The rhetoric of heroism pervades politics. Political leaders invoke their own heroic credentials, soldiers are celebrated at sporting events, ordinary citizens become state symbols (or symbols of opposition), and high profile celebrities embody a glamorized, humanitarian heroism. Using analytical tools drawn from international relations, gender studies, war studies, history, and comparative politics, this book examines the cultural and political phenomenon of heroism and its relationship to the process of creating, sustaining and challenging political communities. Arguing that heroism is socially constructed and relational, the contributors demonstrate that heroes and heroic narratives always serve particular interests in the ways that they create and uphold certain images of states and other political communities. Studying the heroes that have been sanctioned by a community tells us important things about that community, including how it sees itself, its values and its pressing needs at a particular moment. Conversely, understanding those who are presented in opposition to heroes (victims, demonized opponents), or who become the heroes of resistance movements, can also tell us a great deal about the politics of a state or a regime. Heroes are at once the institutionalization of political power, and yet amorphous--one can go from being a hero to a villain in short order. This book will appeal to scholars and students working on topics related to international relations, gender, security and war studies, comparative politics, state building, and political communities.

Heroes and heroic discourse have gained new visibility in the twenty-first century. This is noted in recent research on the heroic, but it has been largely ignored that heroism is increasingly a global phenomenon both in terms of production and consumption. This edited collection aims to bridge this research void and brings together case studies by scholars from different parts of the world and diverse fields. They explore how transnational and transcultural processes of translation and adaptation shape notions of the heroic in non-Western and Western cultures alike. The book provides fresh perspectives on heroism studies and offers a new angle for global and postcolonial studies.

The film Hero, directed by Zhang Yimou and released in 2002, is widely regarded as the first globally successful indigenous Chinese blockbuster. A big expensive film with multiple stars, spectacular scenery, and astonishing action sequences, it touched on key questions of Chinese culture, nation and politics, and was both a domestic sensation and an international hit. This book explores the reasons for the film’s popularity with its audiences, discussing the factors which so resonated with those who watched the film. It examines questions such as Chinese national unity, the search for cultural identity and role models from China’s illustrious pre-communist past, and the portrayal of political and aesthetic values, and attitudes to gender, sex, love, and violence which are relatively new to China. The book demonstrates how the film, and China’s growing film industry more generally, have in fact very strong international connections, with Western as well as Chinese financing, stars recruited from the East Asian region more widely, and extensive interactions between Hollywood and Asian artists and technicians. Overall, the book provides fascinating insights into recent developments in Chinese society, popular culture and cultural production.

The first unauthorized look at the philosophy behind Heroes, one of TV's most popular shows When ordinary individuals from around the world inexplicably develop superhuman abilities, they question who they are, struggle to cope with new responsibilities, and decide whether to use their new power for good or for evil. Every episode of Tim Kring's hit TV show Heroes is a philosophical quandary. Heroes and Philosophy is the first book to analyze how philosophy makes this show so compelling. It lets you examine questions crucial to our existence as thinking, rational beings. Is the Company evil, or good? Does Hiro really have a destiny? Do we? Is it okay to lie in order to hide your powers or save the world? Heroes and Philosophy offers answers to these and other intriguing questions. Brings the insight of history's philosophical heavyweights such as Plato and Nietzche to Heroes characters and settings Adds a fun and fascinating dimension to your understanding of the show Expands your thinking about Heroes as the series expands from graphic and text novels to action figures and a video game Whether you're new to Heroes or have been a fan since day one, this book will take your enjoyment of the show to the next level.

Support certain conclusions about heroes: All cultures have them; all cultures need them; and who or what is considered heroic may vary from culture to culture. This book provides a survey and stimulates the consideration of continuity and change with regard to heroes.

From the men and women associated with the American Revolution and Civil War to the seminal figures in the struggles for civil and women's rights, Americans have been fascinated with icons of great achievement, or at least reputation. But who spins today's narratives about American heroism, and to what end? In Where Have All the Heroes Gone?, Bruce Peabody and Krista Jenkins draw on the concept of the American hero to show an important gap between the views of political and media elites and the attitudes of the mass public. The authors contend that important changes over the past half century, including the increasing scope of new media and people's deepening political distrust, have drawn both politicians and producers of media content to the hero meme. However, popular reaction to this turn to heroism has been largely skeptical. As a result, the conversations and judgments of ordinary Americans, government officials, and media elites are often deeply divergent. Investigating the story of American heroes over the past five decades provides a narrative that can teach us about such issues as political socialization, institutional trust, and political communication.

Lincoln Allison Emeritus Professor of sport studies. He is a well-liked and well-respected name in the field. His previous The Changing Politics of Sport, Frank Cass, 1993 featured in a Daily Telegraph best-seller list (sports titles). This subject matter (globalisation of sport/international sport politics) forms a core part of sociology of sport courses now. This is a fairly accessible text that will be more useful for lecturers than some related titles on offer (see competition). There's a broad market for this text with potential readers across the social sciences in sports studies, politics and sociology.