The world knows Parisian private investigator Aimée Leduc, heroine of 15 mysteries in this New York Times bestselling series, as a très chic, no-nonsense detective—the toughest and most relentless in the City of Lights. Now, author Cara Black dips back in time to reveal how Aimée first came to inherit Leduc Detective . . . November 1989: Aimée Leduc is in her first year of college at Paris’s preeminent medical school. She lives in a 17th-century apartment that overlooks the Seine with her father, who runs the family detective agency. But the week the Berlin Wall crumbles, so does Aimée’s life as she knows it. First, someone has sabotaged her lab work, putting her at risk of failing out of the program. Then, she finds out her aristo boyfriend is getting engaged to another woman. And finally, Aimée’s father takes off to Berlin on a mysterious errand. He asks Aimée to help out at the detective agency while he’s gone—as if she doesn’t already have enough to do. But the case Aimée finds herself investigating—a murder linked to a transport truck of Nazi gold that disappeared in the French countryside during the height of World War II—has gotten under her skin. Her heart may not lie in medicine after all—maybe it’s time to think harder about the family business.

When Aimee Leduc gets a phone call from her daughter's playgroup telling her that her own mother, who was supposed to pick Chloe up, never showed, she is annoyed her mother has let her down yet again. But as Aimee and Chloe are leaving the playground, Aimee witnesses the body of a homeless woman being wheeled away from the neighbouring convent, where nuns run a soup kitchen. The last person anyone saw the dead woman talking to was Aimee's mother - who has vanished. What did Sydney stumble into? Is she in trouble?

"New York Times bestselling author of Murder on the Quai"--Cover.

Parisian P.I. Aimée Leduc finds herself caring for an abandoned infant while trying to track down the child’s missing mother Aimée Leduc is on a tight work deadline when an anonymous call leads her to an abandoned infant in her building's courtyard. Aimée's search for little Stella's mother that will soon have her on the run from a cold-hearted killer and embroiled in a conflict between oil tycoons and environmental protesters. Parisian private investigator Aimée Leduc is working on a tight deadline for a cybersecurity contract when she gets a phone call that disrupts all her progress. The female voice on the other end begs Aimée to go out into her courtyard, insists that her life is in danger, that Aimée must not call the police, then hangs up. Aimée’s project is in jeopardy, and her partner, René, will be furious if she botches this assignment, but she can’t ignore the distress in the mysterious caller’s voice. That doesn’t mean she’s prepared for what she finds in the courtyard, though: a newborn baby, wrapped in a blood-stained beaded jacket. Aimée wants to track down the baby’s mother, but when a young woman’s body washes up in the Seine on the shores of the Ile Saint-Louis, the little island where Aimée herself lives, she realizes the situation is very dangerous. Paris has been rife with bomb threats linked to protesting environmental groups, and with a little investigating Aimée becomes convinced the baby, the body in the Seine, and the protests are somehow linked. Not that Aimée can afford distraction from her paying work right now--Leduc Detective is in bad financial straits. But despite themselves, Aimée and René have both fallen in love with the baby girl, whom Aimee nicknames Stella. Taking care of Stella’s needs—and protecting her from whoever hurt or killed her missing mother—must take priority over their computer security contract with a big publicity firm. Meanwhile, she’s following leads to the infant’s mother that take her to a radical dispossessed Polish prince, a community of homeless people who live in the sewer caves of the Seine, and a sexy documentary film maker. Can Aimée finish her security job, figure out who Stella belongs to, track down the missing mother, and protect herself and her friends from the danger that is circling them, all while juggling a newborn infant? From the Trade Paperback edition.

A confession fifty years in the making puts everyone’s favorite Paris détéctive très chic, Aimée Leduc, on a collision course with the “Hand,” a cabal of corrupt Parisian cops among who masterminded her father's murder—and among whose ranks he might have once found membership. When a friend’s child is kidnapped while wearing her daughter’s hoodie, Aimée realizes that the case has crossed into the realm of the personal in more ways than one. A dying man drags his oxygen machine into the office of Éric Besson, a lawyer in Paris’s 13th arrondissement. The old man, an accountant, is carrying a dilapidated notebook full of meticulous investment records. For decades, he has been helping a cadre of dirty cops launder stolen money. The notebook contains his full confession—he’s waited 50 years to make it, and now it can’t wait another day. He is adamant that Besson get the notebook into the hands of La Proc, Paris’s chief prosecuting attorney, so the corruption can finally be brought to light. But en route to La Proc, Besson’s courier—his assistant and nephew—is murdered, and the notebook disappears. Grief-stricken Éric Besson tries to hire private investigator Aimée Leduc to find the notebook, but she is reluctant to get involved. Her father was a cop and was murdered by the same dirty syndicate the notebook implicates. She’s not sure which she’s more afraid of, the dangerous men who would kill for the notebook or the idea that her father’s name might be among the dirty cops listed within it. Ultimately that’s the reason she must take the case, which leads her across the Left Bank, from the Cambodian enclave of Khmer Rouge refugees to the ancient royal tapestry factories to the modern art galleries.

Paris, 1989: Aimee Leduc is going through a rough patch: she's about to fail medical college, her boyfriend is engaged to someone else and her father has skipped town and asked Aimee to look after the office. Aimee volunteers to take on a case involving an executed distant relative, in which her only task is to follow up on a lead, not to solve the murder. She soon finds herself dragged into a revenge scheme that leads back to the ravages of the second World War and a missing treasure trove of stolen Nazi gold. A flashback instalment starring a young Aimee Leduc.

A dying woman has secret about the unsolved murder of Parisian P.I. Aimée Leduc’s father, but is kidnapped before she can reveal it Paris, April 1999: Aimée Leduc has her work cut out for her—running her detective agency and fighting off sleep deprivation as she tries to be a good single mother to her new bébé. The last thing she has time for now is to take on a personal investigation for a poor manouche (Gypsy) boy. But he insists his dying mother has an important secret she needs to tell Aimée, something to do with Aimée’s father’s unsolved murder a decade ago. How can she say no? The dying woman’s secret is even more dangerous than her son realized. When Aimée arrives at the hospital, the boy’s mother has disappeared. She was far too sick to leave on her own—she must have been abducted. What does she know that’s so important it’s worth killing for? And will Aimée be able to find her before it’s too late and the medication keeping her alive runs out?