Future Imperfect describes and discusses a variety of technological revolutions that might happen over the next few decades, their implications, and how to deal with them. Topics range from encryption and surveillance through biotechnology and nanotechnology to life extension, mind drugs, virtual reality, and artificial intelligence. One theme of the book is that the future is radically uncertain. Technological changes already begun could lead to more or less privacy than we have ever known, freedom or slavery, effective immortality or the elimination of our species, and radical changes in life, marriage, law, medicine, work, and play. We do not know which future will arrive, but it is unlikely to be much like the past. It is worth starting to think about it now.

Capt. James T. Kirk's historic voyages have seldom been recorded fro, the vantage point of those who served "below deck" on the Starship Enterprise™ NCC-1701. This new trilogy reveals the courage and dedication of the men and women who constitute Kirk's crew, as well as the unearthly dangers faced by any who dare to explore the final frontier! THE JANUS GATE book two of three FUTURE IMPERFECT On a desperate rescue mission to recover their missing captain, the shuttle Copernicus and its crew have become lost in time and space, transported by a powerful subspace vortex to a hellish future time line where the brutal Gorn Hegemony has all but conquered the United Federation of Planets. Stranded on a transformed Federation colony, now a Gorn mining world worked by oppressed human slaves, Helmsman Hikaru Sulu meets an older version of a man he barely knows, Pavel Chekov, who now leads a ragtag band of freedom fighters against the Gorns. Teamed together for the first time, Sulu and Chekov must struggle to survive in a future that should never have happened!

A harrowing new adventure featuring one of Marvel Comics' most enduring characters. Hounded by the U.S. Army for crimes he did not commit, the Hulk seeks refuge in an experimental procedure that will permanently transform him back to his human incarnation of Dr. Robert Bruce Banner--and be rid of his green-skinned alter ego forever. Chapter opening illustrations.

Ade Patience can see the future and it's destroying his life. When the seventeen-year-old Mantlo High School student knocks himself unconscious, he can see days and decades into his own future. Ade's the best of Denver's "divination" underground and eager to join the heralded Mantlo Diviners, a group of similarly enabled teens. Yet, unlike the Diviners, Ade Patience doesn't see the future out of curiosity or good will; Ade gives himself concussions because he's addicted to the high, the Buzz, he gets when he breaks the laws of physics. And while there have been visions he's wanted to change, Ade knows the Rule: You can't change the future, no matter how hard you try. His memory is failing, his grades are in a death spiral, and both Ade's best friend and his shrink are begging him to stop before he kills himself. Ade knows he needs to straighten-out. Luckily, the stunning Vauxhall Rodolfo has just transferred to Mantlo and, as Ade has seen her in a vision two years previously, they're going to fall in love. It's just the motivation Ade needs to kick his habit. Only things are a bit more complicated. Vauxhall has an addiction of her own, and, after a a vision in which he sees Vauxhall's close friend, Jimmy, drown while he looks on seemingly too wasted to move, Ade realizes that he must break the one rule he's been told he can't The pair must overcome their addictions and embrace their love for each other in order to do the impossible: change the future.

Future Imperfect critically examines the role played by cultural institutions in producing present-day and future contexts for the production, dissemination, and reception of contemporary art in the Middle East and North Africa. It offers historical contexts for discussions that have become increasingly urgent in recent years--the role of culture in a time of conflict and globalization--and an in-depth critique of the state of cultural institutions in an age of political upheaval, social unrest, exuberant cultural activity, ascendant neoliberal forms of privatization, social activism, and regional uncertainty. Based on collective input from numerous contributors and interlocutors, this volume brings together internationally renowned academics, critics, activists, filmmakers, artists, and other independent cultural practitioners to consider how new infrastructures and institutions can effectively emerge within such fraught and dynamic contexts. What is needed in terms of infrastructure for cultural production today, and how, crucially, can we speculatively propose new infrastructures and institutions in the context of present realities? Visual Culture in the Middle East Vol. 3 Supported by the Kamel Lazaar Foundation Contributors Leila Al-Shami*, Monira Al Qadiri, Hoor Al-Qasimi, Anahi Alviso-Marino, AMBS Architects, Stephanie Bailey, Eray Çayli, Rachel Dedman, Elizabeth Derderian, Anthony Downey, Karen Exell, Reema Salha Fadda, Wafa Gabsi, Hadia Gana, Adalet R. Garmiany, Baha Jubeh, Suhair Jubeh, Amal Khalaf, Kamel Lazaar, Jens Maier-Rothe, Guy Mannes-Abbott, Doreen Mende, Lea Morin, Jack Persekian, Wided Rihana Khadraoui*, Rijin Sahakian, Gregory Sholette, Tom Snow, Lois Stonock*, Nile Sunset Annex*, Ania Szremski, Christine Tohme, Toleen Touq, Williams Wells, Ala Younis, Yasmine Zidane (*online projects)

From a titan of science fiction adventure and the creator of the legendary Bolo series, an action-packed volume containing a full-length novel and a host of short novels and stories. From a titan of science fiction adventure and the creator of the legendary Bolo series, an action-packed volume containing a full-length novel and a host of short novels and stories. A wry vision of a future full of amazing develeopments–but a future where old problems come back to haunt humanity in strange new ways. First, Mal heads across an America ravaged by worldwide earthquakes when he runs into a dying stranger who speaks darkly of meeting men who weren't really men. The stranger has an unusual gold coin in his pocket–and soon Mal discovers that some thing wants that coin back, and will stop at nothing to get it. Next: Steve Dravek awakes in a nightmarish city and immediately must fight for his life against ruthless organ-stealing gangs. His last memories are of a vanished time from a century ago. Now, as Steve tries to stay alive long enough to orient himself, he discovers that someone is hunting him through the dark city, someone who seems to know him better than he knows himself. Plus: The commander of the spaceship fleet that just annihilated the enemy armada decides to become world dictator –that is, unless his second in command can stop him. And a national test condemns a man to a life of unskilled labor, unless he can find a way around the system. Praise for Keith Laumer: "Spare, clean prose style and muscular storytelling technique . . . the reader comes away with both a sense of completion and a desire for the tale to go on ... forever, if possible." –David Weber "You're about to have fun." –David Drake "One of the most productive and popular writers of science fiction." –Ben Bova "... adventure tales that are brisk, light and sardonic ..." –Publishers Weekly "Laumer is a master. . . ." –Seattle Times "Tautly written and endless suspense ... excellent ..." –VOYA

Dreamscapes of Modernity offers the first book-length treatment of sociotechnical imaginaries, a concept originated by Sheila Jasanoff and developed in close collaboration with Sang-Hyun Kim to describe how visions of scientific and technological progress carry with them implicit ideas about public purposes, collective futures, and the common good. The book presents a mix of case studies—including nuclear power in Austria, Chinese rice biotechnology, Korean stem cell research, the Indonesian Internet, US bioethics, global health, and more—to illustrate how the concept of sociotechnical imaginaries can lead to more sophisticated understandings of the national and transnational politics of science and technology. A theoretical introduction sets the stage for the contributors’ wide-ranging analyses, and a conclusion gathers and synthesizes their collective findings. The book marks a major theoretical advance for a concept that has been rapidly taken up across the social sciences and promises to become central to scholarship in science and technology studies.