As we emerge (though perhaps only temporarily) from the pandemic, other crises move center stage: outrageous inequality, climate disaster, desperate refugees, mounting tensions of a new cold war. The abiding motif of our time is relentless chaos. Acknowledging the possibilities for new beginnings at such moments, Mao Zedong famously proclaimed "There is great disorder under heaven; the situation is excellent." The contemporary relevance of Mao's observation depends on whether today's catastrophes can be a catalyst for progress or have passed over into something terrible and irretrievable. Perhaps the disorder is no longer under, but in heaven itself. Characteristically rich in paradoxes and reversals that entertain as well as illuminate, Slavoj Žižek's new book treats with equal analytical depth the lessons of Rammstein and Corbyn, Morales and Orwell, Lenin and Christ. It excavates universal truths from local political sites across Palestine and Chile, France and Kurdistan, and beyond. Heaven In Disorder looks with fervid dispassion at the fracturing of the Left, the empty promises of liberal democracy, and the tepid compromises offered by the powerful. From the ashes of these failures, Žižek asserts the need for international solidarity, economic transformation, and--above all--an urgent, "wartime" communism.

A monumental study of collective violence in the premodern world, this book analyzes all instances of rebellion and banditry recorded in 1,097 countries in China during the 277 years of the Ming dynasty (1368-1644). The assembled evidence constitutes the largest annual, county-level time-series on collective violence events in any part of the world, and the 630 recorded cases are used to test the major social science theories on the origins of collective violence. Using systematic data collected from local gazetteers on natural calamities, size of harvests, famine relief, physical terrain, local construction, and troop deployment, the author advances and validates a rational-choice argument that violence increased when survival in a subsistence economy became uncertain and the likelihood of punishment was low. Analyzing the administrative effectiveness and coercive capacity of the Ming state, the author also finds evidence to support a complementary structuralist explanation for increased collective violence in times of lax rulers, state insolvency, and inadequate welfare and tax policies. After an introductory chapter, the author explicates the main theoretical and methodological issues of collective violence and sketches the empirical pattern of rebellions and banditry, differentiating them by the level of threat they posed to the regime and by the sociopolitical profile of participating groups. In the next four chapters, he relates the Ming empirical configuration to four theoretical frameworks for collective violence: rational choice,which includes the issue of motive and choice—why people chose to become bandits; opportunity, in which the level of Ming collective violence is treated to variations in a regime's coercive capacity; social change, which is used to shed light on food riots, anti-tax rebellions, and conflict between employers and employees and between natives and outsiders; and class conflict, which prompts the author to assess the Marxist explanation for collective violence by investigating revolts of commoners against imperial clansmen, bondservants against masters, and tenants against landlords. The final chapter presents how the author's conclusions on why and how people became outlaws in the Ming and points the questions for future research.

Slavoj Žižek, a leading intellectual in the new social movements that are sweeping Eastern Europe, provides a virtuoso reading of Jacques Lacan. Žižek inverts current pedagogical strategies to explain the difficult philosophical underpinnings of the French theoretician and practician who revolutionized our view of psychoanalysis. He approaches Lacan through the motifs and works of contemporary popular culture, from Hitchcock's Vertigo to Stephen King's Pet Sematary, from McCullough's An Indecent Obsession to Romero's Return of the Living Dead—a strategy of "looking awry" that recalls the exhilarating and vital experience of Lacan. Žižek discovers fundamental Lacanian categories the triad Imaginary/Symbolic/Real, the object small a, the opposition of drive and desire, the split subject—at work in horror fiction, in detective thrillers, in romances, in the mass media's perception of ecological crisis, and, above all, in Alfred Hitchcock's films. The playfulness of Žižek's text, however, is entirely different from that associated with the deconstructive approach made famous by Derrida. By clarifying what Lacan is saying as well as what he is not saying, Žižek is uniquely able to distinguish Lacan from the poststructuralists who so often claim him.

