In Frederic Voss's wonderful memoir, My House Was Not a Home, the author describes life on the farm with an abusive grandmother. His priority was finding other places to be than at "home," a place never referred to as such in the book. Voss's book is, however, not about abuse, but rather the friends that helped him avoid it. There were many characters, good and not so good. In chapter 4, we meet Reg Keetering, the king of the tall-tale spinners, as he conjures "The Man Who Invented Dinosaurs." In chapter 5, Darrell (pronounced Duryl) Campbell regales the boys in the barbershop with the origins of the "Greatest Camel and Goat Herd Dog Y'all Ever Saw." Readers meet the author's best friend, Jimmy, Tehama County's answer to Will Rogers. They'll begin to hate the school bully, Stanley Bater, who picks on only kids smaller than him. Once referred to as "Master Bater," he couldn't figure out why they were all laughing. Among the author's many friends were abandoned dogs that came to the house from the highway. They were taken in and fed and loved. Many were reclaimed by the highway or wandered off or killed in mysterious ways. There is room for their stories too.

The last sixteen years of James Baldwin's life (1971–87) unfolded in a village in the South of France, in a sprawling house nicknamed “Chez Baldwin.” In Me and My House Magdalena J. Zaborowska employs Baldwin’s home space as a lens through which to expand his biography and explore the politics and poetics of blackness, queerness, and domesticity in his complex and underappreciated later works. Zaborowska shows how the themes of dwelling and black queer male sexuality in The Welcome Table, Just above My Head, and If Beale Street Could Talk directly stem from Chez Baldwin's influence on the writer. The house was partially torn down in 2014. Accessible, heavily illustrated, and drawing on interviews with Baldwin's friends and lovers, unpublished letters, and manuscripts, Me and My House offers new insights into Baldwin's life, writing, and relationships, making it essential reading for all students, scholars, and fans of Baldwin.

"The Quest for Home offers a way of reading Mark's Gospel from the perspective of home and household. It argues that the primary living arrangement of the first Christians and the original audience addressed by the Gospel of Mark was the home. This provides both the architectural and theological context for a fresh reading of the Gospel." -- BOOK JACKET.

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The 2nd Edition of the San Diego Poetry Annual continues the tradition of celebrating the talent, diversity and perseverance of poets who live, study, work or were born in San Diego County. Also included -- a special section of poems written during the Idyllwild Arts summer poetry program, 2007. Copies of this and the inaugural edition are donated in the name of contributing poets to public and college libraries throughout San Diego

Mist (Niebla), published in 1914, is one of Miguel de Unamuno's key works; a truly Modernist work of Europe-wide significance which aims to shatter the conventions of fiction, using the novel as a vehicle for exploration of philosophical themes. The plot revolves around the character of Augusto, a wealthy, intellectual and introverted young man and his love affair with Eugenia, which eventually ends in heartbreak. Augusto decides to kill himself, but decides that he needs to consult Unamuno himself, who had written an article on suicide which Augusto had read. When Augusto speaks with Unamuno, the truth is revealed that Augusto is actually a fictional character whom Unamuno has created. Augusto is not real, Unamuno explains, and for that reason cannot kill himself. Augusto asserts that he exists, even though he acknowledges internally that he doesn't, and threatens Unamuno by telling him that he is not the ultimate author. Augusto reminds Unamuno that he might be just one of God's dreams. Augusto dies and the book ends with the author himself debating to himself about bringing back the character of Augusto. He establishes, however, that this would not be feasible. Following on from his translation of Abel Sanchez , John Macklin's edition provides a much needed new English translation, alongside the Spanish text, together with a substantial introduction.