Combines multiple theoretical perspectives and diverse media to examine the relation between music and memory in ancient Greece and Rome.

This book examines representations of divine music to argue that visual arts could communicate the sound of divine music being depicted.

Music in Ancient Greece and Rome provides a comprehensive introduction to the history of music from Homeric times to the Roman emperor Hadrian, presented in a concise and user-friendly way. Chapters include: * contexts in which music played a role * a detailed discussion of instruments * an analysis of scales, intervals and tuning * the principal types of rhythm used * and an exploration of Greek theories of harmony and acoustics. Music in Ancient Greece and Rome also contains numerous musical examples, with illustrations of ancient instruments and the methods of playing them.

Demonstrates the importance of music in ancient Roman political culture and social relations.

This study offers an introduction to the fragmentary record of early Roman poetry. In focus are the contexts, practitioners, and reception of early Roman drama (excluding comedy), epic, and satire, along with the challenges which our evidence for these entails.

The essays collected in this volume examine manifestations of our sublime cosmos in ancient literature and its reception. Individual themes include religious mystery; calendrical and cyclical thinking as ordering principles of human experience; divine birth and the manifold nature of divinity (both awesome and terrifying); contemplation of the sky and meteorological (ir)regularity; fears associated with overpowering natural and anthropogenic events; and the aspirations and limitations of human expression. In texts ranging from Homer to Keats, the volume's chapters apply diverse critical methods and approaches that engage with sublimity in various aesthetic, agential and metaphysical aspects. The ancient texts – epic, dramatic, historiographic and lyric – treated here are rooted in a remote world where, within a framework of (perceived) celestial order, literature, myth and science still communicated profoundly, a tradition that continued in literary receptions of these ancient works. This volume honours the intellectual legacy of Thomas D. Worthen, a scholar whose expertise and insights cut across multiple disciplines, and who influenced and inspired students and colleagues at the University of Arizona, USA, for over three decades. Beyond clarifying temporally and culturally distant contemplations of the human universe, these essays aim to inform the continuing sense of wonder and horror at the sublime heights and depths of our ever-changing cosmos.

Explores Euripides' use of monody, or solo actor's song, to express emotion and develop character in his late tragedies.