Gathering Pearls is a collection of cultured poems abounding with grace. A delicate thread of wisdom and sensitivity permeates Susan Maree's poetry. Gathering Pearls will take you to your soul, make you weep, and make you smile. The poet's words emanate from the depth of her soul, as she often states that her poems are "whispers from God." When not written by way of divine inspiration, these poems are a direct result of Susan Maree's struggles and triumphs. The author confesses that for her, "writing poetry creates order out of chaos and transforms obstacles into blessings."By reading this magnificent collection, you may discover emotions that perhaps you were unaware of before. Gathering Pearls promises to calm, encourage, strengthen, enlighten, make you laugh and bring hope where there is despair. Readers may also look forward to a humorous book of poetry for children to be published in the future. For now, as Susan makes her literary debut, it is her greatest aspiration that you enjoy and appreciate Gathering Pearls.

Sifting Your Life, and Gathering Pearls is the manifestation of more than six decades of poetry and prose, and the love of written and spoken word. Readers are witness to an elegantly crafted, and at times stark, slideshow of the American south, from The Great Depression, through World War II and Vietnam, while still settling into quip and delightful remembrances of what true friendship and compassion look like over decades of caring. Realist and Renaissance Woman merged, she has a gift for capturing the spectrum of blessings, joy, and grief, as well as highlighting the segregated south and cultural hypocrisy we continue to encounter today. Bringing forth from her ancestors, the strength, compassion, and resolve to bring balance to social inequality, Joy's writings about her own friends and family bring full-circle the impressions of seeing the raw realness of human beings ... family and stranger alike. This collection of poetry nudges readers to a higher awareness in their interactions with one another and with the world.

Excerpt from Popular Poetic Pearls: And Biographies of Poets Persons who have not the time or means for an extended study of the poets, may be delighted here with the sweetest strains from the world of poetry. We have also gathered numerous sweet and tender poems that, in a moment of inspiration, were breathed out from obscure sources into an immortal literary life. These iioems have just as firm hold upon the affections of the people as have the utterances of the master poets. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

“In the fall of 1970, at the New School in Greenwich Village, a new teacher posted a flyer on the wall,” begins Alexander Neubauer’s introduction to this remarkable book. “It read ‘Meet Poets and Poetry, with Pearl London and Guests.’” Few students responded. No one knew Pearl London, the daughter of M. Lincoln Schuster, cofounder of Simon & Schuster. But the seminar’s first guests turned out to be John Ashbery, Adrienne Rich, and Robert Creely. Soon W. S. Merwin followed, then Mark Strand and Galway Kinnell. London invited poets to bring their drafts to class, to discuss their work in progress and the details of vision and revision that brought a poem to its final version. From Maxine Kumin in 1973 to Eamon Grennan in 1996, including Amy Clampitt, Marilyn Hacker, Paul Muldoon, Nobel laureate Derek Walcott, and U.S. poet laureates Robert Hass, Robert Pinsky, Louise Glück, and Charles Simic, the book follows an extraordinary range of poets as they create their poems and offers numerous illustrations of the original drafts, which bring their processes to light. With James Merrill, London discusses autobiography and subterfuge; with Galway Kinnell, his influential notion that the new nature poem must include the city and not exclude man; with June Jordan, “Poem in Honor of South African Women” and the question of political poetry and its uses. Published here for the first time, the conversations are intimate, funny, irreverent, and deeply revealing. Many of the drafts under discussion—Robert Hass’s “Meditation at Lagunitas,” Edward Hirsch’s “Wild Gratitude,” Robert Pinsky’s “The Want Bone”—turned into seminal works in the poets’ careers. There has never been a gathering like Poetry in Person, which brings us a wealth of understanding and unparalleled access to poets and their drafts, unraveling how a great poem is actually made.