The first ever biography of Jane Seymour, Henry VIII's third wife, who died in childbirth giving the king what he craved most - a son and heir.

“A sumptuous historical novel anchored by its excellent depiction of Jane Seymour, Henry the VIII’s third queen . . . This is a must for all fans of Tudor fiction and history.”—Publishers Weekly Ever since she was a child, Jane has longed for a cloistered life as a nun. But her large noble family has other plans, and as an adult, Jane is invited to the King’s court to serve as lady-in-waiting to Queen Katherine of Aragon. The devout Katherine shows kindness to all her ladies, almost like a second mother, which makes rumors of Henry’s lustful pursuit of Anne Boleyn—also lady-in-waiting to the queen—all the more shocking. For Jane, the betrayal triggers memories of a haunting incident that shaped her beliefs about marriage. But once Henry disavows Katherine and secures Anne as his new queen—forever altering the religious landscape of England—he turns his eye to another: Jane herself. Urged to return the King’s affection and earn favor for her family, Jane is drawn into a dangerous political game that pits her conscience against her desires. Can Jane be the one to give the King his long-sought-after son, or will she be cast aside like the women who came before her? Bringing new insight to this compelling story, Alison Weir marries meticulous research with gripping historical fiction to re-create the dramas and intrigues of the most renowned court in English history. At its center is a loving and compassionate woman who captures the heart of a king, and whose life will hang in the balance for it. Praise for Jane Seymour, The Haunted Queen “Bestselling [Alison] Weir’s impressive novel shows why Jane deserves renewed attention [and] illustrates Jane’s unlikely journey from country knight’s daughter to queen of England. . . . From the richly appointed decor to the religious tenor of the time, the historical ambience is first-rate.”—Booklist (starred review) “Deft, authoritative biographical fiction . . . a dramatic and empathic portrait of Jane Seymour.”—Kirkus Reviews

This volume of Tudor Roses presents new and reimagined garments based on the original Tudor Roses published in 1998. Alice Starmore looks to historical female figures of the Tudor Dynasty as inspiration for her stunning knitwear, and her modernization of traditional Fair Isle and Aran patterns has created a sensation in the knitting world. Through garment design, Starmore and her daughter Jade tell the stories of fourteen women connected with the Tudor dynasty. They weave a narrative around the known facts of their subjects' lives using photography, art, and the only medium through which the Tudor women could leave a lasting physical record in their world — needlework. Tudor Roses includes fourteen patterns for sweaters and other wearables that follow the chronological order of the Tudor dynasty. A different model portrays each of the Tudor women, from Elizabeth Woodville, grandmother of Henry VIII, through Mary, Queen of Scots. The stunning design and photography appeals to knitters seeking designs that offer an attractive balance of historic and modern elements.

Beautiful actress-model Jane Seymour affords delightfully detailed instruction on the ways and means of achieving a truly romantic lifestyle by celebrating the fine art of surprise and romantic risk-taking. Full-color and black-and- white photographs throughout.

The first ever biography of Jane Seymour, Henry VIII's third wife, who died in childbirth giving the king what he craved most - a son and heir.Jane Seymour is often portrayed as meek and mild and as the most successful, but one of the least significant, of Henry VIII's wives. The real Jane was a very different character, demure and submissive yet with a ruthless streak - as Anne Boleyn was being tried for treason, Jane was choosing her wedding dress. From the lowliest origins of any of Henry's wives her rise shows an ambition every bit as great as Anne's. Elizabeth Norton tells the thrilling life of a country girl from rural Wiltshire who rose to the throne of England and became the ideal Tudor woman.

Continuing the story of Henry VIII's wives-from the author of The Spanish Bride and A Lady Raised High. With a face better suited to a nun's habit than a wedding dress, Jane Seymour has no suitors and few hopes. Then, her prospects brighten when she is granted a position at court as maid of honor to Queen Catherine. There, Jane watches as King Henry VIII ignores his aging wife, showering favor on the beautiful Anne Boleyn, the woman he would make his new queen. But soon he tires of Anne and his wandering eye falls on Jane. Though she has feelings of affection for Henry, she cannot let herself be swept away by his attentions if she is to win not only his heart, but also the greatest prize of all-the Crown.

"One of the Best Books of 2016" - Open Letters Monthly; Finalist, 2016 Novel of the Year - Underground Book Reviews; Semi-Finalist - 2017 M.M. Bennetts Award All Jane Seymour wants is a husband; but when she catches the eye of a volatile king, she is pulled deep into the Tudor court's realm of plot and intrigue.... England. 1535. Jane Seymour is 27 years old and increasingly desperate to marry and secure her place in the world. When the court visits Wolf Hall, the Seymour ancestral manor, Jane has the perfect opportunity to shine: her diligence, efficiency and newfound poise are sure to finally attract a suitor. Meanwhile, King Henry VIII is 45 and increasingly desperate for an heir. He changed his country's religion to leave his first wife, a princess of Spain, for Anne Boleyn -- but she too has failed to provide a son. As Henry begins to fear he is cursed, Jane Seymour's honesty and innocence conjure in him the hope of redemption. Thomas Cromwell, an ambitious clerk whose political prowess keeps the King's changing desires satisfied, sees in Jane Seymour the perfect answer to the unrest threatening England: he engineers the plot that ends with Jane becoming the King's third wife. For Jane, who believes herself virtuous and her actions justified, miscarriages early in her marriage shake her confidence. How can a woman who has committed no wrong bear the guilt of how she unseated her predecessor?