“...Man Ray’s two decades of mutual love and admiration, between the two wars, with and within the dreams and realities of the Ville de Paris. Unlike such romantic tales, we have a vivid, visual record of all that its characters and great moments: Man Ray’s Paris portraits, hopefully brought back to life for you within these pages once again.” — author.

Catalog of an exhibition held at Musee d'Art Americain Giverny, France, Aug. 31-Nov. 30, 2003; Tacoma Art Museum, Tacoma, Wash., Dec. 18, 2003-Mar. 28, 2004; and Terra Museum of American Art, Chicago, April 17-June 27, 2004.

Follows the life of Hollywood's first independent filmmaker known for "The Emperor Jones" and "Ballet mâecanique."

Multimedia Computing provides a thorough overview of multimedia for system designers, system planners, and management decision-makers, covering hot topics such as information design, systems of representation, and recent advances in multimedia technology. The book illustrates a full spectrum of applications, discusses the tools used to produce them, and addresses the major technical issues involved, all documented with examples from the authors' direct experience.

aka Marcel Duchamp is an anthology of recent essays by leading scholars on Marcel Duchamp, arguably the most influential artist of the twentieth century. With scholarship addressing the full range of Duchamp's career, these papers examine how Duchamp's influence grew and impressed itself upon his contemporaries and subsequent generations of artists. Duchamp provides an illuminating model of the dynamics of play in construction of artistic identity and legacy, which includes both personal volition and contributions made by fellow artists, critics, and historians. This volume is not only important for its contributions to Duchamp studies and the light it sheds on the larger impact of Duchamp's art and career on modern and contemporary art, but also for what it reveals about how the history of art itself is shaped over time by shifting agendas, evolving methodologies, and new discoveries.

A close look at Man Ray's interwar portraiture, as well as the friendships between the photographer and his subjects: the international avant garde in Paris Shortly after his arrival in Paris in July 1921, Man Ray (1890-1976)--the pseudonym of Emmanuel Radnitzky--embarked on a sustained campaign to document the city's international avant-garde in a series of remarkable portraits that established his reputation as one of the leading photographers of his era. Man Ray's subjects included cultural luminaries such as Berenice Abbott, André Breton, Jean Cocteau, Marcel Duchamp, Ernest Hemingway, Miriam Hopkins, Aldous Huxley, James Joyce, Lee Miller, Méret Oppenheim, Pablo Picasso, Alice Prin (Kiki de Montparnasse), Elsa Schiaparelli, Erik Satie, and Gertrude Stein. As this lavishly illustrated publication demonstrates, Man Ray's portraits went beyond recording the mere outward appearance of the person depicted and aimed instead to capture the essence of his sitters as creative individuals, as well as the collective nature and character of Les Années folles (the crazy years) of Paris between the two world wars, when the city became famous the world over as a powerful and evocative symbol of artistic freedom and daring experimentation.