This book argues for the significance of ideology critique and moral judgment in the fields of literary, cultural, political and philosophical studies. By drawing on Slavoj Zizek's theory of ideology the author examines postmodern horror films like Jonathan Demme's The Silence of the Lambs, multiculturalism, post-September 11 political discourses and the society of enjoyment in terms of paranoia and perversion and reveals patterns of enjoyment structured through ideological fantasy. The Lacanian/Zizekian theory of ideological fantasy and ethics of psychoanalysis is then applied to broader philosophical, political and cultural contexts.

This work argues for the significance of ideology critique and moral judgement in the fields of literary, cultural, political and philosophical studies. By drawing on Slavoj eZiezek's theory of ideology the author examines postmodern horror films, multi- culturalism and post 9/11 political discourses."

Horror has the gripping ability to captivate...and enthrall. It hooks you with unnerving stories of dread and evil, pushes your limits and pokes every phobia. Audiences love to be scared but behind every muffled scream is something deeper and even more fascinating. In Screaming for Pleasure, S.A. Bradley takes you on a wild journey exploring horror, where you'll discover what is so tantalizing about terror, including: Rare insights about some of the greatest fright directors of all time, like David Cronenberg, Guillermo Del Toro and John Carpenter, culled from hundreds of interviews.An in-depth look at 6 of the most impactful horror films by women directors, plus a list of over 15 women directors you should be watching now.Relive the most terrifying and shocking moments in horror film history with detailed breakdowns of over 100 films. Plus, you'll uncover how horror lets you peek in at what may be lurking within yourself. Screaming for Pleasure thrills you with the beauty and depth of the horror genre, dissecting films, literature and music, that reveals how horror constantly reinvents itself and reflects the anxieties of each generation. Whether you're frightened to watch scary movies alone or a horror obsessive, Screaming for Pleasure is the entertaining guide to help cinephiles of all types fall in love with horror again.

Michael Foley wants to understand why he doesn't appear to be experiencing as much 'fun' as everyone else. So, with characteristic wit and humour, he sets out to understand what fun really means, examining its heritage, its cultural significance and the various activities we associate with fun. He investigates pursuits such as dancing, sex, holidays, sport, gaming, and comedy, and concludes that fun is not easy, simple and fixed, as many seem to believe, but elusive, complex and constantly changing. In fact, fun is a profoundly serious business, a range of new group rituals evolving in response to cultural developments, often motivated as much by spirituality as hedonism. Also, while fun is a modern phenomenon it turns out to have recreated many of the elements of early ritual. His findings will invigorate you with insights, make you laugh at life, and quite possibly help you to understand why the post-post-modern is actually the pre-pre-modern.

Horror films have always reflected their audiences' fears and anxieties. In the United States, the 2000s were a decade full of change in response to the 9/11 terrorist attacks, the contested presidential election of 2000, and the wars in Iraq and Afghanistan. These social and political changes, as well as the influences of Japanese horror and New French extremism, had a profound effect on American horror filmmaking during the 2000s. This filmography covers more than 300 horror films released in America from 2000 through 2009, including such popular forms as found footage, torture porn, and remakes. Each entry covers a single film and includes credits, a synopsis, and a lengthy critical commentary. The appendices include common horror conventions, a performer hall of fame, and memorable ad lines.