Can a successful and powerful entrepreneur with an impeccable reputation and moving in the highest circles of New York be born out of wedlock to a Japanese prostitute during the Second World War? Obviously someone thought it was possible and Tetsuyo Akinicho's life spins into a sinister spiral of suspense and blackmail. "Your mother is not resting in peace. You should be ashamed of your ancestors. Do people know where you came from?" an email plunges Tetsuyo and his lawyer, Akira Tanaka into an intricate maze of damage control manoeuvres involving Paul Griffin, a well known American private investigator and his assistant, Japanese historian, Mayumi Onodera. Their investigations lead to one shocking discovery after another and Tetsuyo is once again drawn back To The past in an aching voyage of discovery of his roots And The mysterious and painful tragedy surrounding the woman who gave him life, his biological mother. Tetsuyo comes to terms with the fact that no one can ever really shake off the past, not even a powerful multi millionaire riding high in his world of super advanced DNA technology. The past he shares with the ghosts of World War 2 are coming back to haunt him in the form of a faceless blackmailer and Tetsuyo is drawn back to confront the place where it all started, a Japanese cemetery in Singapore and a tiny, nondescript head stone. Powerful and yet poignant this thriller chases the characters through three cities, New York, Tokyo and finally Singapore. At the end of the day, someone had to be the loser and Tetsuyo Akinicho was determined it would not be him.....

Rankafu showcases for the first time an exceptional set of orchid woodblock prints from early 20th century Japan. Considered masterworks of botanical art, the Rankafu prints are visually stunning and reproduced here in full colour, showcasing the fine details of this spectacular art form. Accompanying these stunning prints, the authors tell the story of Shotaro Kaga, a pioneering horticulturist whose orchid collection and breeding programme started a craze in Japan that continues to this day. Kaga and his gifted orchid gardener, Kenkichi Goto were highly skilled orchid growers and developed hundreds of spectacular orchid hybrids. Kaga's interest in orchids was sparked by his visit to Kew in 1910 where he first saw tropical orchids in the extensive greenhouses, and visited many famous orchid nurseries such as Sander & Sons, from whom he would buy hundreds of plants over the coming decades. This book is the most comprehensive work to date on Rankafu and is unrivalled in its breadth of information and research. It is a beautiful book that will appeal to orchid fanatics and lovers of botanical art, as well as those with an interest in 20th century Japan and the artistic process of making Japanese woodblock prints. With a foreword by Phillip Cribb, leading orchid expert and author of many orchid books.

A Personal Note I decided to initiate Orchid Biology: Reviews and Perspectives in about 1972 and (alone or with co-authors) started to write some of the chapters and the appendix for the volume in 1974 during a visit to the Bogor Botanical Gardens in Indonesia. Professor H. C. D. de Wit of Holland was also in Bogor at that time and when we discovered a joint interest in Rumphius he agreed to write a chapter about him. I visited Bangkok on my way home from Bogor and while there spent time with Professor Thavorn Vajrabhaya. He readily agreed to write a chapter. The rest of the chapters were solicited by mail and I had the complete manuscript on my desk in 1975. With that in hand I started to look for a publisher. Most of the publishers I contacted were not interested. Fortunately Mr James Twiggs, at that time editor of Cornell University Press, grew orchids and liked the idea. He decided to publish Orchid Biology: Reviews and Per spectives, and volume I saw the light of day in 1977. I did not know if there would be a volume II but collected manuscripts for it anyway. Fortunately volume I did well enough to justify a second book, and the series was born. It is still alive at present - 20 years, seven volumes and three publishers later. I was in the first third of my career when volume I was published.

NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK A modern classic of personal journalism, The Orchid Thief is Susan Orlean’s wickedly funny, elegant, and captivating tale of an amazing obsession. Determined to clone an endangered flower—the rare ghost orchid Polyrrhiza lindenii—a deeply eccentric and oddly attractive man named John Laroche leads Orlean on an unforgettable tour of America’s strange flower-selling subculture, through Florida’s swamps and beyond, along with the Seminoles who help him and the forces of justice who fight him. In the end, Orlean—and the reader—will have more respect for underdog determination and a powerful new definition of passion. In this new edition, coming fifteen years after its initial publication and twenty years after she first met the “orchid thief,” Orlean revisits this unforgettable world, and the route by which it was brought to the screen in the film Adaptation, in a new retrospective essay. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. Praise for The Orchid Thief “Stylishly written, whimsical yet sophisticated, quirkily detailed and full of empathy . . . The Orchid Thief shows [Orlean’s] gifts in full bloom.”—The New York Times Book Review “Fascinating . . . an engrossing journey [full] of theft, hatred, greed, jealousy, madness, and backstabbing.”—Los Angeles Times “Orlean’s snapshot-vivid, pitch-perfect prose . . . is fast becoming one of our national treasures.”—The Washington Post Book World “Orlean’s gifts [are] her ear for the self-skewing dialogue, her eye for the incongruous, convincing detail, and her Didion-like deftness in description.”—Boston Sunday Globe “A swashbuckling piece of reporting that celebrates some virtues that made America great.”—The Wall Street Journal

The acclaimed actress and legendary singer, Yamaguchi Yoshiko (aka Li Xianglan, 1920-2014), emerged from Japan-occupied Manchuria to become a transnational star during the Second Sino-Japanese war. Born to Japanese parents, raised in Manchuria, and educated in Beijing, the young Yamaguchi learned to speak impeccable Mandarin Chinese and received professional training in operatic singing. When recruited by the Manchurian Film Association in 1939 to act in "national policy" films in the service of Japanese imperialism in China, she allowed herself to be presented as a Chinese, effectively masking her Japanese identity in both her professional and private lives. Yamaguchi soon became an unprecedented transnational phenomenon in Manchuria, Shanghai, and Japan itself as the glamorous female lead in such well-known films as Song of the White Orchid (1939), China Nights (1940), Pledge in the Desert (1940), and Glory to Eternity (1943). Her signature songs, including "When Will You Return?" and "The Evening Primrose," swept East Asia in the waning years of the war and remained popular well into the postwar decades. Ironically, although her celebrated international stardom was without parallel in wartime East Asia, she remained a puppet within a puppet state, choreographed at every turn by Japanese film studios in accordance with the expediencies of Japan's continental policy. In a dramatic turn of events after Japan's defeat, she was placed under house arrest in Shanghai by the Chinese Nationalist forces and barely escaped execution as a traitor to China. Her complex and intriguing life story as a convenient pawn, willing instrument, and tormented victim of Japan's imperialist ideology is told in her bestselling autobiography, translated here in full for the first time in English. An addendum reveals her postwar career in Hollywood and Broadway in the 1950s, her friendship with Charlie Chaplin, her first marriage to Isamu Noguchi, and her postwar life as singer, actress, political figure, television celebrity, and private citizen. A substantial introduction by Chia-ning Chang contextualizes Yamaguchi's life and career within the historical and cultural zeitgeist of wartime Manchuria, Japan, and China and the postwar controversies surrounding her life in East Asia.

This book provides information on genome complexity and evolution, transcriptome analysis, miRNome, simple sequence repeats, genome relationships, molecular cytogenetics, polyploidy induction and application, flower and embryo development. Orchids account for a great part of the worldwide floriculture trade both as cut flowers and as potted plants and are assessed to comprise around 10% of global fresh cut flower trade. A better understanding of the basic botanical characteristics, flower regulation, molecular cytogenetics, karyotypes and DNA content of important orchids will aid in the efficient development of new cultivars. The book also describes the composition, expression and function of various microRNAs and simple sequence repeats. Information on their involvement in all aspects of plant growth and development will aid functional genomics studies.

This is the eighth volume in a 25-year-old series that has become the cornerstone review publication of orchid science. It presents authoritative reviews on different areas of orchid science and historical accounts by major orchid authorities, providing information for botanists, orchid scientists, and growers.