An enchanting novel intertwining folklore, the magical realm of the fairy folk, mysterious intrigue, and superstition with drug addiction, smuggling, and possibly murder. A delightful discovery for lovers of fantasy.

"The single most beautiful, solid, unearthly, and unjustifiably forgotten novel of the twentieth century ... a little golden miracle of a book." —Neal Gaiman Hope Mirrlees penned Lud-in-the-Mist--a classic fantasy, and her only fantasy novel--in 1926. When the town of Lud severs its ties to a Faerie land, an illegal trade in fairy fruit develops. But eating the fruit has horrible and wondrous effects. "Helen Hope Mirrlees was born in England in 1887. Mirrlees was a close friend of such literary lights as Walter de la Mare, T.S. Eliot, André Gide, Katharine Mansfield, Lady Ottoline Morrell, Bertrand Russell, Gertrude Stein, Virginia Woolf, and William Butler Yeats. Under her own name, she published three novels: Madeleine— One of Life's Jansenists (1921); The Counterplot (1924); and her 1926 classic fantasy Lud-in-the-Mist, which has acknowledged inspiration to the likes of Neil Gaiman, Mary Gentle, Elizabeth Hand, Johanna Russ, and Tim Powers."--SF Site "Hope Mirrlees' writing, usually underrated, moves between gently crazy humour, poetic snatches, real menace, and real poignancy."—The Encyclopedia of Fantasy

"Lud-in-the-Mist" by Hope Mirrlees is the third and final novel by the British writer. It continues the author's exploration of the themes of Life and Art, by a method already described in the preface of her first novel, Madeleine: One of Love's Jansenists (1919): "to turn from time to time upon the action the fantastic limelight of eternity, with a sudden effect of unreality and the hint of a world within a world".

Hope-in-the-Mist is the first book-length study of British author Hope Mirrlees (1887-1978), whom Virginia Woolf described as "her own heroine -- capricious, exacting, exquisite, very learned, and beautifully dressed." Raised in Scotland and Zululand, Mirrlees studied with the great classical scholar Jane Harrison and later lived with her in Paris and London. Mirrlees wrote one major poem, Paris (1920), the missing link between French avant-garde poetry and her friend T. S. Eliot's The Waste Land (1922); her novel Lud-in-the-Mist is an acknowledged classic of fantastical literature.

Paris: A Poem is a daring, experimental, psychogeographic long poem written by the British writer Hope Mirrlees. Offering a snapshot of post-war Paris, it describes a journey through the city from day to night by means of innovative and playful typography, collage and fragmentation. This would be a centenary edition, reproducing the original design and setting of the very first, published by Leonard and Virginia Woolf at the Hogarth Press in 1920.

In the Hugo-award winning, epic New York Times Bestseller and basis for the BBC miniseries, two men change England's history when they bring magic back into the world. In the midst of the Napoleonic Wars in 1806, most people believe magic to have long since disappeared from England - until the reclusive Mr. Norrell reveals his powers and becomes an overnight celebrity. Another practicing magician then emerges: the young and daring Jonathan Strange. He becomes Norrell's pupil, and the two join forces in the war against France. But Strange is increasingly drawn to the wild, most perilous forms of magic, and he soon risks sacrificing his partnership with Norrell and everything else he holds dear. Susanna Clarke's brilliant first novel is an utterly compelling epic tale of nineteenth-century England and the two magicians who, first as teacher and pupil and then as rivals, emerge to change its history.