Twenty years after a deadly pandemic ravaged the world, Darragh Fearghal Anluan and the people of his village have carved out a hard but simple life in the Irish countryside. But with winter comes sickness, and Darragh must travel to Dublin in search of medicine. What he finds there is a ruined city ruled by a madman, where scavenging is punishable by death . . . or conscription. Ciaran Daly came to Ireland with aid and optimism, but instead was enslaved by the so-called King of Dublin. After months of abuse from the king and his men, he has no reason to believe this newcomer will be any different. Except Ciaran finds himself increasingly drawn to Darragh, whose brutish looks mask how sweet and gentle he really is. The tenderness Darragh feels for the king's treasured pet is treason, but it's hardly the only betrayal brewing in this rotten kingdom. Rebellions and rival gangs threaten the king's power, but not nearly as much as Darragh and Ciaran-whose only hope for freedom is the fall of the king.

A year after Richard III's death, a boy claiming to be a Yorkist prince appeared as if from nowhere, claiming to be Richard III's heir and the rightful King of England. In 1487, in a unique ceremony, this boy was crowned in Dublin Cathedral, despite the Tudor government insisting that his real name was Lambert Simnel and that he was a mere pretender to the throne. Now, in The Dublin King, author and historian John Ashdown-Hill questions that official view. Using new discoveries, little-known evidence and insight, he seeks the truth behind the 500-year-old story of the boy-king crowned in Dublin. He also presents a link between Lambert Simnel's story and that of George, Duke of Clarence, the brother of Richard III. On the way, the book sheds new light on the fate of the 'Princes in the Tower', before raising the possibility of using DNA to clarify the identity of key characters in the story and their relationships.

Vikings plagued the coasts of Ireland and Britain in the 790s. Over time, their raids became more intense and by the mid-ninth century vikings had established a number of settlements in Ireland and Britain and had become heavily involved with local politics. A particularly successful viking leader named varr campaigned on both sides of the Irish Sea in the 860s. His descendants dominated the major seaports of Ireland and challenged the power of kings in Britain during the later ninth and tenth centuries. In 1014, the battle of Clontarf marked a famous stage in the decline of viking power in Ireland whilst the conquest of England in 1013 by the Danish king Sveinn Forkbeard marked a watershed in the history of vikings in Britain. The descendants of varr continued to play a significant role in the history of Dublin and the Hebrides until the twelfth century, but they did not threaten to overwhelm the major kingships of Britain or Ireland in this later period as they had done before. Thi.

From the internationally bestselling author of London and Sarum -- a magnificent epic about love and war, family life and political intrigue in Ireland over the course of seventeen centuries. Like the novels of James Michener, The Princes of Ireland brilliantly interweaves engrossing fiction and well-researched fact to capture the essence of a place. Edward Rutherfurd has introduced millions of readers to the human dramas that are the lifeblood of history. From his first bestseller, Sarum, to the #1 bestseller London, he has captivated audiences with gripping narratives that follow the fortunes of several fictional families down through the ages. The Princes of Ireland, a sweeping panorama steeped in the tragedy and glory that is Ireland, epitomizes the power and richness of Rutherfurd’s storytelling magic. The saga begins in pre-Christian Ireland with a clever refashioning of the legend of Cuchulainn, and culminates in the dramatic founding of the Free Irish State in 1922. Through the interlocking stories of a wonderfully imagined cast of characters -- monks and noblemen, soldiers and rebels, craftswomen and writers -- Rutherfurd vividly conveys the personal passions and shared dreams that shaped the character of the country. He takes readers inside all the major events in Irish history: the reign of the fierce and mighty kings of Tara; the mission of Saint Patrick; the Viking invasion and the founding of Dublin; the trickery of Henry II, which gave England its foothold on the island in 1167; the plantations of the Tudors and the savagery of Cromwell; the flight of the “Wild Geese”; the failed rebellion of 1798; the Great Famine and the Easter Rebellion. With Rutherfurd’s well-crafted storytelling, readers witness the rise of the Fenians in the late nineteenth century, the splendours of the Irish cultural renaissance, and the bloody battles for Irish independence, as though experiencing their momentous impact firsthand. Tens of millions of North Americans claim Irish descent. Generations of people have been enchanted by Irish literature, and visitors flock to Dublin and its environs year after year. The Princes of Ireland will appeal to all of them -- and to anyone who relishes epic entertainment spun by a master.

This book is an account of Viking activity in the north of Ireland, one of the less well-known episodes in the history of early medieval Ireland. It is also the story of the Cenel nEogain dynasty, an important Irish population group in the north of the island. The kings of Ailech came to prominence c.800 AD, just as the first Viking fleets began to raid the coasts of Ulster. Early Viking activity in the north of Ireland followed a similar pattern to raiding activity elsewhere on the island. It began to diverge after 866 when Aed Findliath, a high-king of Ireland from the Cenel nEogain dynasty, destroyed Scandinavian settlements in what is now Co. Antrim. It appears to have been the intention of the Cenel nEogain to allow Viking strongholds to survive further south in Ulaid territory at Strangford Lough and Carlingford, and later-on also at Ruib Mena on Lough Neagh. However, these longphuirt too were eventually destroyed by the Irish of the north of Ireland, the final ones in a spiral of violence that surrounded the death of the famous king of Aileach, Muirchertach na Cochall Craicinn (of the Leather Cloaks), who was killed by the Vikings in 943. This book also tells the stories of other note-worthy early medieval high-kings of Ireland who sprang from the Cenel nEogain dynasty. Among those discussed is Niall Glundub, killed at the battle of Dublin in 919, leading the combined armies of the Northern and Southern Ui Neill against Viking invaders known as the grandsons of Ivarr. Also included is his grandson Domnall Ua Neill, one of the first Irishmen to adopt a surname (which he took from his well-known grandfather). It was Domnall's over-ambitious plans, caused by the expulsion of the Vikings from the north of Ireland, that instead led to the collapse of the traditional Ui Neill high-kingship of Ireland in the early eleventh century.

This volume is a collection of 30 papers on the broad subject of the Scandinavian expansion westwards to Britain, Ireland and the North Atlantic, with a particular emphasis on settlement. The volume has been prepared in tribute to the work of Barbara E. Crawford on this subject, and to celebrate the twentieth anniversary of the publication of her seminal book, Scandinavian Scotland. Reflecting Dr Crawford's interests, the papers cover a range of disciplines, and are arranged into four main sections: History and Cultural Contacts; The Church and the Cult of Saints; Archaeology, Material Culture and Settlement; Place-Names and Language. The combination provides a variety of new perspectives both on the Viking expansion and on Scandinavia's continued contacts across the North Sea in the post-Viking period.Contributors include: Lesley Abrams, Haki Antonsson, Beverley Ballin Smith, James Barrett, Paul Bibire, Nicholas Brooks, Dauvit Broun, Margaret Cormac, Neil Curtis, Clare Downham, Gillian Fellows-Jensen, Ian Fisher, Katherine Forsyth, Peder Gammeltoft, Sarah Jane Gibbon, Mark Hall, Hans Emil Liden, Christopher Lowe, Joanne McKenzie, Christopher Morris, Elizabeth Okasha, Elizabeth Ridel, Liv Schei, Jón Viðar Sigurðsson, Brian Smith, Steffen Stumann Hansen, Frans Arne Stylegård, Simon Taylor, William Thomson, Gareth Williams, Doreen Waugh and Alex Woolf.