When the head of Columbia Pictures, David Begelman, got caught forging Cliff Robertson's name on a $10,000 check, it seemed, at first, like a simple case of embezzlement. It wasn't. The incident was the tip of the iceberg, the first hint of a scandal that shook Hollywood and rattled Wall Street. Soon powerful studio executives were engulfed in controversy; careers derailed; reputations died; and a ruthless, take-no-prisoners corporate power struggle for the world-famous Hollywood dream factory began. First published in 1982, this now classic story of greed and lies in Tinseltown appears here with a stunning final chapter on Begelman's post-Columbia career as he continued to dazzle and defraud . . . until his last hours in a Hollywood hotel room, where his story dramatically and poignantly would end.

In this action-packed adventure from #1 New York Times bestselling author Stuart Woods, Stone Barrington learns that privacy is hard to come by when you’re one of the rich and mighty. As an eligible bachelor, man-about-town, and mover in the highest social echelons, Stone Barrington has always been the subject of interest and gossip. But when he’s unwittingly thrust into the limelight, he finds himself scrambling to take cover. Before too long Stone’s fending off pesky nuisances left and right, and making personal arrangements so surreptitiously it would take a covert operative to unearth them. Unfortunately, Stone soon discovers that these efforts only increase the persistence of the most troublesome pests...and when he runs afoul of a particularly tenacious lady, he’ll be struggling to protect not just his reputation, but his life.

In Piemburgem, the deceptively peaceful-looking capital of Zululand, Kommandant van Heerden, Konstabel Els and Luitenant Verkramp continue to terrorise true Englishman and even truer Zulus in their relentless search for a perfect South Africa. Kommandant van Heerden, that great Anglophile, gropes his way towards attaining true 'Englishness' in the company of the eccentric Dornford Yates Club. But Luitenant Verkramp, whose hatred of all things English is surpassed only by his fear of sex, sets in motion an experiment in mass chastity (with the help of a lady psychiatrist), which has remarkable and quite unforeseen results.

It has been more than fifty years since John Waters filmed his first short on the roof of his parents’ Baltimore home. Over the following decades, Waters has developed a reputation as an uncompromising cultural force not only in cinema, but also in visual art, writing, and performance. This major retrospective examines the artist’s influential career through more than 160 photographs, sculptures, soundworks, and videos he has made since the early 1990s. These works deploy Waters’s renegade humor to reveal the ways that mass media and celebrity embody cultural attitudes, moral codes, and shared tragedy. Waters has broadened our understanding of American individualism, particularly as it relates to queer identity, racial equality, and freedom of expression. In bringing “bad taste” to the walls of galleries and museums, he tugs at the curtain of exclusivity that can divide art from human experience. Waters freely manipulates an image bank of less-than-sacred, low-brow references—Elizabeth Taylor’s hairstyles, his own self-portraits, and pictures of individuals brought into the limelight through his films, including his counterculture muse Divine—to entice viewers to engage with his astute and provocative observations about society. This richly illustrated book explores themes including the artist’s childhood and identity; Pop culture and the movie business; Waters’s satirical take on the contemporary art world; and the transgressive power of images. The catalogue features essays by BMA Senior Curator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; critic, curator, and artist Robert Storr; as well as an interview with Waters by photographer Wolfgang Tillmans. Published in association with the Baltimore Museum of Art. Exhibition dates: The Baltimore Museum of Art: October 7, 2018–January 6, 2019 Wexner Center for the Arts: February 2–April 28, 2019

Tessa Bailey, the #1 New York Times bestselling author of It Happened One Summer and Hook, Line, and Sinker, brings her signature humor and spice to this new adult rom-com trilogy... Jack Garrett isn't a police officer yet, but there’s already an emergency. His new instructor—the one who just dropped every jaw in the academy gym—is the same sexy Irish stranger Jack locked lips with last night. The Olympic gold medalist and expert markswoman is now officially off-limits, but Jack’s never cared much for rules . . . Katie McCoy’s been cooped up in a shooting range for too long. A wild love affair is just what she needs to let loose, though she never imagined it would be with her smokin’ hot trainee. She cannot get involved with Jack—but a quick fling? Perfect. Falling hard for a charismatic recruit with an equal amount of sex appeal and secrets? Bloody stupid. Jack’s charmed the pants off plenty of women (literally), yet few have ever looked beyond his perfect surface. Until Katie. He’ll do anything to keep her in his life . . . except tell her about his past. But a tiny lie of omission never hurt anyone, right?

Caught in the act! The thrill of getting caught is a major turn-on. Which is why getting frisky in a forbidden place - outside of one's comfort zone and away from the comforter - can be some of the hottest game of all. Compiled by former "Men" magazine editor Winston Gieseke, "Indecent Exposures" is a tantalizing anthology of seducing tales in which couples, casual hookups, and nameless strangers get their rocks off by taking a walk on the wild side.

Nicole Nolan Sidhu explores the varied functions of obscene comedy in the literacy and visual culture of 14th and 15th century England