"Inspirational romantic suspense"--Spine.

FRONT PAGE NEWS: MURDER! Journalist Katie Todd wanted her name as a byline on the front page, not in the obituaries. When an assignment goes very wrong, she finds herself pursued by ruthless kidnappers. Her only hope is the enigmatic and handsome Mark Armor. All clues point to him being the enemy of her enemy, but is he a friend—or something much more dangerous? Every move Mark makes to help Katie brings him closer to the life he left behind, but he can't say no to the beautiful writer. Will the secrets of his past put Katie in even more danger?

This pioneering study combines insights from philosophy and linguistics to develop a novel framework for theorizing about linguistic meaning and the role of context in interpretation. A key innovation is to introduce explicit representations of context - assignment variables - in the syntax and semantics of natural language. The proposed theory systematizes a spectrum of 'shifting' phenomena in which the context relevant for interpreting certain expressions depends on features of the linguistic environment. Central applications include local and non-local contextual dependencies with quantifiers, attitude ascriptions, conditionals, questions, and relativization. The result is an innovative philosophically informed compositional semantics compatible with the truth-conditional paradigm. At the forefront of contemporary interdisciplinary research into meaning and communication, Semantics with Assignment Variables is essential reading for researchers and students in a diverse range of fields.

In this fascinating book, Peter Vronsky exposes and investigates the phenomenon of women who kill—and the political, economic, social and sexual implications buried with each victim. How many of us are even remotely prepared to imagine our mothers, daughters, sisters or grandmothers as fiendish killers? For centuries we have been conditioned to think of serial murderers and psychopathic predators as men—with women registering low on our paranoia radar. Perhaps that’s why so many trusting husbands, lovers, family friends, and children have fallen prey to “the female monster.” From history’s earliest recorded cases of homicidal females to Irma Grese, the Nazi Beast of Belsen, from Britain’s notorious child-slayer Myra Hindley to ‘Honeymoon Killer’ Martha Beck to the sensational cult of Aileen Wournos—the first female serial killer-as-celebrity—to cult killers, homicidal missionaries, and our pop-culture fascination with the sexy femme fatale, Vronsky not only challenges our ordinary standards of good and evil but also defies our basic accepted perceptions of gender role and identity. INCLUDES PHOTOGRAPHS

Tara Jones is being hunted by the H Group, a group of hit men for hire. Will she survive? And who is Assassin number Fifty-Six and what are his true intentions toward her. Will he save her, or is he just trying to kill her also? Welcome to the H GROUP underground headquarters,where assassins abound and nothing is as it seems.

Los Angeles is no stranger to glamour, celebrity . . . and murder. When Susan Kaplan moves to L.A. to become a TV writer, she's thrilled to be hired as a writers' assistant on the well-regarded but low-rated TV series Babbitt & Brooks. The last thing she expects, however, is that she'd find herself working for the beautiful yet seriously neurotic Rebecca Saunders, the show's less-than-competent associate producer who may or may not have gotten the job by sleeping with Babbitt & Brooks' demanding creator and executive producer, Ray Goldfarb. And Susan definitely doesn't expect to find murdered Rebecca's body in her office at the studio early one morning. When the police learn that Rebecca torpedoed Susan's writing career shortly before her death, Susan becomes their number one suspect. Determined to prove her innocence and find the murderer, Susan discovers that all her colleagues have secrets they would kill to protect. From producers to writers to stars, it seems that the hopes and dreams of nearly everyone associated with the show were being threatened by Rebecca. Despite the danger to her own life, Susan remains determined to find Rebecca's killer and in the process unmasks the dirty little secrets behind the making of a primetime television series. She learns that real life behind the camera is far more dramatic than the fictional one in front of it. Lisa Seidman draws on her thirty years of experience as a successful television writer to take the reader behind the scenes and show how the struggle to achieve high ratings truly can lead to murder.

From her first assignment in 1998 to explore an increase in the number of missing women to the harrowing 2002 interrogation of convicted serial killer Robert Pickton, Lori Shenher tells a story of massive police failure—failure of the police to use the information about Pickton available to them, failure to understand the dark world of drug addiction and sex work, and failure to save more women from their killer. Shenher explains how police unwillingness to believe the women were missing or murdered, jurisdictional squabbles, and a fear of tunnel vision conspired to leave women unprotected and vulnerable to a serial killer nearly three years after she first received a tip that Pickton could be responsible. She unflinchingly reveals her own pain and psychological distress as a result of these events, which left her unable to work with or trust the police and the criminal justice system. That Lonely Section of Hell reveals the deeper truths behind the causes of this tragedy and the myriad ways the system—and society—failed to protect vulnerable people.