Cammy Hall is what anyone would describe as a loser. She lives with her grandparents and has adopted their way of life… right down to the comfortable shoes and early bedtime. And can she help it that she actually likes to knit? At school, her skills with knitting needles and some yarn go completely unappreciated: people like Bekka Bell reign while Cammy and her best friend, the fearless Danish exchange student Gerdi, watch from the sidelines. Cammy’s used to being an outsider; after years of humiliating moments, her goal is simply to fly under the radar. Then she suddenly starts receiving mysterious text messages that lead her right to all the embarrassing secrets about the most popular kids in school. Cammy never expected to be able to climb up the high school food chain, and the agenda of the texter may be questionable—but how can she possibly give up the chance to be Queen? This is the print version of the groundbreaking online interactive serial LOSER/QUEEN that premiered in July 2010 on www.loserqueen.com. Each week, readers voted on major plot twists. The winning choice was then encorporated into the next week's chapters. Now that voting—and the book—are complete, LOSER/QUEEN will be published as a paperback and packed with extras from the author… and readers will have the opportunity to own the book they helped create! Jodi Lynn Anderson, the national bestselling author of Peaches and The Secrets of Peaches, has lived in Georgia, Costa Rica, and New York, but she currently lives in Washington, D.C. Brittney Lee is a designer and animator. She lives in Emeryville, CA.

Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Modern beauty contests were invented by P.T. Barnum in the United States, but in the 20th century pageants and contests have spread across the entire world from Nepal to Tierra Del Fuego. Why are women (and sometimes men in drag) parading on stage such a universally appealing spectacle, attracting an audience in the billions? This book is the first global comparison of pageants from different parts of the world, at the ways each contest is both intensely local and unique, and simultaneously global and remarkable repetitious. The authors use the latest tools of feminist, ethnographic, and literary scholarship to unpack and interpret one of the greatest and most universal spectacles of modern times.