Gayle Forman's entire swoony JUST ONE trilogy in a single volume--ideal for binge reading! It all starts when American good girl Allyson--better known as Lulu-- decides to spend just one day in Paris with Dutch hottie Willem. It's a whirlwind adventure filled with heart-racing romance, but the next day Willem is gone without a trace. What follows is one year of searching that ends with a steamy reunion on the one wonderful night when they finally find one another again. Filled with mystery, drama, adventure, and of course romance, this is a swoony and satisfying entry point for new readers of Gayle Forman's bestselling fiction. Includes: Just One Day, Just One Year, and the novella Just One Night

The compelling companion title to the much-lauded Just One Day follows Willem's transformative journey toward self-discovery and true love, by the author of If I Stay. Picking up where Just One Day ended, Just One Year tells Willem's side of the story. After spending an amazing day and night with Allyson in Paris that ends in separation, Willem and Allyson are both searching for one another. His story of their year of quiet longing and near misses is a perfect counterpoint to Allyson’s own as Willem undergoes a transformative journey, questioning his path, finding love, and ultimately, redefining himself. * “The complexity of Willem’s character, the twisting plot, and far-flung settings (including the Netherlands, Mexico, and India) create an alluring story that pushes beyond the realm of star-crossed romance.”— Publishers Weekly starred review “As much a travelogue as it is a romance, this novel will appeal to fans of the movie Before Sunrise or Maureen Johnson's 13 Little Blue Envelopes (HarperCollins, 2005).”—School Library Journal “As [Willem] becomes engaged personally and professionally, readers will find their interest quickening, right up to the satisfying denouement.”—Kirkus Reviews

Female-to-male crossdressing became all the rage in the variety shows of nineteenth century America, and began as the domain of mature actresses who desired to extend their careers. These women engaged in the kinds of raucous comedy acts usually reserved for men. Over time, as younger women entered the specialty, the comedy became less pointed, and came to center on the celebration of male leisure and fashion. Gillian M. Rodger uses the development of male impersonation from 1820 to 1920 to illuminate the history of the variety show. Exploding notions of high- and lowbrow entertainment, Rodger looks at how both performers and forms consistently expanded upward toward respectable ”and richer ”audiences. At the same time, she illuminates a lost theatrical world where women made fun of middle class restrictions even as they bumped up against rules imposed in part by audiences. Onstage, the actresses' changing performance styles reflected gender construction in the working class and shifts in class affiliation by parts of the audiences. Rodger observes how restrictive standards of femininity increasingly bound male impersonators as new gender constructions allowed women greater access to public space while tolerating less independent behavior from them.

A one night stand with no names exchanged. Six years later, she comes face to face with her baby’s father again. Aurora Michaels isn’t the same girl she was that spring night. No longer homeless and living in the back room of a diner where she worked, she’s now a member of the wealthy Kingston family. She has her daughter, a career and has adjusted to her new normal. Billionaire Nick Dare is a man who takes charge. He runs the hotel arm of the family empire and his life revolves around business and travel. A quick stop at his brother's movie premier has him doing a double take. The woman who haunts his dreams is there. He’s been given a second chance and is determined to make the most of it. When he learns about their daughter, Nick becomes a man on a mission. Aurora and their child are his. Even if he has to knock down Aurora’s emotional walls to prove it.

The authors of Make Just One Change argue that formulating one’s own questions is “the single most essential skill for learning”—and one that should be taught to all students. They also argue that it should be taught in the simplest way possible. Drawing on twenty years of experience, the authors present the Question Formulation Technique, a concise and powerful protocol that enables learners to produce their own questions, improve their questions, and strategize how to use them. Make Just One Change features the voices and experiences of teachers in classrooms across the country to illustrate the use of the Question Formulation Technique across grade levels and subject areas and with different kinds of learners.

From the New York Times bestselling author of If I Stay Allyson Healey's life is exactly like her suitcase—packed, planned, ordered. Then on the last day of her three-week post-graduation European tour, she meets Willem. A free-spirited, roving actor, Willem is everything she’s not, and when he invites her to abandon her plans and come to Paris with him, Allyson says yes. This uncharacteristic decision leads to a day of risk and romance, liberation and intimacy: 24 hours that will transform Allyson’s life. A book about love, heartbreak, travel, identity, and the “accidents” of fate, Just One Day shows us how sometimes in order to get found, you first have to get lost. . . and how often the people we are seeking are much closer than we know. The first in a sweepingly romantic duet of novels. Willem’s story—Just One Year—is coming soon!