Completing the influential Oxford edition of Clare's collected poems, this volume presents the poems of the Northborough period of Clare's creativity. As with other volumes in the edition, many of the poems have never before been published, and Clare's spelling, punctuation, grammar, and vocabulary have all been carefully preserved. This final volume also includes corrections to the texts, variants, and notes in previously-published volumes in the series, along with a cumulative glossary and cumulative indices of first-lines and titles that will assist readers in their use of the edition as a whole. Clare's poetry deals not only with his own countryside, but also with its ceremonies and celebrations, its customs and games, its political, economic, and religious concerns, its proverbs, tales, and songs - indeed, with all aspects of its popular culture. The poems of the Northborough period are some of Clare's best work, demonstrating a particularly concise vision of Clare's experience of Nature.

These volumes represent the third and fourth of five volumes devoted to Clare's 'middle period', between 1822 and 1837, arguably the years of his finest creativity. The poems contained in these volumes range from examples of Clare's satirical and political verse, in 'The Summons' and 'The Hue & Cry', to a telling expression of his philosophy of nature, in 'The Eternity of Nature', and probably the most important statement of Clare's poetic objectives in 'To the Rural Muse'. If there is any lingering belief in the 'sameness' of Clare's verse, these volumes ought surely to dispel it.

These volumes represent the third and fourth of five volumes devoted to Clare's 'middle period', between 1822 and 1837, arguably the years of his finest creativity. The poems contained in these volumes range from examples of Clare's satirical and political verse, in 'The Summons' and 'The Hue & Cry', to a telling expression of his philosophy of nature, in 'The Eternity of Nature', and probably the most important statement of Clare's poetic objectives in 'To the Rural Muse'. If there is any lingering belief in the 'sameness' of Clare's verse, these volumes ought surely to dispel it.

The additional material in this volume of poems from Clare's middle period includes some of his finest poems, such as `The Last of Summer', `The Mole Catcher' and the whole manuscript, now lost, entitled `Birds Nesting'. Clare's but his original language and usage has here been restored, his distinctive idiom and highlighting the more powerful voice evident throughout his verse written in the late 1820s. These volumes will make an important contribution to the ongoing reassessment of Clare as a major English poet. This is the second of five volumes devoted to Clare's `middle period', between 1822 and 1837, arguably the years of his finest creativity. These Poems of the Middle Period, which will complete the nine volume series of Clare's work, reveal the poet at his best.

These volumes represent the third and fourth of five volumes devoted to Clare's "middle period," between 1822 and 1837, arguably the years of his finest creativity. They range from examples of Clare's satirical and political verse, in "The Summons" and "The Hue and Cry," to a telling expression of his philosophy of nature, in "The Eternity of Nature," and probably the most important statement of Clare's poetic objectives in "To the Rural Muse."

Clare's The Shepherd's Calendar has become the classic poem of English rural life and ceremony. It was accompanied, when first published, by other poems, pastorals, and verse-tales, all of which appear in the first two volumes of the series, along with many others which were not collected in the 1827 collection. Clare's first editors also tidied up and standardized his vocabulary, grammar, and spelling, but his original language has here been restored. By the late 1820's, Clare had developed his own distinctive idiom and had adopted a more powerful voice. These volumes make an important contribution to the ongoing reassessment of Clare as a major English poet. This is the first of five volumes devoted to Clare's "middle period," between 1822 and 1837, arguably the years of his finest creativity. These Poems of the Middle Period, which will complete the nine volume series of Clare's work, reveal the poet at his best.

These volumes represent the third and fourth of five volumes devoted to Clare's 'middle period', between 1822 and 1837, arguably the years of his finest creativity. The poems contained in these volumes range from examples of Clare's satirical and political verse, in 'The Summons' and 'The Hue & Cry', to a telling expression of his philosophy of nature, in 'The Eternity of Nature', and probably the most important statement of Clare's poetic objectives in 'To the Rural Muse'. If there is any lingering belief in the 'sameness' of Clare's verse, these volumes ought surely to dispel it.