Numerous volumes have been written on the philosophy of Martin Heidegger, and new translations of his writings appear on a regular basis. Up to now, however, no book has addressed the connections between Heidegger's thought and the hermeneutic methodology involved in translating his works - or any other text. Gathering essays by internationally recognized scholars, this volume examines the specific synergy that holds between Heidegger's thinking and the distinctive endeavor of translation. Heidegger, Translation, and the Task of Thinking: Essays in Honor of Parvis Emad offers scholars and students alike a rare journey into the insights and intricacies of one of the greatest philosophers of the twentieth century. The book also pays homage to Parvis Emad, Professor Emeritus of Philosophy at De Paul University, founder of the journal Heidegger Studies and a renowned translator of Heidegger’s writings. Heidegger, Translation, and the Task of Thinking: Essays in Honor of Parvis Emad provides a uniquely focused perspective on Heidegger's thought, and delves into the strategies and controversies that attend all attempts to translate his most complex and challenging texts, including his seminal works Contributions to Philosophy and Mindfulness. Accordingly, this book will be of great interest and benefit to anyone working in the fields of phenomenology, hermeneutics, or Heidegger studies.

Martin Heidegger is one of the most influential philosophers of the 20th Century, and a key philosophical resource for literary critics. Not only has he written about poetry, generations of poets have engaged his writings. And yet, for Heidegger poetry and literature are separate. An essential part of the project of this book therefore is to show how both the distinction and connection between literature and poetry is staged within Heidegger's thought. It offers Heidegger's perspective on a range of key themes, topics, poets, and writers, including Poetry and Poetics, Ancient Greek theatre and tragedies and then specifically Friedrich Hölderlin, Thomas Mann, Paul Celan, Euripides and Sophocles. As the Chapters comprising this book make clear, Heidegger's work remains indispensable for any serious engagement with either literature or poetry today.

Heidegger’s philosophy has an extraordinarily complex relationship to Plato. Heidegger sees Plato as the founder of that Western metaphysics which he claims should be overcome. However, his interpretation of Plato, upon which his reconstruction of the history of philosophy rests, is anything but incontestable from a philological point of view, and has generated much criticism. This criticism, however, has been hampered by the fact that the only example in Heidegger’s work of a detailed analysis of a Platonic dialogue, namely the Lectures on Plato’s Sophist held in Marburg in 1924–25, remained unpublished until 1992. Thus, only in the last twenty years have scholars been able to develop a more nuanced understanding of Heidegger’s interpretation of Plato. Even then, however, the focus has been primarily on the importance of the lectures for Heidegger’s own thought. The possible impact of Heidegger’s interpretation on the study of Platonic philosophy itself has been neglected. This volume, therefore, offers a critical re-evaluation of Heidegger as an interpreter of Plato.

A bold new conception of Heidegger’s project of Destruktion as a method of interpreting history For Martin Heidegger, our inherited traditions provide the concepts through which we make our world intelligible. Concepts we can also oppose, disrupt, and even exceed. First, however, if Western philosophy is our inheritance, we must submit it to Destruktion—starting with Aristotle. Heidegger and the Destruction of Aristotle: On How to Read the Tradition presents a new conception of Heidegger’s “destruction” as a way of reading. Situated between Nietzschean genealogy and Derridean deconstruction, this method uncovers in Aristotle the most vital originating articulations of the Western tradition and gives us the means to confront it. Sean D. Kirkland argues this is not a rejection of the past but a sophisticated and indeed timely hermeneutic tool—a complex, illuminating, and powerful method for interpreting historical texts at our present moment. Acknowledging the historical Heidegger as a politically compromised and still divisive figure, Kirkland demonstrates that Heideggerian destruction is a method of interpreting history that enables us to reorient and indeed transform its own most troubling legacies.

Being Shaken is a multifaceted meditation by leading philosophers from Europe and North America on ways in which events disrupt the complacency of the ontological paradigm at the personal, ethical, theological, aesthetic, and political levels.

This book examines the application of drawing in the design process of classical architecture, exploring how the tools and techniques of drawing developed for architecture subsequently shaped theories of vision and representations of the universe in science and philosophy. Building on recent scholarship that examines and reconstructs the design process of classical architecture, John R. Senseney focuses on technical drawing in the building trade as a model for the expression of visual order, showing that the techniques of ancient Greek drawing actively determined concepts about the world. He argues that the uniquely Greek innovations of graphic construction determined principles that shaped the massing, special qualities and refinements of buildings and the manner in which order itself was envisioned.