This volume presents three of Jane Austen's smaller works, treating readers to the author's timeless observations on life and love in nineteenth-century England. In Lady Susan, a beautiful and flirtatious widow seeks an advantageous second marriage for herself while attempting to push her daughter into a dismal match. Through a series of crafty maneuvers, Susan pursues her schemes by filling her calendar with invitations for extended visits with unsuspecting relatives and acquaintances. Characters are revealed and suspense builds as the plot unfolds through a series of letters. The beloved author also left behind two tantalizing unfinished novels. The Watsons takes place in a familiar domestic milieu, in which a spirited heroine finds her marriage opportunities narrowed by poverty and pride. Sanditon ventures into new territory amid hypochondriacs and speculators at a seaside resort. More than literary curiosities, these stories are worthy of reading for pleasure as well as for study.

'I am tired of submitting my will to the caprices of others-of resigning my own judgement in deference to those to whom I owe no duty, and for whom I feel no respect.' The unfinished fictions collected here are the novels and other writing that Jane Austen did not publish. The protagonist of the earliest story is Lady Susan, a sexual predator and a brilliant and manipulative sociopath. The Watsons, a tale of riches to rags, is set in a village deep in mud and misery where the Watson sisters waste away, day after dull day, waiting for the suitors who never appear. Sanditon, the novel interrupted by the author's death, is a topical satire on the niche marketing campaign waged by investors in the latest seaside resort, the fictional Sanditon, situated on England's over-supplied south coast. If The Watsons shares the disturbed life of a Chekhov short story, Sanditon's cast of eccentrics anticipates the zany world of Dickens. Experimental and sharp-elbowed, all three probe new areas of invention and push out beyond what we expect to find in a novel by Jane Austen. This edition collects together all Austen's unpublished adult fiction, poetry, and related writings, written in her late teens, in her late twenties, and in the year she died, aged forty-one. They contribute more than a dash of discomfort to our modern image of the romantic novelist and reveal Jane Austen's development as a writer.

Sanditon, Lady Susan, & The History of England: The Juvenilia and Shorter Works of Jane Austen is a rare collection and a must for all Jane-ites. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by Kathryn White. Representing what Richard Church regarded as Jane Austen's literary work-basket, this collection contains not only her hilarious History of England, illustrated by her favourite sister Cassandra, but the unfinished Sanditon, the novel of her maturity on which she was working at her death, aged forty-two. Also included are the two epistolary novels, Lady Susan and Love and Friendship [sic], and other, shorter works: ‘The Watsons’, ‘Catharine’, ‘Lesley Castle’, ‘Evelyn’, ‘Frederic and Elfrida’, ‘Jack and Alice’, ‘Edgar and Emma’, ‘Henry and Eliza’ and ‘The Three Sisters’.

Mr. Watson is a widowed clergyman with two sons and four daughters. The youngest daughter, Emma, has been brought up by a wealthy aunt and is consequently better educated and more refined than her sisters. But when her aunt contracts a foolish second marriage, Emma is obliged to return to her father's house. Living near the Watsons are the Osbornes, a great titled family. Emma attracts some notice from the boorish and awkward young Lord Osborne, while one of her sisters pursues Lord Osborne's arrogant, social-climbing friend, Tom Musgrave. Emma is chagrined by the crude and reckless husband-hunting of two of her sisters, but gets involved in it whether she likes it or not.

Collecting three lesser-known works by one of the nineteenth century's greatest authors, Jane Austen's Lady Susan, The Watsons and Sanditon is edited with an introduction by Margaret Drabble in Penguin Classics. These three short works show Austen experimenting with a variety of different literary styles, from melodrama to satire, and exploring a range of social classes and settings. The early epistolary novel Lady Susan depicts an unscrupulous coquette, toying with the affections of several men. In contrast, The Watsons is a delightful fragment, whose spirited heroine Emma Watson finds her marriage opportunities limited by poverty and pride. Written in the last months of Austen's life, the uncompleted novel Sanditon, set in a newly established seaside resort, offers a glorious cast of hypochondriacs and speculators, and shows an author contemplating a the great social upheavals of the Industrial Revolution with a mixture of scepticism and amusement. Margaret Drabble's introduction examines these three works in the context of Jane Austen's major novels and her life, and discusses the social background of her fiction. This edition features a new chronology. Jane Austen (1775-1817) was extremely modest about her own genius but has become one of English literature's most famous women writers. Austen began writing at a young age, embarking on what is possibly her best-known work, Pride and Prejudice, at the age of 22. She was also the author of Sense and Sensibility, Persuasion, Northanger Abbey and Mansfield Park. If you enjoyed Lady Susan, The Watsons and Sanditon, you may like Charlotte Brontë's Tales of Angria, also available in Penguin Classics. 'In [Sanditon] she exploits her greatest gifts, her management of dialogue and her skill with monologue. The book feels open and modern ... as vigorous and inventive as her earlier work' Carol Shields

With an Introduction, explanatory notes, and annotated bibliography by Nicholas Seager. This collection brings together Jane Austen's earliest experiments in the art of fiction and novels that she left incomplete at the time of her premature death in 1817. Her fragmentary juvenilia show Austen developing her own sense of narrative form whilst parodying popular kinds of fiction of her day. Lady Susan is a wickedly funny epistolary novel about a captivating but unscrupulous widow seeking to snare husbands for her daughter and herself. The Watsons explores themes of family relationships, the marriage market, and attitudes to rank, which became the hallmarks of her major novels. In Sanditon, Austen exercises her acute powers of social observation in the setting of a newly fashionable seaside resort. These novels are here joined by shorter fictions that survive in Austen's manuscripts, including critically acclaimed works like Catharine, Love and Freindship [sic], and The History of England.