Hen Harrier Poems is Colin Simms' fifth collection with Shearsman, and his third devoted to poems on a specific species, following Otters and Martens (2004) and Gyrfalcon Poems (2007). Future plans include volume devoted to poems on merlins and on goshawks. Simms is a naturalist who has observed the harrier and its North American cousin, the marsh hawk, for decades; his poems fuse a rich Bunting-esque diction and sonority with a focused eye and imagination.

An acknowledged classic of narrative nature-writing, Donald Watson's The Hen Harrier was the culmination of a lifetime's study of this beautiful upland bird. A gentle, warm and wonderfully written book, The Hen Harrier stems from an age of 'amateur' conservation, from the pen of a man who cared deeply about birds and their habitats, especially of the Scottish borders where he conducted much of his research and painting. The book was among the last of a dying breed; it would be thirty years or more before writing on our natural history would again reach the heights of accessibility to nature-lovers exemplified by Donald Watson and his peers. The book starts with Watson setting down more or less everything known about harriers – which at that time often consisted of information sent by letter to the author, rather than published in a journal – before moving on to the story of Watson's years studying nests in the south-west of Scotland. With a foreword by conservation champion Mark Avery, this edition of Watson's greatest work is particularly timely. The conflict between grouse-shooting interests, which has overseen the virtual extinction of the harrier as a breeding bird in England through illegal persecution, and an increasingly vocal conservationist lobby is the number one conservation issue in Britain today. Donald Watson's narrative soars like a sky-dancing harrier throughout this book. Read it, and be taken back to a simpler age of nature conservation by a true master of the art.

Completing the influential Oxford edition of Clare's collected poems, this volume presents the poems of the Northborough period of Clare's creativity. As with other volumes in the edition, many of the poems have never before been published, and Clare's spelling, punctuation, grammar, and vocabulary have all been carefully preserved. This final volume also includes corrections to the texts, variants, and notes in previously-published volumes in the series, along with a cumulative glossary and cumulative indices of first-lines and titles that will assist readers in their use of the edition as a whole. Clare's poetry deals not only with his own countryside, but also with its ceremonies and celebrations, its customs and games, its political, economic, and religious concerns, its proverbs, tales, and songs - indeed, with all aspects of its popular culture. The poems of the Northborough period are some of Clare's best work, demonstrating a particularly concise vision of Clare's experience of Nature.

In A Global History of Literature and the Environment, an international group of scholars illustrate the immense riches of environmental writing from the earliest literary periods down to the present. It addresses ancient writings about human/animal/plant relations from India, classical Greece, Chinese and Japanese literature, the Maya Popol Vuh, Islamic texts, medieval European works, eighteenth-century and Romantic ecologies, colonial/postcolonial environmental interrelations, responses to industrialization, and the emerging literatures of the world in the present Anthropocene moment. Essays range from Trinidad to New Zealand, Estonia to Brazil. Discussion of these texts indicates a variety of ways environmental criticism can fruitfully engage literary works and cultures from every continent and every historical period. This is a uniquely varied and rich international history of environmental writing from ancient Mesopotamian and Asian works to the present. It provides a compelling account of a topic that is crucial to twenty-first-century global literary studies.

Lynette Roberts is an extraordinary modernist poet and novelist, with her vivid imagery and restless experimentalism. Her writing displays a kind of double longing – for Wales, and for the Argentina she left behind. Her poetry constantly moves between the colours, mythologies and landscapes of the two countries and, in so doing, poses a series of important questions: where, and what, is home? How do we inhabit a particular time and place? This volume of essays brings together for the first time some of the most important research on Roberts’s work that has emerged since the landmark republication of her Collected Poems in 2005. Written by a range of prominent scholars, writers and poets, each essay strives in some way to ‘place’ Roberts, analysing the environments to which her writing responds and teasing out the interwoven skeins of her national, cultural and political affiliations. Together, they pinpoint key concerns in Roberts’s elusive, haunting work, and define her original contribution to twentieth-century literary culture.

"Pack soup, cheese and a copy of How To See Nature by the Bard of Wenlock Edge and Guardian diarist." John Vidal With a title taken from the 1940 Batsford book, this is nature writing for the modern reader. Evans weaves historical, cultural and literary references into his writing, ranging from TS Eliot to Bridget Riley, from Hieronymus Bosch to Napoleon. It is a book both for those that live in the country and those that don't, but experience nature every day through brownfield edge lands, transport corridors, urban greenspace, industrialised agriculture and fragments of ancient countryside. The essays include the The Weedling Wild, on the wildlife of the wasteland: ragwort, rosebay willowherb, giant hogweed and the cinnabar moth; Gardens of Light, about the creatures to be found under moonlight: pipistrelle bats, lacewings and orb-weaver spider; The Flow, with tales from the riverbank, estuaries and seas, including kingfisher, minnow, otter and heron. The Commons looks at meadowland with a human footprint, with the Adonis blue butterfly, horseshoe vetch, skylark, black knapweed and the six-belted clearwing moth. The author also looks at the wildlife returned to Britain, such as wild boar and polecats, and finds nature in and around landscapes as varied as a domestic garden or a wild moor. The book ends with an alphabetical bestiary, an idiosyncratic selection of British wildlife based on the author's personal encounters.