Gerard Loughlin is one of the leading theologians working at the interface between religion and contemporary culture. In this exceptional work, he uses cinema and the films it shows to think about the church and the visions of desire it displays. Discusses various films, including the Alien quartet, Christopher Nolan’s Memento, Stanley Kubrick’s 2001: A Space Odyssey and A Clockwork Orange, Nicolas Roeg’s The Man Who Fell to Earth and Derek Jarman’s The Garden. Draws on a wide range of authors, both ancient and modern, religious and secular, from Plato to Levinas, from Karl Barth and Hans Urs von Balthasar to André Bazin and Leo Bersani. Uses cinema to think about the church as an ecclesiacinema, and films to think about sexual desire as erotic dispossession, as a way into the life of God. Written from a radically orthodox Christian perspective, at once both Catholic and critical.

In 1902, a Swedenborgian church in Glendale, Ohio, commissioned a set of seven stained-glass windows -- each representing an angel from one of the churches in the book of Revelation -- as a gift for a sister church in Cincinnati. Made by the studios of Louis Comfort Tiffany, the windows are a vibrant example of his stunning glasswork. After the church was torn down, the windows were put into storage and forgotten. Recently rediscovered, they have been restored to their former glory and are now part of a traveling exhibition called In Company with Angels. This companion book gives the history and the biblical background to the angels as well as insight into the lessons these angels can teach us today.

Spanning five hundred years of American history, this definitive reference provides an incisive look at the contributions that women have made to the social, cultural, political, economic, and scientific development of the United States. Original.

Includes Part 1, Number 1 & 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - December)