Margot Fonteyn began life on the 18th of May, 1919 in Reigate, Surrey, as plain Peggy Hookham. She ended it on the 21st of February, 1991, as Prima Ballerina Assoluta, Dame of the British Empire and the most legendary dancer since Pavlova. Meredith Daneman, with her own extensive background in ballet, tells Fonteyn’s story in vivid prose with insight and sensitivity. Drawing upon extensive research, countless interviews, and exclusive access to never-before-seen letters and diaries—including those of Fonteyn’s extraordinary and devoted mother—Daneman presents firsthand remembrances of Fonteyn from a vast array of people who knew her and danced with her during the course of her lengthy career. Margot Fonteyn contains revelations not found in any other account of the ballerina, from insights into Fonteyn’s private world (especially regarding her relationship with her mother, the “Black Queen”) to her feelings about her fellow dancers and, of course, the men in her life—including choreographer Frederick Ashton, her husband Roberto Arias, and her long-time dance partner and rumored lover Nureyev.

The long and remarkable career of the famous ballerina, giving the reader a unique insight into 20th century ballet.

A biography of the renowned prima ballerina whose career spanned more than forty years.

The age-old legend in which a lovely princess, turned into a swan by an evil enchanter, is rescued by a handsome prince has become one of the world's best-loved ballets. Here it takes on yet another form in this retelling by the ballerina, Dame Margot Fonteyn, aided by an award winning illustrator.

Prima ballerina Margot Fonteyn gives one last gift to the world of dance with this enchanting retelling of a classic ballet. With the vivacity and effortless grace that marked her performances, Dame Margot Fonteyn retells the story of Coppelia, a doll so lifelike and beautiful she captures the heart of a young villager - and the jealous attention of his fiance e. Completed shortly before her death in 1991, Dame Margot's Coppelia is masterfully staged by Steve Johnson and Lou Fancher, whose vibrant, richly textured paintings bring to life this tale of love and the power of imagination."

The detailed outline for the curriculum of The Margot Fonteyn Academy of Ballet. Ken Ludden, artistic director, publishes the entire educational method, with detailed course descriptions, standards and traditions, audition requirements, requirements for matriculation, and the levels of education. In the end, graduates of MFAB will have received a thorough education to prepare them to become the artistic leaders of their generation, and as they take to the stages of the world, eyes will open once again to the tremendous artistic achievements possible when the most inspired artists are given impeccable technical training in classical ballet, but also in dramatic arts, music and visual arts. Students are trained for an entire lifetime in the fine art of performance, beginning as performing artists and then, once retired from stage, as leaders of the art world.