"Miracles from Heaven is a powerful, healing story about family, love, faith, and hope. It amazed me and it will inspire readers everywhere.---T.D. Jakes, bestselling author of Destiny In a remarkable true story of faith and blessings, a mother tells of her sickly young daughter, how she survived a dangerous accident, her visit to Heaven and the inexplicable disappearance of the symptoms of her chronic disease. Annabel Beam spent most of her childhood in and out of hospitals with a rare and incurable digestive disorder that prevented her from ever living a normal, healthy life. One sunny day when she was able to go outside and play with her sisters, she fell three stories headfirst inside an old, hollowed-out tree, a fall that may well have caused death or paralysis. Implausibly, she survived without a scratch. While unconscious inside the tree, with rescue workers struggling to get to her, she visited heaven. After being released from the hospital, she defied science and was inexplicably cured of her chronic ailment. Miracles from Heaven will change how we look at the world around us and reinforce our belief in God and the afterlife.

As an unprecedented global pandemic sweeps the planet, who better than the supercharged Slovenian philosopher Slavoj Žižek to uncover its deeper meanings, marvel at its mind-boggling paradoxes and speculate on the profundity of its consequences? We live in a moment when the greatest act of love is to stay distant from the object of your affection. When governments renowned for ruthless cuts in public spending can suddenly conjure up trillions. When toilet paper becomes a commodity as precious as diamonds. And when, according to Žižek, a new form of communism – the outlines of which can already be seen in the very heartlands of neoliberalism – may be the only way of averting a descent into global barbarism. Written with his customary brio and love of analogies in popular culture (Quentin Tarantino and H. G. Wells sit next to Hegel and Marx), Žižek provides a concise and provocative snapshot of the crisis as it widens, engulfing us all.

“The work of a young writer with tremendous ambition, a bildungsroman of religion and revolution set during an obscure chapter of American history.” —The Washington Post A powerful and impressive debut novel from the winner of the Tennessee Williams/New Orleans Literary Festival Prize for fiction—first in the Woolsack family saga that continues with Secessia and The New Inheritors. The Blood of Heaven is the story of Angel Woolsack, a preacher’s son, who flees the hardscrabble life of his itinerant father, falls in with a charismatic highwayman, then settles with his adopted brothers on the rough frontier of West Florida, where American settlers are carving their place out of lands held by the Spaniards and the French. The novel moves from the bordellos of Natchez, where Angel meets his love Red Kate to the Mississippi River plantations, where the brutal system of slave labor is creating fantastic wealth along with terrible suffering, and finally to the back rooms of New Orleans among schemers, dreamers, and would-be revolutionaries plotting to break away from the young United States and create a new country under the leadership of the renegade founding father Aaron Burr. The Blood of Heaven is a remarkable portrait of a young man seizing his place in a violent new world, a moving love story, and a vivid tale of ambition and political machinations that brilliantly captures the energy and wildness of a young America where anything was possible. It is a startling debut. “Wascom is a craftsman, and each of his lengthy, winding sentences shimmers with the tang of blood and bone and sweat, and the archaic splendor of his language.” —The Boston Globe

Coretta Scott King Award–winning author Angela Johnson writes a poignant young adult novel of deception, self-discovery, and knowing what to do when truth is at hand. You never know what’s gonna come down—in Heaven.At fourteen, Marley knows she has Momma’s hands and Pops’s love for ice cream, that her brother doesn’t get on her nerves too much, and that Uncle Jack is a big mystery. But Marley doesn’t know all she thinks she does, because she doesn’t know the truth. And when the truth comes down with the rain one stormy summer afternoon, it changes everything. It turns Momma and Pops into liars. It makes her brother a stranger and Uncle Jack an even bigger mystery. All of a sudden, Marley doesn’t know who she is anymore and can only turn to the family she no longer trusts to find out. Truth often brings change. Sometimes that change is for the good. Sometimes it isn’t.