When Mia Cox finds out she can’t donate her kidney to save her younger sister’s life, she doesn’t hesitate to jump on a plane to New York, convinced she can talk their estranged birth mother, Carmen, into donating hers instead. She doesn’t know the city or how she’ll find Carmen when she gets there, but she has to try. If she doesn’t, Maddy’s going to die. On the cross-country flight, Mia figures she’ll have more than enough time to make a plan for when she lands—where she’ll go, where she’ll sleep, what she’ll eat. But then she falls into an embarrassing conversation with the cute boy sitting next to her, and only after she insults him does she realize he’s the one and only Jaxton Scott, the troubled lead singer of a famous rock band she hates. While Mia is running toward what she hopes is a cure for her sister, Jax is running away from his rockstar life. As the hours pass, they get to know each other, and she finds herself opening up to him like she never has to anyone. When Jax volunteers to help Mia on the rest of her journey, she’s hesitant to accept his offer. Under different circumstances, she would want to get to know him better, but how can she entertain this random crush on a real-life rockstar while Maddy lies in the hospital, her name one of many on a never-ending transplant list? Though everything seems perfect while they’re in the air, once on the ground again, Mia’s lack of preparation catches up with her, and she receives grave news from home. Clinging to the shred of hope she has left, she accepts Jax’s help but makes it clear that her priority is finding Carmen and saving Maddy’s life. She will not, under any circumstances, stray from her mission no matter how cute, thoughtful, and sweet her new friend may be.

During the last days of World War II, a young officer braves enemy fire and a maverick crew on the open waters and in the steamy ports of the South Pacific Twenty-five-year-old Coast Guard lieutenant Sylvester Grant, a veteran of the Greenland Patrol, has just been given command of a small gas tanker, running shuttle and convoy duties for the US Army. Sally, his wife of three years, is eager for him to get back to Massachusetts and live a conventional suburban life selling insurance—but Syl longs for adventure and is bound to find it as the captain of a beat-up, unseaworthy vessel carrying extremely flammable cargo across dangerous stretches of the Pacific Ocean. As the Allies prepare to retake the Philippines, the only thing the sailors aboard the Y-18 want is for the war to be over. First, however, they must survive their mission to bring two hundred thousand gallons of high-octane aviation fuel to shore. From below-deck personality clashes to the terrifying possibility of an enemy attack, from combating illness and boredom to the constant stress of preventing an explosion that could blow their ship sky high, the crew of the Y-18 must learn to work together and trust their captain—otherwise, they might never make it home. Based on Sloan Wilson’s own experiences, Pacific Interlude is a thrilling and realistic story of World War II and a moving portrait of a man looking toward the future while trying to survive a precarious present.

A comprehensive study guide offering in-depth explanation, essay, and test prep for Eugene O’Neill’s Strange Interlude, a literary classic that challenged social norms of the US in the 1920s. As a romance of the mid-twentieth century, Strange Interlude describes the many hollow and unhealthy relationships Nina had in order to cope with her grieving. Moreover, the theme of contentment and happiness versus morality is very present throughout the novel, as sometimes the most therapeutic solution for Nina was not necessarily the most morally right. This Bright Notes Study Guide explores the context and history of O’Neill’s classic work, helping students to thoroughly explore the reasons it has stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.

In this classic romance bya USA Today–bestselling author, a producer sets out to seduce a married actress with a tabloid-worthy secret. From the moment successful movie producer, Damien Savage, saw talented actress, Kate Darwood, he wanted her! The only problem is—she’s married! But all is not as it seems. Kate’s “husband” is her secret brother and to save their family from scandal, the world must continue to think they’re a couple. But now that handsome stranger Damien seems set on seducing her, suddenly innocent Kate wants to share all her secrets . . . Originally published in 1979

The book "The Amazing Interlude" by way of Mary Roberts Rinehart is a riveting story set towards the history of World War I. It gives a fascinating mix of affection, spying, and the power of the human spirit. During the war itself, Rinehart drawings display the problems humans faced at some point of this time. Sara Lee Kennedy is an American lady who feels obligated and excited to fly to Belgium to help with the warfare attempt. This is wherein the tale takes place. Sara Lee's adventure takes sudden turns as she gets caught up inside the chaos of Europe at some point of a war. Love, suffering, and the energy of massive events to change human beings are all explored within the book. Many human beings name Mary Roberts Rinehart the "American Agatha Christie," and she or he is aware of how to write a story that keeps enthusiasts on the brink in their seats. Rinehart bright descriptions and eager information of the way people experience make the suspenseful plot even higher. "The Amazing Interlude" is a super example of Rinehart talent at mixing distinctive types of writing into one cohesive entire. It's each a drama approximately struggle and a shifting examine how the human spirit can live on trouble.

The stories of Hagar, Dinah, and Tamar stand out as strangers in the ancestral narrative. They deviate from the main plot and draw attention to the interests and fates of characters who are not a part of the ancestral family. Readers have traditionally domesticated these strange stories. They have made them “familiar”—all about the ancestral family. Thus Hagar’s story becomes a drama of deselection, Shechem and the Hivites become emblematic for ancestral conflict with the people of the land, and Tamar becomes a lens by which to read providence in the story of Joseph. This study resurrects the question of these stories’ strangeness. Rather than allow the ancestral narrative to determine their significance, it attends to each interlude’s particularity and detects ironic gestures made toward the ancestral narrative. These stories contain within them the potential to defamiliarize key themes of ancestral identity: the ancestral-divine relationship, ancestral relations to the land and its inhabitants, and ancestral self-identity. Perhaps the ancestral family are not the only privileged partners of God, the only heirs to the land, or the only bloodline fit to bear the next generation.