This collection of 23 essays, presented in three sections, aims to discuss women’s studies as well as methodological and theoretical approaches to gender within the broad framework of ancient Near Eastern studies. The first section, comprising most of the contributions, is devoted to Assyriology and ancient Near Eastern archaeology. The second and third sections are devoted to Egyptology and to ancient Israel and biblical studies respectively, neighbouring fields of research included in the volume to enrich the debate and facilitate academic exchange. Altogether these essays offer a variety of sources and perspectives, from the textual to the archaeological, from bodies and sexuality to onomastics, to name just a few, making this a useful resource for all those interested in the study of women and gender in the past.

Gender in the Ancient Near East is a wide-ranging study through text and art that presents our current understanding of gender constructs in ancient Mesopotamia, Egypt, Anatolia, Cyprus, and the Levant, and incorporates current trends in gender theory. Budin begins with definitions of sex and gender in modern society and scholarship before exploring ancient Near Eastern understandings of these concepts. Readers are then guided through sources in translation in order to understand how the denizens of the ancient Near East understood notions of femininity, masculinity, and other, with a final chapter considering how modern notions of hetero- and homosexuality apply to the ancient world. The volume also explores how these concepts are portrayed in ancient art and material culture through accompanying photographs and illustrations. The overview of both Near Eastern history and contemporary gender theory allows readers unfamiliar with the material easily to approach the subject and draw meaningful conclusions. Gender in the Ancient Near East offers a comprehensive and engaging introduction to the subject for students of the ancient Near East and of gender in the ancient world. It is also of interest to those working in gender studies and queer studies.

Studies in Ancient Near Eastern Records (SANER) is a peer-reviewed series devoted to the publication of monographs pertaining to all aspects of the history, culture, literature, religion, art, and archaeology of the Ancient Near East, from the earliest historical periods to Late Antiquity. The aim of this series is to present in-depth studies of the written and material records left by the civilizations and cultures that populated the various areas of the Ancient Near East: Anatolia, Arabia, Egypt, Iran, the Levant, Mesopotamia, and Syria. Thus, SANER is open to all sorts of works that have something new to contribute and which are relevant to scholars and students within the continuum of regions, disciplines, and periods that constitute the field of Ancient Near Eastern studies, as well as to those in neighboring disciplines, including Biblical Studies, Classics, and Ancient History in general.

A collection of essays on possible methodological and theoretical approaches to gender within the framework of ancient Near Eastern studies.

In this incisive work, Sam Ashton provides a compelling, consistent and erudite argument for a foundational approach to the matter of sexual difference, drawing on biblical and doctrinal material and using resources in their original languages. He tracks and traces the sexed body as it moves from creation, through the fall, to redemption “now,” and final consummation “not yet.” In doing so, Ashton presents what is perhaps the strongest case that can be made for 'male and female He created them'. Each chapter privileges biblical exegesis, drawing upon figures in church history (notably Augustine and Aquinas) as and when they illumine Scripture. By doing so, the book considers the difficulty presented to sexual dimorphism by the phenomenon of intersex. Ashton seeks to develop an understanding that is generous, inclusive and affirming, so he works carefully through the writings of Thatcher, Song and Cornwall in a way that invites engagement and dialogue. With the complete divine drama in view, the book offers synthetic judgments about what remains essential for the “structure” of the sexed body as it travels through history and what may be accidental to the sexed body's “direction” within a particular theo-dramatic act. Ashton concludes by considering ways to transition from dogmatic judgments about intersexuality to the moral-pastoral care of concrete intersex individuals, briefly thinking about the complex matter of marriage.

Selves Engraved on Stone explores the ways in which multiple aspects of identity were constructed through the material, visual, and textual characteristics of personal seals from ancient Mesopotamia and Syria in the latter half of the 2nd millennium BCE.

This in-depth exploration of emotions in the ancient Near East illuminates the rich and complex worlds of feelings encompassed within the literary and material remains of this remarkable region, home to many of the world’s earliest cities and empires, and lays critical foundations for future study. Thirty-four chapters by leading international scholars, including philologists, art historians, and archaeologists, examine the ways in which emotions were conceived, experienced, and expressed by the peoples of the ancient Near East, with particular attention to Mesopotamia, Anatolia, and the kingdom of Ugarit, from the Late Uruk through to the Neo-Babylonian Period (ca. 3300–539 BCE). The volume is divided into two parts: the first addressing theoretical and methodological issues through thematic analyses and the second encompassing corpus-based approaches to specific emotions. Part I addresses emotions and history, defining the terms, materialization and material remains, kings and the state, and engaging the gods. Part II explores happiness and joy; fear, terror, and awe; sadness, grief, and depression; contempt, disgust, and shame; anger and hate; envy and jealousy; love, affection, and admiration; and pity, empathy, and compassion. Numerous sub-themes threading through the volume explore such topics as emotional expression and suppression in relation to social status, gender, the body, and particular social and spatial conditions or material contexts. The Routledge Handbook of Emotions in the Ancient Near East is an invaluable and accessible resource for Near Eastern studies and adjacent fields, including Classical, Biblical, and medieval studies, and a must-read for scholars, students, and others interested in the history and cross-cultural study of emotions.