In this empathetic tale of hope, understanding, and the importance of family, young readers confront the difficult issues of poverty and the hardships of homelessness. Its inspiring young heroine is Ivy, who finds herself homeless on the streets of San Francisco when she and her father, Poppy, are evicted from their artist loft. Struggling to survive day to day, Ivy and Poppy befriend a dog who leads them to the ramshackle home of octogenarian siblings, Eugenia and Oscar Orr. This marks the start of a series of desperate and joyful adventures that blend a spoonful of Charles Dickens’s Oliver Twist with a dash of Armistead Maupin’s Tales of the City and a few pinches of the Adventures of Lassie. Ivy’s tale will appeal to young readers and adults, providing much material for discussion between generations.

Homeless, Ivy and her artist father dodge the authorities and find acceptance with an eccentric, elderly pair of siblings.

Homeless, Ivy and her artist father dodge the authorities and find acceptance with an eccentric, elderly pair of siblings.

Fifteen years ago, Kate Ryan and her daughter Ruby moved to the secluded village of Zamora in northern New Mexico to find a quiet life off the grid. But when Kate invites the wrong drifter home for the night, the delicate peace of their domain is shattered. Troy Mason manages to hang onto Kate for a few weeks, though his charm increasingly fails to offset his lies and delusions of grandeur. It is only a matter of time before the lies turn abusive, igniting a chain reaction of violence and murder. Not even a bullet in the leg will keep Troy from seeking revenge as he chases the missing Ruby over back roads through the Sangre de Cristo Mountains, down the River of No Return, and to a white supremacy enclave in Idaho’s Bitterroot Wilderness. Nearly Nowhere explores the darkest places of the American West, emerging with only a fragile hope of redemption in the maternal ties that bind. Originally published by Gallimard’s la Serie noire as Presque nulle part.

The 10th Winner of the 2019 PEN/Bellwether Prize for Socially Engaged Fiction, Awarded by Barbara Kingsolver “What a read this is, right from its startling opening scene. But even more than plot, it’s the richly layered details that drive home a lightning bolt of empathy. To read At the Edge of the Haight is to live inside the everyday terror and longings of a world that most of us manage not to see, even if we walk past it on sidewalks every day. At a time when more Americans than ever find themselves at the edge of homelessness, this book couldn’t be more timely.” —Barbara Kingsolver, author of Unsheltered and The Poisonwood Bible Maddy Donaldo, homeless at twenty, lives with her dog and makeshift family in the hidden spaces of San Francisco’s Golden Gate Park. She thinks she knows how to survive and whom to trust until she accidentally witnesses the murder of a young man. Her world is upended as she has to face not only the killer but also the police and then the victim’s parents, who desperately want Maddy to tell them about the life their son led after he left home. And in a desire to save her since they could not save their own son, they are determined to have Maddy reunite with her own lost family. But what makes a family? Is it the people who raised you if they don’t have the skills to look after you? Is it the foster parents whose generosity only lasts until things become more difficult? Or is it the family that Maddy has met in the park, young people who also have nowhere else to go? Told with sensitivity and tenderness and set against the backdrop of a radically changing city, At the Edge of the Haight is narrated by a young girl just beginning to understand herself. The result is a powerful debut that, much like previous Bellwether winners The Leavers, by Lisa Ko, or Heidi Durrow’s The Girl Who Fell from the Sky, grapples with one of the most urgent issues of our day.

