According to scholar Joseph Allen Boone, modern fiction with its strong currents of sexuality creates a poetics of the perverse with the power to influence how we think. Challenging common theories, Boone constructs a model for interpreting sexuality that reaches from Freud's theory of the libidinal instincts to Foucault's theory of sexual discourse. A landmark work in the study of modernist fiction and the study of sexuality and gender.

From Kate Chopin and Virginia Woolf to William Faulkner and Doris Lessing, modern fiction surges with libidinal currents. The most powerful of these fictions are not merely about sex; rather, they attempt to incorporate the workings of eros into their narrative forms. In doing so, Joseph Allen Boone argues, these modern fictions of sexuality create a politics and poetics of the perverse with the power to transform how we think about and read modernism. Challenging overarching theories of the novel by carefully mapping the historical contexts that have influenced modern experimental narratives, Boone constructs a model for interpreting sexuality that reaches from Freud's theory of the libidinal instincts to Foucault's theory of sexual discourse. The most ambitious study yet written on the links between literary modernity and the psychology of sex, Boone's Libidinal Currents will be a landmark book in the study of modernist fiction, gay studies/queer theory, feminist criticism, and studies in sexuality and gender.

The first book-length feminist analysis of Eileen Gray's work, Eileen Gray and the Design of Sapphic Modernity: Staying In argues that Gray's unusual architecture and design - as well as its history of abuse and neglect - emerged from her involvement with cultures of sapphic modernism. Bringing together a range of theoretical and historical sources, from architecture and design, communication and media, to gender and sexuality studies, Jasmine Rault shows that Gray shared with many of her female contemporaries a commitment to designing spaces for sexually dissident modernity. This volume examines Gray's early lacquer work and Romaine Brooks' earliest nude paintings; Gray's first built house, E.1027, in relation to Radclyffe Hall and her novel The Well of Loneliness; and Gray's private house, Tempe ?nbsp; Pailla, with Djuna Barnes' Nightwood. While both female sexual dissidence and modernist architecture were reduced to rigid identities through mass media, women such as Gray, Brooks, Hall and Barnes resisted the clarity of such identities with opaque, non-communicative aesthetics. Rault demonstrates that by defying the modern imperative to publicity, clarity and identity, Gray helped design a sapphic modernity that cultivated the dynamism of uncertain bodies and unfixed pleasures, which depended on staying in rather than coming out.

This book examines the key ordering—disordering processes of the psychotic self. It draws on Sigmund Freud, Jung, object relation and selfpsychologies, and, particularly, the work of Winnicott, Bion, and Elkin.

From the contents: S.E. Gontarski: Style and the man: Samuel Beckett and the art of pastiche. - Veronique Le Gall: Carcasse et deraison: la nature morte. - Michael D'Arcy: The task of the listener: Beckett, Proust, and perpetual translation. - Florence Godeau: Molloy aux mille tours. - Julie Campbell: Moran as secret agent. - Steve Barfield and Philip Tew: Philosophy, psychoanalysis and parody: exceedingly Beckett."

Suggests an open system of psychological exploration to cut through accepted norms of morality, language, and politics

Within the context of shifting social bonds in global culture, this book brings together debates on the left from political philosophy, psychoanalysis, social psychology and media and cultural studies to explore the logic of the formation of collective identities from a new theoretical perspective.