Composer and broadcaster Andrew Ford considers the nature and purpose of music in the context of his own life - what it is, why it means so much to us and how it works in our lives. From his early childhood in the Beatles-crazy Liverpool of the 1960s to his evolving work as a composer, choral conductor, concert promoter, critic, university teacher and radio presenter, he shares the vivid musical experiences that have shaped his life. The Memory of Music is a moving and evocative memoir that will appeal to music lovers everywhere. Ford excels at capturing the way different kinds of music affect us - how a piece of religious music can transport us regardless of our beliefs, or how a pop song can call up an instant recollection from the past (a family holiday, a girlfriend).

DIVA critical and historical study of the debate over early African-American music that draws on the views of W.E.B. Du Bois, Alain Locke, Langston Hughes, Zora Neal Hurston, and others to show competing notions of how this music relates to cultural inherita/div

Divided into two parts, this book shows how human memory influences the organization of music. The first part presents ideas about memory and perception from cognitive psychology and the second part of the book shows how these concepts are exemplified in music.

A concert violinist details the life of a performing artist in the twenty-first century, the complexities of musical inheritance, and the communal role of artistic expression.

"There are three kinds of memory slips, I tell my students. One, when Memory slips but you find your way back without losing a beat. Two, when you don't find your way back until the downbeat. Three, when you don't find your way back in time and must stop and restart the music. I don't tell them about a fourth possibility , when one memory slips, another intrudes and you don't find your way back for a very long time." -- from Memory Slips Linda Katherine Cutting's memoir of family and music movingly portrays the trauma and recovery of a woman whose childhood was betrayed by those who were supposed to protect her. In exquisite prose she illuminates the inner life of a child for whom the gift of music was the only refuge, a refuge that protected her as long as it could. For when Linda began to remember what her father had done to her and her brothers -- both eventual suicides -- she stopped being able to remember Beethoven's notes. Linda Cutting's writing bears witness to what had occurred. Her stunning "Hers" column, originally printed in the New York Times Sunday Magazine in October 1993, was clipped and carried in wallets and pocketbooks and reprinted around the world. Now, her memoir Memory Slips, will not only reach out and give voice to victims of abuse but also move anyone who cares about the power of writing, the beauty of music and the innocence of children. "In her writing, Linda Cutting displays the same grace, thoughtfulness and talent that she's always brought to her music-making. With courageous candor, Linda has shone light into the darker corners of her own compelling life, and we, the readers, are richer for it." --John Williams, Academy Award-winning composer and conductor laureate, The Boston Pops Orchestra "This is a mesmerizing story about the loss of music and innocence and -- very nearly -- the self; and the subsequent recovery of all those things. It is testimony to the power of Linda Cutting's writing that the same book that tears at your heart can, in the end, make it rise up with gladness." --Elizabeth Berg, author of Talk Before Sleep, Range of Motion and The Pull of the Moon

The leading Old Testament theologian reflects on the meaning of the gospel in today's world.These studies on a variety of biblical texts focus deftly on reading, listening to, and proclaiming the gospel in a broken, fragmented, and "post-Christendom" world. Brueggemann explores how these traditions have the potential to continually resonate in our contemporary communities and individual lives.