A collection of the anecdotes, observations, light verse, and reminiscences contributed by everyday readers to the Metropolitan Diary column of the New York Times newspaper.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Electa Rome Parks paints a powerful portrait of a crazed fan who can't seem to close the book on the affair after a one-night-stand with a famous author—and who will stop at nothing to make him hers. Even if that means killing him. . . Bestselling author Xavier Preston is used to women throwing themselves at him. On top of being a successful writer, he's also tall, dark and sexy as sin. He's always relished the attention, in fact, and is ever-willing to entertain the erotic urges of women wanting to get between more than the covers of his novels. Except once he meets Kendall, he decides it's time to put his womanizing ways behind him and devote himself to her entirely. Well, almost. . . Gorgeous Pilar is the last decadent treat Xavier decides he'll help himself to—thinking they are both on the same "no strings" page. Except behind Pilar's fine façade beats the heart of a raving maniac—a fatally attracted fan addicted to the kind of hot loving only Xavier can give her. And she's not about to let him get away from her so easily. So what starts out as a discreet dalliance soon spirals into a deadly game of obsession and pain—which can only have one winner. . .

"This book celebrates the most outstanding editorial design produced in 2005. It is an essential reference tool for all graphic designers, educators, students and editors"--Jacket.

Hailed as one of the most important works on the Hitler period, this is an “astonishing, compelling, and unnerving” portrait of life in Nazi Germany between 1936 and 1944—from a man who nearly shot Hitler himself (The New Yorker) Friedrich Reck might seem an unlikely rebel against Nazism. Not just a conservative but a rock-ribbed reactionary, he played the part of a landed gentleman, deplored democracy, and rejected the modern world outright. To Reck, the Nazis were ruthless revolutionaries in Gothic drag, and helpless as he was to counter the spell they had cast on the German people, he felt compelled to record the corruptions of their rule. The result is less a diary than a sequence of stark and astonishing snapshots of life in Germany between 1936 and 1944. We see the Nazis at the peak of power, and the murderous panic with which they respond to approaching defeat; their travesty of traditional folkways in the name of the Volk; and the author’s own missed opportunity to shoot Hitler. This riveting book is not only, as Hannah Arendt proclaimed it, “one of the most important documents of the Hitler period,” but a moving testament of a decent man struggling to do the right thing in a depraved world.

Diary research methods are distinct in the qualitative canon for their mode of data collection. This book discusses diary research history, design, data collection, data analysis, composing the final report, evaluation, and ethics.

A Schoolboy’s Diary brings together more than seventy of Robert Walser’s strange and wonderful stories, most never before available in English. Opening with a sequence from Walser’s first book, “Fritz Kocher’s Essays,” the complete classroom assignments of a fictional boy who has met a tragically early death, this selection ranges from sketches of uncomprehending editors, overly passionate readers, and dreamy artists to tales of devilish adultery, sexual encounters on a train, and Walser’s service in World War I. Throughout, Walser’s careening, confounding, delicious voice holds the reader transfixed.