Translated by E. M. Macierowski Originally published in French, de Lubac's four-volume study of the history of exegesis and theology is one of the most significant works of biblical studies to appear in modern times. Still as relevant and luminous as when it first appeared, the series offers a key resource for the renewal of biblical interpretation along the lines suggested by the Second Vatican Council in Dei Verbum. This second volume, now available for the first time in English, will fuel the currently growing interest in the history and Christian meaning of exegesis.

Originally published in French as Exgse mdivale,Henri de Lubac s monumental, multivolume study of medieval exegesis and theology has remained one of the most significant works of modern biblical studies. Examining the prominent commentators of the Middle Ages and their texts, de Lubac elucidates the medieval approach to biblical interpretation that sought the four senses of Scripture, especially the dominant practice of attempting to uncover Scripture s allegorical meaning.

Originally published in French as Exégèse médiévale, Henri de Lubac's multivolume study of medieval exegesis and theology has remained one of the most significant works of modern biblical studies. Available now for the first time in English, this long-sought-after second volume of Medieval Exegesis, translated by E. M. Macierowski, advances the effort to make de Lubac's major study accessible to the widest possible audience.

Originally published in French as Exégèse médiévale, Henri de Lubac's multivolume study of medieval exegesis and theology has remained one of the most significant works of modern biblical studies. Available now for the first time in English, this long-sought-after volume is an essential addition to the library of those whose study leads them into the difficult field of biblical interpretation. The first volume in de Lubac's multivolume work begins his comprehensive historical and literary study of the way Scripture was interpreted by the church of the Latin Middle Ages. Examining the prominent commentators of the Middle Ages and their texts, de Lubac discusses the medieval approach to biblical interpretation that sought "the four senses" of Scripture, especially the dominant practice of attempting to uncover Scripture's allegorical meaning. Though Bible interpreters from the Enlightenment era on have criticized such allegorizing as part of the "naivete of the Middle Ages," de Lubac insists that a full understanding of this ancient Christian exegesis provides important insights for us today.

Henri de Lubac's four-volume study of medieval exegesis and theology is one of the most significant works in modern biblical studies. Now available for the first time in English, this volume stands on its own as an introduction and overview of the subject. It will be an essential addition to the libraries of all those studying in any field of biblical interpretation.

This volume represents the first trilateral exploration of medieval scriptural interpretation. During the medieval period the three exegetical traditions of Judaism, Christianity, and Islam produced a vast literature, one of great diversity but also one of numerous cross-cultural similarities.

From the beginning of the Christian era and throughout the Middle Ages, biblical interpretation was the field where theological, philosophical and political matters were discussed. At the same time Scripture’s interpretation required the exploration of hermeneutical positions about how a literal and a hidden meaning could be established and how they related to each other. Ranging from early-Christian concerns about the text of the Bible itself, via Carolingian biblical commentaries, and the ever more diverse interpretations from the twelfth century and onwards, to the literary implications of (Jewish) commentary, the articles in this volume examine biblical exegesis both as a discourse on theology, philosophy and politics, and as the context for discussions on its underlying interpretative principles. Contributors are J. K. Kitchen, Katja Vehlow, Caroline Chevalier-Royet, Sumi Shimahara, Ian Christopher Levy, Pierre Boucaud, Elisabeth Mégier, Cédric Giraud, Wanda Zemler-Cizewski, Ineke van ’t Spijker, Eva De Visscher, Alexander Fidora, Frans van Liere, and Robert A. Harris.