In this classic work, often described as "The History of the Rise, Decline, and Fall of the Love Affair," Denis de Rougemont explores the psychology of love from the legend of Tristan and Isolde to Hollywood. At the heart of his ever-relevant inquiry is the inescapable conflict in the West between marriage and passion--the first associated with social and religious responsiblity and the second with anarchic, unappeasable love as celebrated by the troubadours of medieval Provence. These early poets, according to de Rougemont, spoke the words of an Eros-centered theology, and it was through this "heresy" that a European vocabulary of mysticism flourished and that Western literature took on a new direction. Bringing together historical, religious, philosophical, and cultural dimensions, the author traces the evolution of Western romantic love from its literary beginnings as an awe-inspiring secret to its commercialization in the cinema. He seeks to restore the myth of love to its original integrity and concludes with a philosophical perspective on modern marriage.

In this classic work, often described as "The History of the Rise, Decline, and Fall of the Love Affair," Denis de Rougemont explores the psychology of love from the legend of Tristan and Isolde to Hollywood. At the heart of his ever-relevant inquiry is the inescapable conflict in the West between marriage and passion--the first associated with social and religious responsiblity and the second with anarchic, unappeasable love as celebrated by the troubadours of medieval Provence. These early poets, according to de Rougemont, spoke the words of an Eros-centered theology, and it was through this "heresy" that a European vocabulary of mysticism flourished and that Western literature took on a new direction. Bringing together historical, religious, philosophical, and cultural dimensions, the author traces the evolution of Western romantic love from its literary beginnings as an awe-inspiring secret to its commercialization in the cinema. He seeks to restore the myth of love to its original integrity and concludes with a philosophical perspective on modern marriage.

THE SUNDAY TIMES BESTSELLER 'A lively and spirited book' DOUGLAS MURRAY 'A paean to the freedom and dignity that many in the West take for granted' PETER BOGHOSSIAN 'A cool, steady but urgent message that we should value and protect what we have' SPIKED 'Kisin's book [has] a powerful moral quality that makes it worth reading' SUNDAY TIMES For all of the West's failings - terrible food, cold weather, and questionable politicians with funny hair to name a few - it has its upsides. Konstantin would know. Growing up in the Soviet Union, he experienced first-hand the horrors of a socialist paradise gone wrong, having lived in extreme poverty with little access to even the most basic of necessities. It wasn't until he moved to the UK that Kisin found himself thriving in an open and tolerant society, receiving countless opportunities he would never have had otherwise. Funny, provocative and unswervingly perceptive, An Immigrant's Love letter to the West interrogates the developing sense of self-loathing the Western sphere has adopted and offers an alternative perspective. Exploring race politics, free speech, immigration and more, Kisin argues that wrongdoing and guilt need not pervade how we feel about the West - and Britain - today, and that despite all its ups and downs, it remains one of the best places to live in the world. After all, if an immigrant can't publicly profess their appreciation for this country, who can?

First Published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.

The celebrated author of Theology of the Body Explained andTheology of the Body for Beginners offers compelling insights into Pope Benedict’s profound teaching on human and divine love. The Love That Satisfies is for all - whether married, single, or religious - who are seeking the face of true love in a wounded world. In The Love That Satisfies, Christopher West turns to the wisdom of both Popes Benedict XVI and John Paul II in order to shed some light on sexual love (eros) and its relationship with divine love (agape). Why is the love between man and woman so attractive and elusive, demanding and rewarding, restrictive and liberating, painful and ecstatic, messy and beautiful, maddening and fulfilling? Our world is saturated with sex but remains starved for love. Why? Perhaps as Waylon Jennings put it, we’re “Lookin' for love in all the wrong places, lookin' for love in too many faces.” Where, then, is the right place and whose, then, is the right face in which to look for love? By reflecting on key passages from Pope Benedict’s grand encyclical Deus Caritas Est, this book explores these and many other questions with the goal of pointing all who read it towards the love that satisfies. Those who give Pope Benedict’s teaching the attention it deserves will discover that the Catholic Church has a vision of sexual love far more glorious than anything Sigmund Freud, Hugh Hefner, Britney Spears, or Howard Stern could dream of or imagine. You doubt? This book will make you a believer.

What do you do when you’ve fallen for your best friend? Funny and romantic, this effervescent story about family, friendship, and finding yourself is perfect for fans of Sarah Dessen and Jenny Han. Seventeen-year-old Abby Turner’s summer isn’t going the way she’d planned. She has a not-so-secret but definitely unrequited crush on her best friend, Cooper. She hasn’t been able to manage her mother’s growing issues with anxiety. And now she’s been rejected from an art show because her work “has no heart.” So when she gets another opportunity to show her paintings, Abby isn’t going to take any chances. Which is where the list comes in. Abby gives herself one month to do ten things, ranging from face a fear (#3) to learn a stranger’s story (#5) to fall in love (#8). She knows that if she can complete the list, she’ll become the kind of artist she’s always dreamed of being. But as the deadline approaches, Abby realizes that getting through the list isn’t as straightforward as it seems . . . and that maybe—just maybe—she can’t change her art if she isn’t first willing to change herself.