A candid and insightful memoir from one the NBA's most unlikely stars Growing up, Muggsy Bogues was always told he should do something else, anything besides basketball. He never acknowledged his many doubters except to prove them spectacularly wrong. Twenty years after receiving his first basketball as a toddler, he stood proud—at five-foot-three—as the starting point guard for the Charlotte Hornets in the NBA. From the East Baltimore playground courts where he earned his nickname by "muggin'" opponents for possession of the ball, to Dunbar High School where he excelled alongside future NBA players, Bogues set the tone in his early years for the great heights he'd reach professionally. In this new autobiography, Bogues delves deep into his life and career, reflecting on legendary battles with Michael Jordan, John Stockton, and other generational stars of '80s and '90s hoops. He shares far-ranging anecdotes from playoff runs in Charlotte, filming Space Jam, and even watching a young Steph Curry grow up. Conversational and clear-sighted, this is a story of uncompromising vision and fleet-footed determination during a golden era for the NBA.

Starting with the Spring 1995 titles, each player's career stats will be included.

Tyrone Muggsy Bogues is the 5'3 star guard for the Charlotte Hornets. Despite being at least a foot shorter than most other NBA players, Bogues is the Hornets' all-time leader in both assists and steals.

"Floyd Levin's half-century collection of reportage, reviews and recollections are an irreplaceable and totally enjoyable trove of writing about the vibrancy, past and still-present, of traditional American jazz."—Charles Champlin, author of Back There Where the Past Was "I've known Floyd and his wife Lucille for more than fifty years. Floyd's book is a colorful, intimate account of his lifelong love affair with jazz. I'm especially fascinated when he writes about his personal encounters with some of the jazz legends of the Century. This book is essential reading for anyone concerned about jazz - its present, its past, and his evolution."—Milt Hinton "Floyd Levin's dedicated and unselfish life-long work for the cause of jazz has illuminated many a corner that would otherwise have remained in the dark. All who care about the music are in his debt. Classic Jazz, like Floyd himself, is a classic."—Dan Morgenstern, Director, Institute of Jazz Studies, Rutgers University "What a rich, passionate and human book this is! Drawing on fifty years of devotion to classic, New Orleans jazz and the artists who performed it, Floyd Levin brilliantly weaves anecdotal material, primary research, intimate personal observations, and analyses to create an historical goldmine of the music's evolution in New Orleans and on the West Coast. In rendering portraits of legendary musicians in such a beautifully moving, honest way, he offers not just standard history, but a strong sense of the emotional core of the music as well."—Steve Isoardi, co-author of Central Avenue Sounds

The Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released between 1915, at the dawn of the feature film era when shorts became a differentiated category of cinema, and 1976, when the last of the horror-related shorts were distributed to movie theaters. Individual entries feature plot synopses, cast and crew information, and – where possible – production histories and original critical reviews. A small number of the short subjects catalogued herein are famous; such as those featuring the likes of Buster Keaton, Laurel and Hardy, The Three Stooges, Bugs Bunny, and Daffy Duck; but the bulk are forgotten. The diverse content of these shorts includes ghosts, devils, witches, vampires, skeletons, mad scientists, monsters, hypnotists, gorillas, dinosaurs, and so much more, including relevant nonfiction newsreels. Their rediscovery notably rewrites many chapters of the history of horror cinema, from increasing our understanding of the sheer number horror films that were produced and viewed by audiences to shedding light on particular subgenres and specific narrative and historical trends.

A collection of the early works of Theodore Sturgeon, acclaimed Grand Master of Science Fiction—featuring forewords by Ray Bradbury and Arthur C. Clarke Although Theodore Sturgeon's reach was limited to the lengths of the short story and novelette, his influence was strongly felt by even the most original science fiction stylists—including Ray Bradbury, Arthur C. Clarke, and Gene Wolfe. Written from 1937 to 1940, the stories here showcase Sturgeon's masterful knack for clever, O. Henry-ish plot twists, sparkling character development, and almost archetypal, “Why didn't I think of that?” story ideas. Early Sturgeon masterpieces include “It,” a story about the violence done by a creature spontaneously born from garbage and mud, and “Helix the Cat,” about an inventor's bizarre encounter with a disembodied soul and the cat that saves it. Featuring more than forty stories, The Ultimate Egoist is a timelessly entertaining tour through the early career and unique genius of this legend of science fiction.

Looking for a panto script? This bumper collection contains full length, tried and tested scripts for the top 5 most popular pantomimes of the last ten years. Channel 4 comedy writer Brian Luff's versions of Aladdin, Cinderella, Sleeping Beauty, Jack & the Beanstalk and Dick Whittington have been performed in venues all over the UK. The shows all have big casts, loads of great parts, and are ideal for productions by amateur and pro-am theatre groups. The scripts are packed with slick comedy routines, hilarious sketches, messy slapstick and fast, snappy banter. NODA recently described Brian's Aladdin & the Pirates as "A very clever script with many modern twists. A superb example of the panto art!" Please note that a license must be obtained before performing any of the scripts in this book. For more information visit pantoscripts.biz