Three Urban Books authors have teamed up to bring the drama in this latest installment of the popular Girls from da Hood Series. Get It, Get It! by Ms. Michel Moore: Monica was conceived on a pile of dirty clothes in the corner of a trap house. Cursed with a mother who worshiped the crack pipe more than her children, she quickly learned a Detroit reality: Get it how ya live or die trying. The young teenager is forced to beg, borrow, and steal to make sure she and her siblings survive to see another day. Cutthroat and conniving, Monica will make it, no matter who she has to step on or step over. You Can’t Break Us by Treasure Hernandez: Voodo and his girl, Moni, are inseparable. Like a modern Bonnie and Clyde from the hood, they let no one, even family, get in their way. When the people they do “around the way” business with turn out to be verified snakes, the ruthless couple gets revenge the only way they know how—street justice. With the law in hot pursuit, it’s Voodo and Moni against the world, just like they always knew it would be. So Far Gone by Katt: Sometimes love is the best feeling in the world, but the wrong kind of love can turn you into an entirely different person. When good-girl-turned-bad Renee gets together with Keithon, it’s them against the world, until the streets get to talking and their fairy-tale relationship turns into a full-blown nightmare. Karma steps in and has her way with the couple, and their lives will never be the same.

Girls From Da Hood is the story of Unique, Nina, and Anyeh, three of the baddest dirls from the good you ever want to meet.

Urban Books' popular Girls From da Hood series is back, bringing readers more dramatic tales about the lives of some tough, resourceful women who can hold their own when things get rough on the streets. Gabby Davenport spent the first fifteen years of her life in the suburbs, living a privileged and sheltered existence. When her mother dies unexpectedly, she is forced to move from her middle class neighborhood into Cumberland Projects in Brooklyn. Gabby's life will never be the same. Mika, the queen bee of the projects, doesn't appreciate the arrival of this private-school good girl. Mika and her posse are on a mission to make Gabby's life miserable, and things only get worse when Mika's "friend with benefits" B-Waite decides he wants to make Gabby his girl. Mika is ready to go to war to win back her man, and she doesn't care who she has to take down in the process. Keisha, Shawna, and LaRhonda are best friends forever, as the saying goes. Nothing will tear apart this tight trio—or so they think. When Keisha steps out of her box to become more of her own person, tension builds among the girls. In the eyes of her trusted friends, her lifestyle has become questionable. What happens when her secrets and desires are revealed? Shawna's life is just starting to look up. She's been hired at a major record label, and she's making enough money to move out of the projects for good. When her good news is met by fake smiles, Shawna gets a new perspective on how her girls really feel. LaRhonda sees each of her friends moving up while she's still struggling in the confines of the ghetto. After she gives birth to her second child by the age of eighteen, she feels like her dreams are out of reach. Her growing jealousy isn't easy to hide. What will happen when her misery wants company?

A NEW YORK TIMES BESTSELLER “The fights against hunger, homelessness, poverty, health disparities, poor schools, homophobia, transphobia, and domestic violence are feminist fights. Kendall offers a feminism rooted in the livelihood of everyday women.” —Ibram X. Kendi, #1 New York Times-bestselling author of How to Be an Antiracist, in The Atlantic “One of the most important books of the current moment.”—Time “A rousing call to action... It should be required reading for everyone.”—Gabrielle Union, author of We’re Going to Need More Wine A potent and electrifying critique of today’s feminist movement announcing a fresh new voice in black feminism Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others? In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement, arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on reproductive rights, politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.

My name is Christianna Faith Leonard. I am named after a man of great honor. Yet, how deep I fall short from my namesake is immeasurable. From a distance, my life is a dream. My house in the suburbs is beautiful. Our picturesque family photo sits on the mantle of a fireplace looking as if it were ripped straight out of a magazine. I never miss choir rehearsal. My grades and volunteer work have earned me a scholarship to college. My polite manners are impeccable; quick to say please and thank you. I am the trusted neighborhood babysitter. But behind the facade of a good girl, I am a young woman covered in guilt, sin, and secrets. Shame is my childhood friend, never too far away like a loyal companion. Even still, my biggest dream is to just be loved and accepted for who I really am. You can call me Tianna or Ti for short. I am a good girl. I am a hood girl.My name is Bianca Williams. My mom chose my name. People call me Bi for short. I can't tell you how many times they call me that for a different reason altogether. It's annoying and kinda pisses me off. But I ain't letting nobody have power over me like that. If there is one thing I learned growing up in North Camden, is having tough skin. Can't let them see you sweatin' the small stuff. Can't show weakness or you'll get eaten up alive out here. Yet, a big, soft heart beats within me. I can't let it become hardened like these cold, crime-ridden streets. I have dreams and goals. My dad doesn't know it, but he needs me. I need to make my Mom proud. Don't get me wrong, I will throw hands up real quick because I am ain't scared of anyone or anything. Well, anything except being alone. That is a fear that a hood mentality can't seem to eradicate. Even still, I long to be loved and safe. I am a hood girl. I am a good girl.

Camille, Jade, and Shy are best friends and have always had each other's backs. Jade and Shy's boyfriends, Roscoe and James, are partners in a lucrative drug business, but one night they get caught up in a shoot-out that goes horribly wrong. Shy's man, Roscoe, ends up in prison while James walks away clean, and things begin to fall apart between the girls. Jealousy, greed, revenge, and betrayal test the true bonds of friendship. Get ready, because these girls are about to take "nasty" to a whole new level.

Girlz in the Hood is the unsentimental, moving, and surprisingly humorous account of a girl and her ten siblings who grew up in one of the roughest neighborhoods in Los Angeles. Mary's mother was a fierce matriarch, a single mom who raised eleven children with the help of welfare checks and a fire arm hidden in her bra. Drugs, guns, and pregnancies were everyday occurrences, but Mary and her siblings took it all in stride, spying on the grown-ups, playing in the streets, and helping to take care of the new babies when they were born. The dubious yet colorful cast of characters that came into their lives (the Jehovah Witnesses, the whores, the addicts, the "fathers"), and the never-ending series of hardships (the jail terms, the knife fights, the mental illness, and homicides), couldn't shake the core of the family. This is the story of Mary, but, even more so, it's the story of her mother, a uniquely strong and extraordinary woman who was able to survive moments of pain and disappointment by laughing at the comedy of human missteps, miscalculations, and downright stupidity. This is also a story about race and of poverty and how, over time, it can wear you down and destroy you, because, although Mary got out okay, her sisters and brothers were not so lucky.