USA Today–bestselling author Amanda Flower returns with the third cozy mystery in her more-charming-than-ever Magical Bookshop series—for fans of Sofie Kelly and Heather Blake. Niagara region booksellers Violet Waverly and Grandma Daisy get a little help from Little Women as they sleuth the slaying of a sommelier whose book signing turned into her sayonara. January means ice wine season in the Niagara Falls region, but the festivities leave Charming Books owner Violet Waverly cold, still reeling from a past heartbreak. A past heartbreak who will be present at the annual midnight grape-harvest festival, and no magic in the world or incantation powerful enough could get Violet to attend. But Grandma Daisy, an omniscient force all on her own, informs Violet that she’s already arranged for the mystical Charming Books to host celebrity sommelier Belinda Perkins’s book signing at the party. Little do either Waverly women know, the ice wine festival will turn colder still when Violet finds Belinda in the middle of the frozen vineyard—with a grape harvest knife protruding from her chest. Belinda grew up in Cascade Springs, but she left town years ago after a huge falling-out with her three sisters. One of those sisters, Violet’s high school friend Lacey Dupont, attends the book signing in the hope of making amends with her sister, but Belinda and Lacey end up disrupting the signing with a very public shouting match and Lacey quickly becomes the prime suspect in the sommelier’s murder. Violet is sure Lacey is innocent, and to keep her friend out of prison, Violet asks for guidance from her magical bookshop. The shop’s ethereal essence points her to Louisa May Alcott’s Little Women, but what have the four March sisters to do with the four Perkins sisters? If she can’t figure it out, Violet, herself, may turn as cold as ice. Violet, Grandma Daisy, Emerson the tuxedo cat, and resident crow Faulkner are back on the case in Murders and Metaphors, USA Today–bestselling author Amanda Flower’s enchanting third Magical Bookshop mystery.

USA Today bestselling author Amanda Flower is back with the third in her more-charming-than-ever Magical Bookshop mystery. Fans of Sofie Kelly and Heather Blake, prepare your bookshelves! Niagara region booksellers Violet Waverly and Grandma Daisy sleuth the slaying of a sommelier whose book signing turned into her sayonara. January means ice wine season in the Niagara Falls region, but the festivities leave Charming Books owner Violet Waverly cold, still reeling from a past heartbreak. A past heartbreak who will be present at the annual midnight grape-harvest festival, and no magic in the world or incantation powerful enough could get Violet to attend. But Grandma Daisy, an omniscient force all on her own, informs Violet that she’s already arranged for the mystical Charming Books to host celebrity sommelier Belinda Perkins’s book signing at the party. Little do either Waverly women know, the ice wine festival will turn colder still when Violet finds Belinda in the middle of the frozen vineyard—with a grape harvest knife protruding from her chest. Belinda grew up in Cascade Springs, but she left town years ago after a huge falling-out with her three sisters. One of those sisters, Violet’s high school friend Lacey Dupont, attends the book signing in the hope of making amends with her sister, but Belinda and Lacey end up disrupting the signing with a very public shouting match and Lacey quickly becomes the prime suspect in the sommelier’s murder. Violet is sure Lacey is innocent, and to keep her friend out of prison, Violet asks for guidance from her magical bookshop. The shop’s ethereal essence points her to Louisa May Alcott’s Little Women, but what have the four March sisters to do with the four Perkins sisters? If she can’t figure it out, Violet, herself, may turn as cold as ice. Violet, Grandma Daisy, Emerson the tuxedo cat, and resident crow Faulkner are back on the case in Murders and Metaphors, USA Today bestselling author Amanda Flower’s enchanting third Magical Bookshop mystery.

Magic, books, and cats collide in a village near Niagara Falls in the latest Magical Bookshop Mystery from the author of Crime and Poetry. In Cascade Springs, New York, Violet Waverly and her grandma, Daisy, are the proprietors of Charming Books, where the power of the written word is positively enchanting... October in Cascade Springs means tourists are pouring in for the annual Food and Wine Festival, and Daisy hopes to draw those crowds to the store. She asks Violet and the local writing group, the Red Inkers, to give a reading of the works of Edgar Allan Poe in the shop’s back garden to entertain the revelers. Everyone eagerly agrees. Yet their enthusiasm is soon extinguished when Violet discovers one of the writers dead during the event. After the shop magically tells Violet she’ll need to rely on Poe’s works to solve the murder, she enlists the help of her trusty tuxedo cat, Emerson, and the shop’s crow, Faulkner. But they must act fast before someone else’s heart beats nevermore...

Violet Waverly rushes home to her ailing grandmother to find it was all a ploy to get her closer to home. Violet begins working in Charming Books, her grandma's magical bookshop. Soon a dead man is discovered clutching a volume of Emily Dickinson's poems and Violet is caught up in the mystery.

Diploma Thesis from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 5.00, New Bulgarian University, language: English, abstract: The question posed in this thesis concerns the usage of idioms in the everyday language, as well as in the book “The Monogram Murders”. This paper, therefore, argues that in the non-literal language, some differences are obvious, and thus we can recognize an idiom quite easily. However, there are differences and divisibilities in the idioms themselves - some of them bear the meaning of their compounds while others are simply composed of words that cannot be used with their literal meaning, especially in the context of the idiom itself. The language as a system of communication has both literal and often figurative meanings. However, in the historical grammaticism such a meaning was often used in order to give notions like metaphors, similes, proverbs and idioms. Most of them often carry a metaphorical sense that makes their comprehension difficult, as in fact their meaning cannot be inferred/guessed from the meaning of their constituent parts. Taking all of the abovementioned into account, in the present thesis I will present the results of the research I have made based on the idiomatic usage in the novel of Agatha Christie “The Monogram Murders”. Due to the extensive length of my research, I will focus on the idioms that have made their impression on me and on their translation into Bulgarian. The aim of this graduate thesis is to evaluate and describe the idiomatic expressions used in the novel “The Monogram Murders” by Agatha Christie. That kind of analysis is particularly interesting as it concerns the work of art of а famous writer that from а semantic point of view describes the ideas composing the whole book.

Metaphor supposes that an ordinary word could have been used, but instead something unexpected appears. The point of a metaphor is to enrich experience by bringing different associations to mind, by giving something a different life. The prophetic character of metaphor, Denis Donoghue says, changes the world by changing our sense of it.

This book explores the cognitively-oriented approach to metaphor studies, comparing it critically to other contemporary paradigms of metaphor in meaning. It incorporates cutting edge empirical data. In both semantics and cognitive linguistics, metaphor has gained central status over the past decades, chiefly on account of Lakoff and Johnson's 1980 book Metaphors We Live By, which has become a standard point of reference. Rather than advocating a 'pick and mix' combination of cognitive attitudes with theory and data from other paradigms, the book argues for the methodologically reflective comparison of theory traditions and acknowledgement of their strengths and weaknesses. This critical reflection on metaphor is an essential read for students of metaphor at an advanced undergraduate or postgraduate level. Each chapter outlines areas for further reading and research, and the book is built around data drawn from a multilingual research corpus of metaphors compiled from existing research, other corpora and internet data.