This is my first attempt at writing a book like this but the 4th I have published. This book reflects the things I see, hear and at times just think. Most of all the lyrics written in this and previous books are hardly changed from the original text. I write lyrics very quickly once I have an idea, usually no more than 10 - 15 minutes. I have many influences musically and enjoy songwriters that tell a story, such as Bono(U2), Lennon, Dylan, Bowie and many others. I do not profess to anywhere near their league in fact a million miles away from them. I write to release myself from the everyday crap that goes on in the world and as a sense of peace to myself. This book is rather dark and naïve in its content and I was apprehensive whether to publish, but if you don't try, you don't know! So please enjoy.

"I don't realize I'm crying until he glances at me. For a moment, I see the look of anguish in his eyes, then he blinks it away and slips off into the water. I immediately think of the gator. It's still down there somewhere. . . ." A science-class field trip to the Everglades is supposed to be fun, but Sarah's new at Glades Academy, and her fellow freshmen aren’t exactly making her feel welcome. When an opportunity for an unauthorized side trip on an air boat presents itself, it seems like a perfect escape—an afternoon without feeling like a sore thumb. But one simple oversight turns a joyride into a race for survival across the river of grass. Sarah will have to count on her instincts—and a guy she barely knows—if they have any hope of making it back alive.

"A vivid historical account…Thompson shines in giving a sense of what it means to love a place that's been designated a 'sacrifice zone.'" ​ —PUBLISHERS WEEKLY Award–winning investigative environmental journalist Jonathan P. Thompson digs into the science, politics, and greed behind the 2015 Gold King Mine disaster, and unearths a litany of impacts wrought by a century and a half of mining, energy development, and fracking in southwestern Colorado. Amid these harsh realities, Thompson explores how a new generation is setting out to make amends. JONATHAN THOMPSON is a native Westerner with deep roots in southwestern Colorado. He has been an environmental journalist focusing on the American West since he signed on as reporter and photographer at the Silverton Standard & the Miner newspaper in 1996. He has worked and written for High Country News for over a decade, serving as editor–in–chief from 2007 to 2010. He was a Ted Scripps fellow in environmental journalism at the University of Colorado in Boulder, and in 2016 he was awarded the Society of Environmental Journalists' Outstanding Beat Reporting, Small Market. He currently lives in Bulgaria with his wife Wendy and daughters Lydia and Elena.

Nathan Feldman, a fortyish Jewish professor of philosophy, returns to his condo complex after a Saturday morning walk only to find that his name is no longer on his mailbox. The key to his condo isn’t in his pocket, and a resident across the hall, a good friend, refuses to buzz him in because she claims not to know him. As it turns out, no one recognizes him. He cannot find his wallet or cell phone. He suddenly has no way to prove who he is. He walks to his university and finds a different name on what he thought was his office door. Although he can provide detailed information about their lives to individuals whom he thought were friends and acquaintances, they treat him as a complete stranger. The life he remembers, including his name, seems to be nothing more than fiction. He suddenly finds himself homeless and penniless. Is he suffering from a strange form of amnesia characterized by false memories? His nightmare is only beginning. What he ultimately discovers about his true identity will completely unnerve him.

To the River is the story of the Ouse, the Sussex river in which Virginia Woolf drowned in 1941. One idyllic, midsummer week over sixty years later, Olivia Laing walked. Woolf's river from source to sea. The result is a passionate investigation into how history resides in a landscape and how ghosts never quite leave the place they love.

A raw tour through an aging songwriter’s life as he watches his Alzheimer’s stricken spouse deteriorate, Lost River (The Sinks) weaves intellect and emotion into an expansive exploration of how protagonist Carson Hicks (and we) experience consciousness. Like a collaboration between Montaigne and James Joyce were they gifted twenty-first century knowledge, Lost River alternates still waters with rapids, leaving you at the end of the ride with your sense of place, time and memory altered, replaced by a new physics of Being.