Crumbling pastel-colored facades line its streets, parked vintage cars evoke times past, live music permeates the air. Welcome to Havana, home to an overwhelming energy. Situated along the Straits of Florida, the capital of Cuba has been through several identities: Spanish colonial settlement, mobster rule in the 1930s, glamour of the 1950s, Cuban revolution and, most recently, a cultural renaissance. Havana’s bold, provocative approach to art, cuisine and entertainment—as well as the eclectic blend of African, French, Spanish and North American influences—including its range of architecture styles from the sixteenth century to the modern day, confer this epic city with a legendary status on par with the world’s greatest cities. While some of the building are in disrepair, the beauty of the baroque, neoclassical and art deco features triumphs. The iconic Copa Room cabaret that hosted Ginger Rogers and Abbott and Costello still stands. The Gran Teatro de la Habana, built in the early twentieth century, is now home to the Cuban National Ballet. Habana Vieja is undergoing a massive restoration to its former glory. Havana could be seen as a work-in-progress, but it is more a testament to its never-ending determination to improve and progress, which might be the allure that attracts so many visitors. So take a seat at an authentic paladar (family-run restaurant) and enjoy the vibrant evolution of Havana.

Little Havana Blues is a medley of voicesÑnarrators, essayists and poetsÑthat have come to forge a literary identity within the United States since their parents left Cuba to go into exile. However, this first comprehensive anthology of Cuban-American literature is not a symphony of the exile or immigrant generation and its letters. Instead, these writers are staking their claim on part of the American mosaic, with Pulitzer Prices and other awards in hand. But in their Americanization they are not rejecting their heritage or their Hispanic culture; rather they are Cubanizing, tropicalizing, expanding the realm of American culture and letters. Their vision is inclusive; their sources go deep into Anglo- and Hispano-European tradition and as deeply into Afro-Caribbean and mestizo culture, not to mention their love affair with popular culture and its icons. Included in Little Havana Blues are writers both established and burgeoning onto the literary scene: Pulitzer Prize winter Oscar Hijuelos, Rafael Compo, Gustavo PŽrez Firmat, Margarita Engle, Roberto Fern‡ndez, Dolores Prida, Jose Yglesias and many others. Accompanying the selections are an introduction and bibliography by the editors.

Who Ate the Pie? offers children an interactive way to learn to recognize animals by their geometrical shapes of their footprints and by the sound each animal makes. Who Ate the Pie? is a fun, engaging, educational and beautifully illustrated book, where young children and their parents are invited to join an important mission: find a lost pie for Mr. Goose. This first children’s book by Cuban jazz pianist, Elio Villafranca, is bound to capture the heart of readers of all ages.

A “dark, rich, and satisfying” novel of mobsters, baseball, and 1950s Cuba (Entertainment Weekly). It is the fall of 1958 and all of Cuba is riveted to the World Series—the New York Yankees are playing the Milwaukee Braves, and the infamous Meyer Lansky’s gambling empire is raking in millions in bets. But rival mob boss Joe Bonnano, working with a team of Cuba’s boldest and most ingenious criminals, plans to hijack Lanksy’s fortune. The heist goes off brilliantly—until Bonnano’s point man is shot dead. As Lansky’s man in the police department investigates the case, he is caught up in a colorful and dangerous world of gangsters, misfits, and double-crosses . . . “A lively, entertaining read.” —Publishers Weekly “The characters are fascinating, the story compelling . . . You couldn’t ask for more.” —Orlando Sentinel “Suspenseful . . . captures the sights, sounds, smells and rhythms of Havana.” —The Miami Herald

“The existential pain of exile, the confusions of sexual identity and the complex legacies of the Cuban revolution are predominant [in] Mr. Machado’s writing,” –The New York Times Eduardo Machado explores his lifelong themes with humor and passion in Havana Is Waiting (a writer returns to Cuba after thirty years), Kissing Fidel (a comedy set in Miami funeral parlor), The Cook (chronicling Cuban history), and Crocodile Eyes (inspired by Federico García Lorca). Eduardo Machado is the author of more than forty plays. Born in Cuba, his plays have been widely performed. He is artistic director of INTAR Theatre and head of playwriting at New York University.

A scorching novel from a star of Cuban fiction. The third in the Havana Quartet series.

This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the "claves" appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, and Vodu; and much more.