The emergent “science” of transgenderism and related philosophies of gender propose a full-scale inversion of the understanding of God, man, and the created order articulated in classical metaphysics, undermining and parodying both the causality and ontology voiced by Genesis 1:27 (“God created man in His own image, . . . male and female He created them”). Whether through subversive performative identity or by surgical sex change, the divinely made human person is now threatened with abolition and replacement by the self-made man and the man-made woman. In Metaphysics and Gender, Michele M. Schumacher offers a corrective to this distorted and distorting outlook, calling for the recovery of an anthropological vision rooted in recognition of the normative divine “art” of nature and of the likeness—and far greater unlikeness—between divine and human causality. Surveying contemporary transgender trends, Schumacher identifies and excavates their conceptual and ideological foundations in the gender theory of Judith Butler, the existentialist feminism of Simone de Beauvoir, and the atheistic existentialism of Jean-Paul Sartre. To the erroneous philosophical presuppositions of these thinkers Schumacher contrasts the metaphysically grounded thought of Aristotle and Thomas Aquinas, advancing their positive account of the good of creation and of the meaning of ethical norms, human freedom and natural inclinations, and embodiment, and mounting a timely and trenchant defense of the divinely created human person.

The author develops the claim that gender is uniessential to social individuals. The used terms to express gender essentialism are explained, clarified and defended in the first part of the book. In the second part the author constructs an argument for the claim that gender is uniessential to social individuals.

This original book enters the undeveloped territory of feminist metaphysics and offers a bold and unusual contribution to debates about identity, essence and self. Using a diverse range of theories - from Kant to chaos theory, from Kierkegaard to Deleuze, Irigaray, Butler and Oliver Sachs - this book challenges the assumption that metaphysics can remain unchanged by issues of sexual difference.

The present volume is an exciting new collection of original essays by outstanding feminist theorists including Sally Haslanger, Marilyn Frye and Linda Alcoff. Feminist Metaphysics is the first collection of articles addressing metaphysical issues from a feminist perspective. The essays cover central feminist topics including: the ontology of sex and gender, persons, identity and subjectivity, and the relations among experience, ideology and reality. Many of the papers combine cutting-edge feminist theory with contemporary metaphysics and the philosophy of language. The volume is also distinctive in including articles representing both analytic and continental perspectives on metaphysics. The essays are philosophically sophisticated and are primarily intended for a professional audience of philosophers and feminist theorists.

The challenge of promoting the "new feminism" has barely been addressed since it was first launched by Pope John Paul II in his 1995 encyclical Evangelium vitae. The thirteen contributors in this book, all outstanding international scholars, take up this task, together laying the necessary theoretical foundation for the new feminism. These chapters articulate an integral philosophical and theological understanding of persons that moves beyond patriarchy on the one hand and traditional feminism on the other. Central to the new perspective offered here is the biblical revelation of the human person - man and woman - in Christ, a vision that directs women beyond the "male" standard against which they have too often been measured. Far from constraining women to an "eternal essence," the dynamic view presented here encourages each woman to realize herself in perfect Christian freedom.

This lively and controversial collection of essays sets out to theorize and practice a ‘materialist-feminist’ criticism of literature and culture. Such a criticism is based on the view that the material conditions in which men and women live are central to an understanding of culture and society. It emphasises the relation of gender to other categories of analysis, such as class and race, and considers the connection between ideology and cultural practice, and the ways in which all relations of power change with changing social and economic conditions. By presenting a wide range of work by major feminist scholars, this anthology in effect defines as well as illustrates the materialist-feminist tendency in current literary criticism. The essays in the first part of the book examine race, ideology, and the literary canon and explore the ways in which other critical discourse, such as those of deconstruction and French feminism, might be useful to a feminist and materialist criticism. The second part of the book contains examples of such criticism in practice, with studies of individual works, writers and ideas. An introduction by the editors situates the collected essays in relation both to one another and to a shared materialist/feminist project. Feminist Criticism and Social Change demonstrates the important contribution of materialist-feminist criticism to our understanding of literature and society, and fulfils a crucial need among those concerned with gender and its relation to criticism.