Graham Humphreys' career as a poster artist looms large over horror cinema. From designing the iconic Evil Dead poster to Nightmare on Elm Street and House of a Thousand Corpses, his work is familiar to everyone. It's easy to see why his work grabs the attention of horror fans and filmmakers alike as he continually and systematically sets the bar ever higher in his quest for sheer terror and pure entertainment. With more than 40 years experience he is one of the few contemporary illustrators using the traditional medium of gouache to paint his images. Includes previously unseen work: paintings, drawings, and color studies.

Hung, Drawn, and Quartered takes an informative, no-holds-barred look at the history of execution, from Ancient Rome to the modern day. It is divided into eleven broadly chronological chapters, each exploring a different form of execution and is packed with gory details, eyewitness accounts, and little-known facts.

THE ART OF HORROR: AN ILLUSTRATED HISTORY

This open access book is the culmination of many years of research on what happened to the bodies of executed criminals in the past. Focusing on the eighteenth and nineteenth centuries, it looks at the consequences of the 1752 Murder Act. These criminal bodies had a crucial role in the history of medicine, and the history of crime, and great symbolic resonance in literature and popular culture. Starting with a consideration of the criminal corpse in the medieval and early modern periods, chapters go on to review the histories of criminal justice, of medical history and of gibbeting under the Murder Act, and ends with some discussion of the afterlives of the corpse, in literature, folklore and in contemporary medical ethics. Using sophisticated insights from cultural history, archaeology, literature, philosophy and ethics as well as medical and crime history, this book is a uniquely interdisciplinary take on a fascinating historical phenomenon.

From 1895 to 1937, 93 men were hanged at California's Folsom State Prison, and this book is the first to tell all of their stories, recounting long-forgotten tales of murder and swift justice, or sometimes, swift injustice that hanged an innocent man. Based on a treasury of historical information that has been hidden from the public for nearly 70 years, the full stories of these 93 executed men are presented in this collection including their origins, their crimes, the investigations that brought them to justice, their trials, and their deaths at the gallows. This wealth of previously unpublished historical detail gives a vivid view of the sociology of early 20th-century crime and of the resulting prison life. Readers take a trip back in time to the hard-boiled early 20th-century California that inspired the novels of Dashiell Hammett and countless other crime writers. Illustrated throughout with authentic and haunting prison photographs of each of the condemned men, the crimes and punishments of a vanished era are brought into a sharp and realistic light.

A Finalist for the Sidewise Award for Alternate History “A clever and imaginative tale.” —Steve Berry, New York Times bestselling author A thought-provoking novel that imagines what would have happened if the British had succeeded in kidnapping General George Washington. British special agent Jeremiah Black, an officer of the King’s Guard, lands on a lonely beach in the wee hours of the morning in late November 1780. The revolution is in full swing but has become deadlocked. Black is here to change all that. His mission, aided by Loyalists, is to kidnap George Washington and spirit him back to London aboard the HMS Peregrine, a British sloop of war that is waiting closely offshore. Once he lands, though, the “aid by Loyalists” proves problematic because some would prefer just to kill the general outright. Black manages—just—to get Washington aboard the Peregrine, which sails away. Upon their arrival in London, Washington is imprisoned in the Tower to await trial on charges of high treason. England’s most famous barristers seek to represent him but he insists on using an American. He chooses Abraham Hobhouse, an American-born barrister with an English wife—a man who doesn’t really need the work and thinks the “career-building” case will be easily resolved through a settlement of the revolution and Washington’s release. But as greater political and military forces swirl around them and peace seems ever more distant, Hobhouse finds that he is the only thing keeping Washington from the hangman’s noose. Drawing inspiration from a rumored kidnapping plot hatched in 1776 by a member of Washington’s own Commander-in-Chief Guard, Charles Rosenberg has written a compelling novel that envisions what would take place if the leader of America’s fledgling rebellion were taken from the nation at the height of the war, imperiling any chance of victory.

Professor Bellamy places the theory of treason in its political setting and analyses the part it played in the development of legal and political thought in this period. He pays particular attention to the Statute of Treason of 1352, an act with a notable effect on later constitutional history and which, in the opinion of Edward Coke, had a legal importance second only to that of Magna Carta. He traces the English law of treason to Roman and Germanic origins, and discusses the development of royal attitudes towards rebellion, the judicial procedures used to try and condemn suspected traitors, and the interaction of the law of treason and constitutional ideas.