Suicide in the forms of martyrdom, self-sacrifice, or self-immolation is perennially controversial: Should it rightly be termed suicide? Does religion sanction it? Should it be celebrated or anathematized? At least some idealization of such self-chosen deaths is found in every religious tradition treated in this volume, from ascetic heroes who conquer their passions to save others by dying, to righteous warriors who suffer and die valiantly while challenging the status quo. At the same time, there are persistent disputes about the concepts used to justify these deaths, such as altruism, heroism, and religion itself. In this volume, renowned scholars bring their literary and historical expertise to bear on the contested issue of religiously sanctioned suicide. Three examine contemporary movements with disputed classical roots, while eleven look at classical religious literatures which variously laud and disparage figures who invite self-harm to the point of death. Overall, the volume offers an important scholarly corrective to the axiom that religious traditions simply and always embrace life at any cost.

"This text examines the psychological effects of martyrdom and martyrs across the world. The authors discuss martyrdom and martyrs through the lens of current events, iconic historical figures, and popular culture"--

This book examines a variety of different forms of political self-sacrifice, including hunger strikes, self-burning, and non-violent martyrdom.

Acts of martyrdom have been found in nearly all the world's major religious traditions. Though considered by devotees to be perhaps the greatest expression of religious faith, martyrdom is also one of the most difficult concepts for modern observers of religion to understand. This is especially true in the West, where martyrdom has all but disappeared and martyrs in other cultures are often dismissed as fanatics. Cormack seeks to foster a greater understanding of these acts by explaining how martyrdom has historically been viewed in the world's major religions. She provides the first sustained, cross-cultural examination of this fascinating aspect of religious life.

The Virgin Mary has been idealized as a self-sacrificing mother throughout Christian history, but she is not the only ancient maternal figure whose story is connected to violent loss. This book examines several ancient representations of mothers and children in contexts of sociopolitical violence, demonstrating that notions of early Christian motherhood, as today, are contextual and produced for various political, social, and ethical reasons. In each chapter, the ancient maternal figure is juxtaposed with an example of contemporary maternal activism to show that maternal self-sacrifice can be understood as strategic, varied, politically charged, and rhetorically flexible.

Acts of martyrdom have been found in nearly all the worlds major religious traditions. Though considered by devotees to be perhaps the most potent expression of religious faith, dying for ones god is also one of the most difficult concepts for modern observers of religion to understand. This is especially true in the West, where martyrdom has all but disappeared and martyrs in other cultures are often viewed skeptically and dismissed as fanatics. This book seeks to foster a greater understanding of these acts of religious devotion by explaining how martyrdom has historically been viewed in the worlds major religions. It provides the first sustained, cross-cultural examination of this fascinating aspect of religious life. Margaret Cormack begins with an introduction that sets out a definition of martyrdom that serves as the point of departure for the rest of the volume. Then, scholars of Christianity, Judaism, Hinduism, and Islam examine martyrdom in specific religious cultures. Spanning 4000 years of history and ranging from Saul in the Hebrew Bible to Sati immolations in present-day India, this book provides a wealth of insight into an often noted but rarely understood cultural phenomenon.

Named a Most Anticipated Book by Vogue and Vulture “Alternately whimsical, sweet, and dark,” this astonishing debut novel about a lonely girl waiting for her mother “brim[s] with uncompromisingly African magical realism” (The New York Times). Ayosa is a wandering spirit—joyous, exuberant, filled to the brim with longing. Her only companions in her grandmother’s crumbling house are as lonely as Ayosa herself: the ghostly Fatumas, whose eyes are the size of bay windows, who teach her to dance and wail at the death news; the Jolly-Annas, cruel birds who cover their solitude with spiteful laughter; the milkman, who never greets Ayosa and whose milk tastes of mud; and Sindano, the kind owner of a café no one ever visits. Unexpectedly, miraculously, one day Ayosa finds a friend. Yet she is always fixed on her beautiful mama, Nabumbo Promise: a mysterious and aloof photographer, she comes and goes as she pleases, with no apology or warning. Set at the intersection of the spirit world and the human one, Things They Lost sets out a rich and magical vision of “girlhood as a time of complexity, laced with unparalleled creativity and expansion” (Vogue). Heartbreaking, elegant, and written in “giddily exuberant prose” (Financial Times), it’s a story about connection, coming-of-age, and the dizzying dualities of love at its most intoxicating and all-encompassing.