This book explores how news media construct social issues and events and thereby convey certain perceptions within the scope of framing theory. By operationalizing media framing as a process of interpretation through defining problem, diagnosing causes, making moral judgments and suggesting solutions, the book proposes a systematic and transparent approach to images in news discourse. Based on a frame analysis, it examines how German news media framed a list of China-related issues and events, and thereby conveyed particular beliefs and opinions on this country. Moreover, it investigates whether there were dominant patterns of interpretation and the extent to which diverse views were evident by comparing two major daily newspapers with opposite political orientations - the FAZ and the taz. Motivated by the relationship between image and reality, the book explores image formation and persistence from media construction of meaning and human cognitive complexity in perceiving others. Media select certain issues and events and then interpret them from particular perspectives. A variety of professional and non-professional factors behind news making may result in biased representations. In addition, from a social psychological perspective, inaccurate perceptions of foreign cultures may arise from categorical thinking, biased processing of stimulus information, intergroup conflicts of interest and in-group favoritism. Accordingly, whether media coverage deviates from reality is not the main concern of this book; instead, it emphasizes the underlying logics upon which the conclusions and judgments were drawn. It therefore contributes to a rational understanding of Western discourse and holds practical implications for both Chinese public diplomacy and a more constructive role of news media in promoting the understanding of others.

How augmented reality and virtual reality are taking their places in contemporary media culture alongside film and television. T This book positions augmented reality (AR) and virtual reality (VR) firmly in contemporary media culture. The authors view AR and VR not as the latest hyped technologies but as media—the latest in a series of what they term “reality media,” taking their places alongside film and television. Reality media inserts a layer of media between us and our perception of the world; AR and VR do not replace reality but refashion a reality for us. Each reality medium mediates and remediates; each offers a new representation that we implicitly compare to our experience of the world in itself but also through other media. The authors show that as forms of reality media emerge, they not only chart a future path for media culture, but also redefine media past. With AR and VR in mind, then, we can recognize their precursors in eighteenth-century panoramas and the Broadway lights of the 1930s. A digital version of Reality Media, available through the book’s website, invites readers to visit a series of virtual rooms featuring interactivity, 3-D models, videos, images, and texts that explore the themes of the book.

Great Powers and Regional Orders explores the manifestations of US power in the Persian Gulf and the limits of American influence. Significantly, this volume explores both the impact of US domestic politics and the role played by the region itself in terms of regional policy, order and stability. Well organized and logically structured, Markus Kaim and contributors have produced a new and unique contribution to the field that is applicable not only to US policy in the Persian Gulf but also to many other regional contexts. This will interest anyone working or researching within foreign policy, US and Middle Eastern politics.

An examination of the media and how it operates in Australia. The history of human communication is outlined and an exploration of contemporary media ownership and media criticism is presented. The author, a communications lecturer at Charles Sturt University, has worked for various media organisations including the ABC, SBS TV,'The Australian' and 60 Minutes.

The social and political relevance of Julia Kristeva's work is perhaps the central question in Kristeva studies, and the essays in this collection provide a sustained interrogation of this complicated problematic from a variety of perspectives and across the various contexts and moments of Kristeva's forty-year writing career. Presenting Kristeva's thought as the sustained interrogation of a political problematic, the contributors argue that her use of psychoanalysis and aesthetics offers significant insight into social and political issues that would otherwise remain concealed. The collection addresses the entirety of Kristeva's oeuvre, from her earliest work on poetic language to her most recent work on female genius, and it includes two previously untranslated essays by Kristeva, as well as original contributions from scholars working in several countries and a variety of disciplines.

"Why do we believe what we believe, and ignore what we don't believe? Why do we believe some things that have no foundation in reality, and refuse to believe in things that are firmly supported by scientific research? Why does it seem that many people believe in nothing at all? And does it matter what we believe, and how we came to that decisive point of belief or unbelief?" "Peter K. Fallon insists that neither the study nor the practice of ethics and metaphysics should be limited to professional academic philosophers and theologians. In The Metaphysics of Media Fallon takes a courageous stand against our hyper-mediated popular culture and the postmodern view of information as a salable commodity. He investigates how and why different media, through different historical eras, have engendered and supported certain concepts of reality - at the expense of others. He begins with a critical discussion of the essential idea of objective reality and truth. Fallon then unfolds the story of the evolution of communication through four major eras and the metaphysical foundation that underlies each era and concludes with a look at the troubling rise of mass ignorance in what we call (without a hint of irony) an "age of information.""--Résumé de l'éditeur.