Eight years ago, thirteen-year-old Julie Whitaker was kidnapped from her bedroom in the middle of the night.

“Honest, warm, humane, and at times shocking, As Good as Gone is an achievement of empathy and dignity.” —Smith Henderson, author of Fourth of July Creek Calvin Sidey is always ready to run, and it doesn’t take much to set him in motion. As a young man, he ran from this block, from Gladstone, from Montana, from this country. From his family and the family business. He ran from sadness, and he ran from responsibility. If the gossip was true, he ran from the law. It’s 1963, and Calvin Sidey, one of the last of the old cowboys, has long ago left his family to live a life of self-reliance out on the prairie. He’s been a mostly absentee father and grandfather until his estranged son asks him to stay with his grandchildren, Ann and Will, for a week while he and his wife are away. So Calvin agrees to return to the small town where he once was a mythic figure, to the very home he once abandoned. But trouble soon comes to the door when a boy’s attentions to seventeen-year-old Ann become increasingly aggressive and a group of reckless kids portend danger for eleven-year-old Will. Calvin knows only one way to solve problems: the Old West way, in which scores are settled and ultimatums are issued and your gun is always loaded. And though he has a powerful effect on those around him--from the widowed neighbor who has fallen under his spell to Ann and Will, who see him as the man who brings a sudden and violent order to their lives--in the changing culture of the 1960s, Calvin isn’t just a relic; he’s a wild card, a danger to himself and those who love him. In As Good as Gone, Larry Watson captures our longing for the Old West and its heroes, and he challenges our understanding of loyalty and justice. Both tough and tender, it is a stunning achievement.

Former U.S. Marshal Simon Fisk now works as a private contractor, tracking down and recovering children who were kidnapped by their own estranged parents. He only has one rule: he won't touch stranger abduction cases. He's still haunted by the disappearance of his own daughter years ago when she was just a child, still unsolved, and stranger kidnappings hit too close to home. Until, that is, six-year-old Lindsay Sorkin disappears from her parents' hotel room in Paris, and the French police deliver Simon an ultimatum: he can spend years in a French jail for his actions during a past case, or he can work with them now to find Lindsay Sorkin. So, Simon sets out in pursuit of the missing child and the truth behind her disappearance. But Lindsay's captors did not leave an easy trail, and following it will take Simon across the continent, through the ritziest nightclubs and the seediest back alleys, into a terrifying world of international intrigue and dark corners of his past he'd rather never face again. With lightning-fast pacing and a twist behind every turn, Douglas Corleone's Good as Gone is a gripping race against the clock for a young girl with her life on the line and a man who has nothing left to lose.

NOW A NETFLIX ORIGINAL SERIES • “Gone for Good contains more plot twists than you can count, with a jarring revelation in nearly every chapter. . . . [Harlan] Coben has crafted a taut thriller with a slew of compelling characters. . . . As subtle as a shotgun, and just as effective.”—San Francisco Chronicle As a boy, Will Klein had a hero: his older brother, Ken. Then, on a warm suburban night in the Kleins’ affluent New Jersey neighborhood, a young woman—a girl Will had once loved—was found brutally murdered in her family’s basement. The prime suspect: Ken Klein. With the evidence against him overwhelming, Ken simply vanished. And when his shattered family never heard from Ken again, they were sure he was gone for good. Now eleven years have passed. Will has found proof that Ken is alive. And this is just the first in a series of stunning revelations as Will is forced to confront startling truths about his brother—and himself. As a violent mystery unwinds around him, Will knows he must press his search all the way to the end. Because the most powerful surprises are yet to come. “Coben stands on the accelerator and never lets up. . . . The action is seamless, clear, and riveting.”—People (Page-turner of the Week)

Gone For Good is the first in a new mystery series from award-winning author Joanna Schaffhausen, featuring Detective Annalisa Vega, in which a cold case heats up. The Lovelorn Killer murdered seven women, ritually binding them and leaving them for dead before penning them gruesome love letters in the local papers. Then he disappeared, and after twenty years with no trace of him, many believe that he’s gone for good. Not Grace Harper. A grocery store manager by day, at night Grace uses her snooping skills as part of an amateur sleuth group. She believes the Lovelorn Killer is still living in the same neighborhoods that he hunted in, and if she can figure out how he selected his victims, she will have the key to his identity. Detective Annalisa Vega lost someone she loved to the killer. Now she’s at a murder scene with the worst kind of déjà vu: Grace Harper lies bound and dead on the floor, surrounded by clues to the biggest murder case that Chicago homicide never solved. Annalisa has the chance to make it right and to heal her family, but first, she has to figure out what Grace knew—how to see a killer who may be standing right in front of you. This means tracing his steps back to her childhood, peering into dark corners she hadn’t acknowledged before, and learning that despite everything the killer took, she has still so much more to lose.

A novel unlike any previous work of Native American fiction.

"I'm not telling you where I am. Don't try to find me." Remember Go Ask Alice? Augusta, Gone is the memoir Alice's mother never wrote. A single parent, Martha Tod Dudman is sure she is giving her two children the perfect life, sheltering them from the wild tumult of her own youth. But when Augusta turns fifteen, things start to happen: first the cigarette, then the blue pipe and the little bag Augusta says is aspirin. Just talking to her is like sticking your hand in the garbage disposal. Martha doesn't know if she's confronting adolescent behavior, craziness, her own failures as a parent -- or all three. Augusta, Gone is the story of a girl who is doing everything to hurt herself and a mother who would try anything to save her. It is a sorrowful tale, but not a tragic one. Though the book charts a harrowing course through the troubled waters of adolescence, hope -- that mother and daughter will be reunited and will learn to love one another again -- steers them toward a shore of forgiveness and redemption. Written with darkly seductive grace, Augusta, Gone conjures the dangerous thrill of being drawn into the heart of a whirling vortex. This daring book will be admired for its lyricism, applauded for its courage, and remembered for its power. It demands to be read from start to finish, in one breathless sitting.