On March 5th, 2007, a car bomb was exploded on al-Mutanabbi Street in Baghdad. More than thirty people were killed and more than one hundred were wounded. This locale is the historic center of Baghdad bookselling, a winding street filled with bookstores and outdoor book stalls. Named after the famed 10th century classical Arab poet al-Mutanabbi, it has been the heart and soul of the Baghdad literary and intellectual community. This anthology begins with a historical introduction to al-Mutanabbi Street and includes the writing of Iraqis as well as a wide swath of international poets and writers who were outraged by this attack. This book seeks to show where al-Mutanabbi Street starts in all of us: personally, in our communities, and in our nations. It seeks to show the commonality between this small street in Baghdad and our own cultural centers, and why this attack was an attack on us all. This anthology sees al-Mutanabbi Street as a place for the free exchange of ideas; a place that has long offered its sanctuary to the complete spectrum of Iraqi voices. This is where the roots of democracy (in the best sense of that word) took hold many hundreds of years ago. This anthology looks toward al-Mutanabbi Street as an affirmation of all that we hope for in a more just society. Contributors include: Beau Beausoleil, Musa al-Musawi, Anthony Shadid, Mousa al-Naseri, Naomi Shihab Nye, Deena Metzger, Sam Hamod, Lutfiya Al-Dulaimi, Zaid Shlah, Persis Karim, Ayub Nuri, Marian Haddad, Sarah Browning, Eileen Grace O’Malley Callahan, Roger Sederat, Elline Lipkin, Esther Kamkar, Robert Perry, Gloria Collins, Brian Turner, Gloria Frym, Owen Hill, Abd al-Rahim, Salih al-Rahim, Yassin “The Narcicyst” Alsalman, Jose Luis Gutierrez, Sargon Boulus, Peter Money, Sinan Antoon, Muhammad al-Hamrani, Livia Soto, Janet Sternburg, Sam Hamill, Salah Al-Hamdani, Gail Sher, Dunya Mikhail, Irada Al Jabbouri, Dilara Cirit, Niamh MacFionnlaoich, Erica Goss, Daisy Zamora, George Evans, Steve Dickison, Maysoon Pachachi, Summer Brenner, Jen Hofer, Rijin Sahakian, Badr Shakir al-Sayyab, Jane Hirshfield, Jack Marshall, Susan Moon, Diana di Prima, Evelyn So, Nahrain Al-Mousawi, Ko Un, Joe Lamb, Katrina Rodabaugh, Mohammed Hayawi, Nazik Al-Malaika, Raya Asee, Gazar Hantoosh, Mark Abley, Majid Naficy, Lewis Buzbee, Ibn al-Utri, Thomas Christensen, Amy Gerstler, Genny Lim, Saadi Youssef, Judith Lyn Suttton, Josh Kun, Dana Teen Lomax, Etel Adnan, Bushra Al-Bustani, Marilyn Hacker, Richard Harrison, Fady Joudah, Philip Metres, Hayan Charara, Annie Finch, Kazim Ali, Deema K. Shehabi, Kenneth Wong, Elmaz Abinader, Habib Tengour, Khaled Mattawa, Rachida Madani, Amina Said, Alise Alousi, Sita Carboni, Fran Bourassa, Jabez W. Churchill, Daniela Elza, Linda Norton, Fred Norman, Bonnie Nish, Janet Rodney, Adrienne Rich, Cornelius Eady, Julie Bruck, Kwame Dawes, Ralph Angel, B.H. Fairchild, Terese Svoboda, Mahmoud Darwish, Amir el-Chidiac, Aram Saroyan, Sholeh Wolpe, Nathalie Handal, Azar Nafisi, Dima Hilal, Tony Kranz, Jordan Elgrably, devorah major, Suzy Malcolm, Ibrahim Nasrallah, Rick London, Sarah Menefee, Roberto Harrison, Fadhil Al-Azzawi, Amaranth Borsuk, Lamees Al-Ethari, Shayma’ al-Saqr, Meena Alexander, and Jim Natal.

A novel of crime, transport, and sex, I-5 tells the bleak and brutal story of Anya and her journey north from Los Angeles to Oakland on the interstate that bisects the Central Valley of California. Anya is the victim of a deep deception. Someone has lied to her; and because of this lie, she is kept under lock and key, used by her employer to service men, and indebted for the privilege. In exchange, she lives in the United States and fantasizes on a future American freedom. Or as she remarks to a friend, ""Would she rather be fucking a dog...or living like a dog?"" In Anyas world, its a reasonable question. Much of I-5 transpires on the eponymous interstate. Anya travels with her ''manager'' and driver from Los Angeles to Oakland. Its a macabre journey: a drop at Dennys, a bad patch of fog, a visit to a ''correctional facility,'' a rendezvous with an organ grinder, and a dramatic entry across Oaklands city limits.