatural, only dimensions and orders within nature.

Nature's Primal Self examines Corrington's thought, called "ecstatic naturalism," in juxtaposition to both C. S. Peirce's pragmatic and semiotic concept of the self and Karl Jaspers' existential elucidation of Existenz. Peirce's and Jaspers' anthropocentrism is thus corrected by Corrington's ecstatic naturalism. Ecstatic naturalism, as a new movement, is both a semiotic theoretical method and a metaphysics that probes deeply into the ontological divide between nature naturing and nature natured. Author Nam T. Nguyen attempts to achieve three goals: first, to present and elucidate the underlying philosophical concepts of Charles Peirce, Karl Jaspers, and Robert Corrington; second, to critique the anthropocentric self of Peirce's semiotic pragmatism and of Jaspers' existential anthropology (periechontology) from the standpoint of ecstatic naturalism; and third, to introduce the concept of nature's primal self, radically grounded in the perspective of ecstatic naturalism, as a judicious, more encompassing, and richer framework compared to Peirce's semiotic construction of the self and Jaspers' existential concept of Existenz.

Self-organized criticality, the spontaneous development of systems to a critical state, is the first general theory of complex systems with a firm mathematical basis. This theory describes how many seemingly desperate aspects of the world, from stock market crashes to mass extinctions, avalanches to solar flares, all share a set of simple, easily described properties. "...a'must read'...Bak writes with such ease and lucidity, and his ideas are so intriguing...essential reading for those interested in complex systems...it will reward a sufficiently skeptical reader." -NATURE "...presents the theory (self-organized criticality) in a form easily absorbed by the non-mathematically inclined reader." -BOSTON BOOK REVIEW "I picture Bak as a kind of scientific musketeer; flamboyant, touchy, full of swagger and ready to join every fray... His book is written with panache. The style is brisk, the content stimulating. I recommend it as a bracing experience." -NEW SCIENTIST

A facsimile reprint of a seminal work on the relevance of the prenatal experiences on later post-natal psychological, moral, and spiritual development by a 20th-century ORenaissance Man, O whose search led him into realms of understanding that were far ahead of his times. Written in 1960, and long out of print, this text offers deep insight and wisdom about the developmental processes of human life.

This unique book offers an original way of thinking about two of the most significant problems confronting modern theoretical physics: the unification of the forces of nature and the evolution of the universe. In bringing out the inadequacies of the prevailing approach to these questions, the author demonstrates the need for more than just a new theory. The meanings of space and time themselves must be radically rethought, which requires a whole new philosophical foundation. To this end, the book turns to the phenomenological writings of Maurice Merleau-Ponty and Martin Heidegger. Their insights into space and time bring the natural world to life in a manner well-suited to the dynamic phenomena of contemporary physics.In aligning continental thought with problems in physics and cosmology, the book makes use of topology. Phenomenological intuitions about space and time are systematically fleshed out via an unconventional and innovative approach to this qualitative branch of mathematics. The author's pioneering work in topological phenomenology is applied to such topics as quantum gravity, cosmogony, symmetry, spin, vorticity, dimension theory, Kaluza-Klein and string theories, fermion-boson interrelatedness, hypernumbers, and the mind-matter interface.

A revelatory look at how the mature work of Caspar David Friedrich engaged with concurrent developments in natural science and philosophy Best known for his atmospheric landscapes featuring contemplative figures silhouetted against night skies and morning mists, Caspar David Friedrich (1774–1840) came of age alongside a German Romantic philosophical movement that saw nature as an organic and interconnected whole. The naturalists in his circle believed that observations about the animal, vegetable, and mineral kingdoms could lead to conclusions about human life. Many of Friedrich’s often-overlooked later paintings reflect his engagement with these philosophical ideas through a focus on isolated shrubs, trees, and rocks. Others revisit earlier compositions or iconographic motifs but subtly metamorphose the previously distinct human figures into the natural landscape. In this revelatory book, Nina Amstutz combines fresh visual analysis with broad interdisciplinary research to investigate the intersection of landscape painting, self-exploration, and the life sciences in Friedrich’s mature work. Drawing connections between the artist’s anthropomorphic landscape forms and contemporary discussions of biology, anatomy, morphology, death, and decomposition, Amstutz brings Friedrich’s work into the larger discourse surrounding art, nature, and life in the 19th century.