How America can rebuild its industrial landscape to sustain an innovative economy. America is the world leader in innovation, but many of the innovative ideas that are hatched in American start-ups, labs, and companies end up going abroad to reach commercial scale. Apple, the superstar of innovation, locates its production in China (yet still reaps most of its profits in the United States). When innovation does not find the capital, skills, and expertise it needs to come to market in the United States, what does it mean for economic growth and job creation? Inspired by the MIT Made in America project of the 1980s, Making in America brings experts from across MIT to focus on a critical problem for the country. MIT scientists, engineers, social scientists, and management experts visited more than 250 firms in the United States, Germany, and China. In companies across America—from big defense contractors to small machine shops and new technology start-ups—these experts tried to learn how we can rebuild the industrial landscape to sustain an innovative economy. At each stop, they asked this basic question: “When you have a new idea, how do you get it into the market?” They found gaping holes and missing pieces in the industrial ecosystem. Even in an Internet-connected world, proximity to innovation and users matters for industry. Making in America describes ways to strengthen this connection, including public-private collaborations, new government-initiated manufacturing innovation institutes, and industry/community college projects. If we can learn from these ongoing experiments in linking innovation to production, American manufacturing could have a renaissance.

More Like Us is a celebration of American openness to immigration and aspiration and a skeptic's tour of the rigidity of Asian societies. Fallows is the author of the highly acclaimed National Defense.

If 1776 heralds America's Birth of the Nation, so, too, it witnesses the rise of a matching, and overlapping, American Literature. For between the 1770s and the 1820s American writing moves on from the ancestral Puritanism of New England and Virginia - though not, as yet, into the American Renaissance so strikingly called for by Ralph Waldo Emerson. Even so, the concourse of voices which arise in this period, that is between (and including) Benjamin Franklin and James Fenimore Cooper, mark both a key transitional literary generation and yet one all too easily passed over in its own imaginative right. This collection of fifteen specially commissioned essays seeks to establish new bearings, a revision of one of the key political and literary eras in American culture. Not only are Franklin and Cooper themselves carefully re-evaluated in the making of America's new literary republic, but figures like Charles Brockden Brown, Washington Irving, Philip Frencau, William Cullen Bryant, the other Alexander Hamilton, and the playwrights Royall Tyler and William Dunlop. Other essays take a more inclusive perspective, whether American epistolary fiction, a first generation of American women-authored fiction, the public discourse of The Federalist Papers, the rise of the American periodical, or the founding African-American generation of Phillis Wheatley. What unites all the essays is the common assumption that the making of America was as much a matter of creating its national literature; as the making of American literature was a matter of shaping a national identity.